Newspapers / University of North Carolina … / Jan. 19, 2000, edition 1 / Page 16
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ARTS & ENTERTAINMENT January 19,2000 • the Seahawk An Original Get in The Scene Music preview/ review section of * The Scene is looking for students with voices, bands' who want some publicity and venues that want to get) •more business. If you’re any or all of the above, con-» •tact Kristi Singer, the Scene coordinator, by email atj •uncwthescene@hotmail.com, by fax at 962-7131, orl • by phone at 962-7148. • WilfliingjLa Jazz 101 on WLOZ by KRISTI SINGER Staff Writer Senior Doug Mayes hosts his main stream jazz show on Mondays from 6- 8p..m. on WLOZ 89.1. Mayes is a sociol ogy major who has played the alto saxophone in UNCW’s jazz ensemble since his freshman year. This will be his fourth semester at WLOZ. Doug Mayes describes his show as jazz 101 or jazz required listening. “There is a body of important music and I try to present that as much as I can. Just like every music listener could recognize Bach and Bob Dylan, they should also recognize Duke Ellington,” said Mayes. “Jazz music is important to our culture and is under repre sented in radio today.” Mayes encourages local jazz musicians to send their show information to WLOZ for him to publicize on the air. The Where Who Scene When Cover . Alleigh's if I Charley Brownz Otter’s Mojo Collins DJ Time Stand up comedy 7PM 10:30PM 8:30PM $3 21 + $5 Til Charley Brownz I Clarence Foster’s MaSbnboro Coffeehouse& Grill Otter’s Emma Gibbs 10:30PM DJ 11:30PM Open Mic/band play 7-10PM Jazz Jam 10:30PM $3 $5 21 + no cover $2 Alleigh’s Celtic Folkers 7PM no cover Charley Brownz DJ Chalk & D-Wave 10:30PM $3 House of Blues Slipnot 7PM $17.50 McDevit’s Pub Bob Clayton 10PM no cover Otter's The Hydromatics 10:30PM TBA Water Street Prince Taylor and 8PM $2 Bill Saylor UNCW Union Reverse 8PM no cover 1 Alleigh’s Celtic Folkers 7 PM no cover 1 ■ 1 Charley Brownz Sev 10:30PM $5 1 Clarence Foster’s DJ 11:30PM $5 1 McDevit’s Pub Bob Clayton 10PM no cover 1 Otter’s Runaway Cab 10:30PM TBA 1 Rockit’s Willie Stomp 9:30PM $3 “Paco” and the Flying Flamenco Bros. 8PM $3 1 Alleigh’s Prince Taylor 7PM no cover 1 Charley Brownz Unchained 10:30PM $5 1 McDevit’s Pub Bob Clayton 9PM no cover Charley Brownz Wes Sayer 10:30PM $3 "\ Charley Brownz 1 Rockil’s Water Street Josquin Faiis Blues Jam Molasses Creek 10:30PM 9PM 9PM $3 $2 Local Releases , f • Gran Torino released their new album Two, featuring the single “Mo-I ments with You.” An autographed limited edition copy of the release is' available through preorder by calling toll free (877) 626-0262 or (423)1 584-3901 or directly from their web site, www.grantorino.com. | I Local band. Reverse, released their self-titled CD in September of 1999.| According to Manifest, it’s “selling well.” I I Station 72 released their self-titled album November of 1999 featuring! titles “Drown” and “Me of You.” Available at School Kids Music &' Video. ; • Mojo Collins, recipient of 1999-2000 NC Arts Council Fellowship ini Music for Songwriting, just released his first CD for the 2P‘ century,' entitled Mojo Collins 2000 into the Mo-llennium. J CD pick of the week by MEGAN O’BRIEN A&E editor Let me admit this right at the start; Fve never really gotten into techno. It just isn’tiny style. I find the music somewhat enwstKad&ss and inaccessible. Sure, it has a beat and you can ^^iK^e to it, but I like my music to have a little more depth than that. That said, Moby’s latest album. Play, spends most of its time in my CD player. It me no matter which way my »K)od swings, from meltow to upbeat and everything in between. It all the beat great dance miBic requires, and it’s great in®s^ to groovlfe to* bat it’s just as easy to to, if that’s the way I’m fedK*® at the time. In additioa to standard electronica, Hoby has done some of early tw^tfieah century blues and go^^>^ not exactly standard fair for a dance album, but it woiics aaiaxiagly well. My favorite song was the first track, ‘^loErey.” It uses samples from a Bessie Jones song c^ted “Sorae- day. The singte Why Does My Heart Peel So Bad?” has a syottl^0 dmm^ beat rooning behind the Shining Light Gospel Choir. It then with a synthesizef that sounds almost bell-®E. Initially, the song is verjf simple, opening with a few faes of piano teefor® moving into more drums. The middle sec^^ juJds layers and complexity, and but Ae middle gains €|«||^tea$iEy and layers that add to the emotional impact, that fades into m ending that sounds like belongs in a church on Sunday morning, moving and worshipfiil and celebratory. While there are upbeat songs on the album, songs that fall more easily ti#fo the traditional techno/dance categoTty, the songs with the most powerful impact mix modem technology with the voices o ong-silent singj^ Machete” and “Soutfaside” are good songs, tli^N^t and fun with well- wrmen lyrics and a smooth, flowing sound, but the songs with the samples from the first part of the 2U century ^e the most tmoikmMy moving and musically interesting. That’s a rare combination, and uniting the two is where Moby’s greaiest skill lies. Student Vnirp ir>tt the Wilmington music scene to his hometown, Char- I music scene is big down here. I think there’s more of a club A^F m publicize well. They don’t have a Creative Loafing (Charlotte's thf H of ‘he clubs...I’d like to play in some of Lost buM r* ’t h i. P'^y- ^ don t think anyone would be into our music, which is hard-core punk.”
University of North Carolina Wilmington Student Newspaper
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Jan. 19, 2000, edition 1
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