September 23,2005 | The Clarion ARTS & LIFE ‘The Brothers Grimm’ is no Monty Python tale bv Chrisi Gaskill by Chrisi Gaslill Staff Writer Th9 Brothers Grimm Directed by Terry Gilliam (MGM, 2005) •kir -k i Terry Gilliam’s The Brothers Grimm is a bit like an old quilt. It’s tattered, tom, and the seams are gaping, but there’s magic in it all the same. From a confused back ground story to an unfinished ending, the movie has style, but lacks a distinct pur pose. The brothers, Wilhelm (Matt Damon) and Jacob Grimm (Heath Ledger), are con artists in French occupied Germany who “save” villages from fake witches and de mons of the Grimms’ own design. It is not long before Delatombe (Jonathan Pryce) catches them. Instead of executing the brothers, Delatombe sends them, accom panied by his Italian torturer, Cavaldi (Pe ter Stormare), to the small village of Marbaden where children are disappear ing in the woods at an alarming rate. Angelika (Lena Headey), a local woman who knows the forest’s secrets, becomes the brothers’ guide. The enchant ments of the forest, however, are far too real, and the brothers find themselves hip deep in a veri table collage of fairytales - including a 500-year-old evil queen (Monica Bellucci) locked away in her tower, questing for everlasting beauty. Unfortunately, the Brothers Grirrun can’t make up their minds about what kind of people they want to be. The brothers are charla tans, clowns, romantic he roes, and magicians - what ever is convenient for them at that particu lar moment. I was pleasantly surprised at Ledger’s performance of Jacob, the quiet, scholarly little brother. This is a new role for him that he took on splendidly. Peter Stormare is so over the top as a bizarre Italian torturer that there are times when he is utterly incoherent. Visually, the movie is stunning, but some of the elements don’t quite match up, leaving the viewer slightly bewildered. One minute the forest has an otherworldly glow, and the next it appears to be an ordi nary wood. This was due to Gilliam’s cinematographer, Nicola Pecorini, being fired halfway through the movie. Yet there is beauty in The Brothers Grimm. There are wonderful allu sions to various fairytales. A little girl in a red cape who doesn’t come back; “Hans” and “Greta,” who leave a trail of bread crumbs; long hair used as rope to climb down from a tower; a gingerbread man who can not be caught; and an evil queen who wishes to be “the fairest of them all” are just a few of the great under tones that can be found in the movie. Overall, the movie is slightly confus ing and choppy. Despite its rough exterior, it has magical elements that take the viewer back to when they first heard the Grimms’ fairytales. There is a living feeling to the movie that transports the viewer to a very special place: “once upon a time”. Asheyille-based band headlines Roxaway festival by Zack Harding Staff Writer It is always such a pleasure to discover a new band that is absolutely flooring. This is definitely the case with the Asheville based band Fifth House, a combination funk/rock/jam outfit. The band formed in 1999 and stayed together until 2000. It has only been back together again since April of 2005, though not that anyone would ever be able to tell. Influences include Phish, the GratefijI Dead, and Stevie Wonder (probably the most evident of the three). The groove is held together by the unky and solid six-string bass playing of ob Heyer and the tight drumming of Mike shworth. The majority of the lead work IS shared between guitarist and lead vocal ist Corey Bullman and keyboardist Kevin Scala. An interesting thing about the band >s that the focus neither falls on improvisa tion or songwriting in particular but rather a great marriage thereof. They are the songwriter s jam band, so there is no need to fear 20 minute freak out sections or clut tered improvisation, they jam with a great sense of musicianship and purpose. Not even the longest of their songs seem con trived; everything is in its right place. The band recently played at the Roxaway music festival at Lake Toxaway, N.C. Most bands at the festival were quite phenomenal, but none stepped close to the show put on by Fifth House. They pos sess that unique power of stage presence that usually is only felt with larger well- known acts that have been around for years. Though adjectives are often overused, two come to mind when trying to describe the danceable sound of their music: fresh and smooth. Every member contributes equally to a beautiful outcome, no one member stands out as the main reference point. There are certain moments in their live show that do highlight a specific band member though, such as the fantastic bass solo by Heyer at the Roxaway festival. Another interesting thing that sets Fifth House apart from most other jam bands is the rather poetic nature of lyrics of the bands original songs. In response to poetry in music, Bullman, who writes most of the lyrics, said, “People who write songs are just bad poets.” The band released a demo in their first incarnation around 2000 and an EP of se lected live tracks and studio cuts in 2005. There is also a full length LP in the works at the moment, with a likely release in early 2006. Drummer Ashworth said that one of the most important things for people to understand is the importance of support ing live music. Fifth house is certainly a band whose live music is worth being sup ported, and since they are coming to Jason’s on Main Street on Oct. 1, hope fully many will take this opportunity.

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