' I*- t-cCiL Soj TRUTH MAKES US FREE Volume XXIII LOUISBURG COLLEGE, N. C., FRIDAY, JANUARY 17, 1964 LCUISBURG college LOUISBURG, N.C. 27549 EXAMS? — No. 3 ittw Women’s Student Government member Carolyn Bums with Dean Sarah Richardson. —Photo by pow New Privileges Granted by Women's Student Government Jan. 7, 1964—New regulations concerning dating privileges for L.C. women students were passed by the Women’s Student Government this evening. These new rules are to go into effect beginning second semester. Dean Richardson had this comment to make concerning the new hours stipulated by the W.S.G.: “The Stu dent Gov. was interested in giving the extra privileges to the girls, feel ing that they would not want to abuse them. I don’t think they will. They have done extremely well during the past semester.” The new regulations grant the fol lowing additional half-hours: Saturday night dating privileges for freshmen have been changed from 11:00 to 11:30 P.M. Saturday night dating privileges for sophomores have been changed from 11:30 to 12:00 P.M. Sophomores have also been granted a change from the 10:30 regulation on Sunday evenings. They now are allowed until 11:00 P.M. Library Receives Many Contributions The recent gift of $250 to Louis- burg College Library by Mrs. T. Max Watson will make possible the pur chase of many new books. The books to be purchased in memory of Mrs. Watson’s sister. Miss Cora Beasley, will mostly be selected in the field of English literature. Mrs. Watson, who is from Forest City, N. C. and was formerly Miss Lillian Beasley of Louisburg, is a Louisburg College alumna, as was Miss Cora Beasley. This is the sec ond gift of $250 from Mrs. Watson. The books purchased will contain a special memorial book plate. NEW BOOKS Books are better than ever—in Louisburg College Library, anyway, as new books of interest and variety are being purchased. In particular, the number of books on art is being increased. Outstand ing among the new selections are the McGraw Hill Encyclopedia of World Art, Great Paintings from the Metro politan Museum of Art, and Master pieces of Painting from the National Gallery of Art, edited by Huntington Cairns and John Walker. The Ency clopedia of World Art, consisting of several volumes, has as its purpose “to encompass our present knowl edge of the arts within a single work.” Contained within Great Paintings from the Metropolitan Museum of Art are books beginning with the works of early Italian and Flemish masters and extending to those of the French Post-Impressionists. The Masterpieces of Painting from the National Gallery of Art illustrates the history of painting from the thir teenth century to modern times. Of interest in the field of English are To Hell with Culture by Herbert Read, a collection of essays on cul ture; How Does a Poem Mean? by John Ciardi, a discussion of the value and nature of poetry; and Josephine Mills’ The Ways of the Poem, which includes a great deal of poetry along with a discussion of the ways and means to the better understanding of poetry as such. Coffee . . . hot coffee . . . life-giving brew . . . hmmmm . . . good! . . . served at the cafeteria all during exams. . , . pastry too . . . free! Compliments of Slater Service. ... 10 ’til 11 P.M. from Jan. 19 to Jan. 22.—Photo by pow Playwright's Work Presented Soon Franklin County audiences will sample the work of a man acknowl edged to be one of the world’s out standing playwrights when the Louis burg Players offer Jean Anouilh’s Antigone on the college auditorium stage, January 30-February 1. Another of Anouilh’s plays. The Rehearsal, has been on Broadway this year; a film version of his play, Beckett, has just been completed. A skilled dramatist, Anouilh often concentrated on the discrepancy be tween what life is and what life should be, a theme which most often lends itself to comedy treatment. In Anti gone he starts from the same theme, but makes his claim that no power on earth is free to do with men as it wishes, and restricts his comic writing to the characters of the guards. As a leading light of the phUosophy of life called “existentialism,” Anouilh believes that people become free to be themselves when they reach rock bottom without false hopes. Anouilh’s Antigone attacked the talents of Cedric Hardwicke and Katherine Cornell for its Broadway production. Miss Cornell saw the play in Paris and arranged to bring it to American audienccs. John Mason Brown, drama critic for the Saturday Review of Litera ture, has said of the play; “It is the kind of production Broadway aU too rarely undertakes. Its dimensions are noble, its intentions uncompromising. From most of the midway exhibits of our showshop, it stands out like an edifice of marble in Shantytown. Be cause it is built of marble, however, do not think that it houses no fires within, or that its great bronze doors are shut. ... Its characters . . . are as ageless as the Fates, as universal as man’s dreams of freedom, as ever lasting as is the abuse of power. “When the curtain falls,” he says, operators are “delighted to have had the theatre function at such a pitch and with such distinction.” It is work such as this that has gained Anouilh recognition as one of the leading dramatists in today’s world. Jon” by Durham Artist Earl Mueller.—Photo by pow Fine Arts Center Presents Exhibit Curriculum Expanded Five new courses will be offered for second semester students. Mr. Shinn will teach introduction to phi losophy; economic geography, Mr. Moon; quantitative analysis, Mr. Pruette; bacteriology, Mr. Chadwick; and painting and drawing, Mrs. Kornegay. Interested students should contact the individual instructors con cerning qualifications and prerequi sites. In the field of sociology, headliners are T. R. Fyvil’s The Troublemakers, an attempt to discover new explana tions for juvenile delinquency; and Vance Packard’s The Hidden Per suaders, “an introduction to a new world of symbol manipulation and motivational research”—an analysis of what makes us buy, believe, and even vote the way we do. The books mentioned are only a few of the many new ones awaiting your discovery—and mine! Thirty recent prints by North Carolina artists can be viewed in the Fine Arts Center through January 30. The exhibition, titled “North Caro lina Printmakers,” was assembled by the North Carolina Museum of Art and is touring galleries, museums, and schools of North Carolina on loan from the Museum. The exhibition shows original work by contemporary North Carolina printmakers and points out the dif ferent directions in which they are working. Such representational prints are Jon by Durham artist Earl Muel ler and Discovery by George Bireline of Raleigh. Impressionistic and pur ist works are also represented. Printmaking, or “graphic” art, has been an occupation of most of the great artists of the world since the fifteenth century discovery of me chanical ways to make impressions. I Various media have been utilized to I produce the prints with effects achieved in black and white, single color, and multi-color. The oldest of the graphic media is wood. Wood requires a relief- printing technique in which some of the wood is cut away and only the areas to be printed are left standing and inked. Other media identified with the relief process are linoleum and such newer materials as plastic. Another method of printing is called intaglio. This method required the ink to be rubbed into a depressed area or crevice and then the area sur rounding to be polished clean. Among the intaglio techniques are etchings and engravings. The Fine Arts center, located next to the A-C Building, is open every morning except Sunday from 10:00 to 1:00. Why not drop in and have a look. Exams End First Semester The examination schedule has been posted on the post-office bulletin board. Exams are to begin on January 18 and end on the 23, and bring to an end the fall semester of the 1963-64 session. The schedule is as follows: Reading Day Friday, Jan. 17 All 8:00 MWF Classes 8:30-11:30 Sat., Jan. 18 All 10:00 TTS Classes 1:30-4:30 Sat, Jan. 18 All 8:00 TTS Classes ..8:30-11:30 Mon., Jan. 20 All 12:00 MWF Classes.... 1:30-4:30 Mon., Jan. 20 All 9:00 MWF Classes 8:30-11:30 Tues., Jan. 21 All 1:00 MWF Classes 1:30-4:30 Tues., Jan. 21 All 9:00 TTS Classes 8:30-11:30 Wed., Jan. 22 All 2:00 MWF Classes 1:30-4:30 Wed., Jan. 22 All 11:00 MWF Classes 8:30-11:30 Thurs., Jan. 23 All Other Classes 1:30-4:30 Thurs., Jan. 23 Registration for the spring semester will begin at 8:00, January 27, 1964.

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