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Merge Records owners enlighten Malaprops
By Cassady Sharp
News Editor
CBSHARP@UNCA.EDU
Today’s independent music scene
would not be the same without the sac
rifice of hundreds of rabbits.
After a failed attempt , at a 2 a.m.
Grand Canyon excursion on their way
back from visiting Sub Pop Records
founders in Seattle and realizing their
van simply could not avoid hundreds of
rabbits in the road, Laura Ballance and
Mac McCaughan founded Merge Re
cords, the independent label responsible
for Arcade Fire, Spoon and the Mag
netic Fields, among other foundational
artists.
The decision to start their own record
label was more of a necessity rather than
a creative side project. McCaughan
played guitar and sang lead vocals and
Ballance played bass for the Chapel Hill
band Superchunk.
“People ask the question a lot, ‘Why
did you decide to put out your own re
cords?’ But it’s not like there was any
one else asking to put them out,’’ said
McCaughan in Our Noise: The Story of
Merge Records, published last month,
coinciding with the label’s 20th anni
versary.
At a small gathering of music nerds
at Malaprops bookstore last Friday, Mc
Caughan and Ballance played acoustic
versions of Superchunk, Spoon and
Magnetic Fields songs and read pas
sages from Our Noise, which they co
wrote with John Cook, a reporter for
Chicago-Tribune, Gawker Media and
Radar magazine.
The book includes behind-the-scenes
photos and profiles of Merge artists,
handwritten artifacts like set lists and
postcards and an introduction by Jack
sonville native and notorious Ameri
cana music troublemaker Ryan Adams.
“I had a friend in the publishing busi
ness who wasn’t even that into music.
He said, ‘This is an interesting story,
let’s do a book.’ And I thought about it
and answered, ‘It’s not that interesting
of a story, so let’s not do a book,”’ Mc
Caughan said.
After compiling thousand of images
and artifacts and with the help of Cook,
McCaughan and Ballance realized their
story was worth telling.
McCaughan and Ballance met in Cha
pel Hill in the summer of 1987. Bal
lance had just finished her freshman
year at UNC and McCaughan had just
moved there, taking time olf from his
kA^r'^ 1. ^ Hayes - Staff Photographer
Mac McCaughan and Laura Ballance, founders of the Chapel Hill-based Merge Records, perform a
Superchunk song at Asheville’s Malaprops bookstore book-signing. Ballance, below, reads an excerpt
from the new Merge book, titled Our Noise: The Story of Merge Records.
studies at Columbia University. They
both worked at Pepper’s Pizza on Frank
lin Street, where McCaughan talked a
hesitant Ballance into playing music.
“I felt like I was pushed into it. Mu
sic was important to me, but I had never
wanted to actually play music or be on a
stage,” Ballance wrote in Our Noise. “I
was mystified by Mac and his friends’
knowledge of all these obscure punk-
rock bands.”
McCaughan was ultimately success
ful in his persuasion, and the two went
on to play side-by-side in Superchunk,
eventually embarking on international
tours and traveling with Sonic Youth,
Pavement and Built to Spill on the tour
ing 1995 Lollapalooza.
But what set the band apart from their
alternative music colleagues was thejr
refusal to answer to superior label ex
ecutives.
McCaughan, a grungy guitar player,
and Ballance, a goth girl from Durham,
were the label executives.
“The label was totally Mac’s idea. To
call it Merge was my idea,” Ballance
said to the Malaprops crowd, reminisc
ing about the rabbit-killing road trip.
“We were driving through Colorado,
and I started reading road signs while I
was thinking about a name for it. I actu
ally thought it was a pretty dumb name
for a long time. But it’s certainly better
than ‘Pronghorn antelope,’ which is an
other thing I saw while driving on that
trip,” she said.
The young Merge founders were driv
ing back to North Carolina, inspired by
their friends at the year-old Sub Pop re
cords in Seattle, who would later sign
Nirvana and Soundgarden.
See our noise Page 13 I
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