I Z ARTS & ENTERTAINMENT
I O March 29,2000 • the Seahawk
Redman/ Method Man
blaze House of Blues
by LINDSAY LaCLAIR
Correspondent
Making a stop in Myrtle Beach Thursday,
March 23, rappers Redman and Method Man
definitely hyped up the House of Blues. The
duo stopped at HOB on their 2000 Blackout
Tour. The house was full of energy and packed
with people.
Opening for Method Man and Redman
were The Outsidaz, an extremely energetic
group of guys who opened up for Outkast
when they played House of Blues. The
Outsidaz is a large rap group, similar to Wu-
Tang, and used different styles and sounds
from each member to produce an awesome
sound, much like a more hyped up Wu-Tang.
They were great and definitely had the crowd
going nuts.
Redman and Method Man’s DJ began the
performance by denouncing the Confederate
flag and encouraging its removal. This caused
an uproar in the crowd, followed by Redman
and Method Man’s enthusiastic entrance.
Clad in football jerseys, Redman sporting
Duke and Method Man wearing 49ers reciever
Jerry Rice’s #80, the two mirrored each other
in their dress as well as in their act. Method
Man and Redman flow together in everything
they do onstage, whether it be rhyming, mov
ing or smoking. Redman puffed as Method
Man rapped his signature song “Method
Man.” Later they switched places and Method
Man smoked as Redman did “I’ll Be Dat.”
The crowd loved this display by the rappers.
Increasing the energy of the crowd, mainly
the boys in it, was the rappers constant beg
ging for the ladies in the audience to lift up
their shirts.
Redman and Method Man mixed things up,
changing the beats of songs and singing each
other’s lyrics, a common occurrence in all of
their shows. They included a wide range of
songs from all of their albums. Redman
played a song from his first album, which is
rare to hear at his shows. Method Man played
his famous “All That I Need.” They also in
cluded tracks from “Tical 2000, Doc’s Da
Name,” and their new CD, Blackout. The
sound was polished but not the same as the
CD. They did a good job of mixing things up
just by changing the speed of beats.
Perhaps the most exciting part of the show
was the Redman and Method Man’s introduc
tion of two new kids who they invited to “take
the stage” for a while. A good description
would be ‘Method Man and Redman meet
Bone Thugs ‘n’ Harmony.’ The kids were
great, and don’t be surprised if they show up
on CD soon.
CLIFFORD, from Daae13:
lection, is a major undertaking but a
crucial experience for students inter
ested in museum studies.
“Putting together an exhibition just
is not about putting together a few pretty
things and putting them in a case. There
is an incredibly complex series of tasks
that happens before that,” she said.
“Curating an exhibition is always diffi
cult. It’s always interesting, I think, and
every single time I do one I learn a
whole lot...”
Part of the complexity of the exhibit
comes from coordinating many differ
ent aspects and disciplines. There are
many people who work “behind the
scenes” to make sure the exhibit comes
about in the best way possible.
“Without their energy and time, the
exhibit never would have happened,”
Sugarick said. “We couldn’t have done
it without the care and insight of Pro
fessor James Megivern, Professor Hal
Langfur, Warren Smith (the carpenter
and owner of Bagel Basket), George
Syles of shipping and receiving. Profes
sor Stephen Lequire, Professor Tom
Macy, Jay and Michael from Telecom
and Professor Kamille Moore.”
Sugarick agreed that curating was a
challenge.
“For me, it’s been a political, artis
tic, intellectual process of learning,” she
said. “It’s expanded my horizons.”
Jackson has been working at ilie
Bellamy Mansion for a year now, and
recently came back to UNCW for the
museum studies class.
“It was an excellent opportunity lo
further the experience I’ve gained work
ing in the museum field,” Jackson said.
“It’s been interesting to deal w/a totally
different culture and to learn about it,
coming from the Civil War, antebellum,
and Wilmington history. This has been
a very different experience, but very
enjoyable.”
Another aspect of the education as
pect of the exhibit relates directly to all
the students who pass through Kenan
Hall, something Clifford is deeply con
cerned with.
“He [Clifford] just so well under
stands how important it is for people
early in their lives and careers to have
exposure to art, to learn what it can do,
what it does do, what it represents for
the human experience,” Reents-Budet
said.
The exhibit opens March 29 at 4 p.m.
and run until April 28. The general pub
lic can view the artwork from 8 a.m. to
5 p.m. Mondays through Fridays.
Student Gcvernment is nm acceptinfi
applications fcr tlie 2€€€-€1 Executive Ccard:
Treasurer
oversees the handlin^f and
allocation of over $390,000 of
student fees
Secretary cf
Services
monitors and maintains all
existing Student
Government services (ACE,
Tuesday Teas, free FAX
services, etc.) and works to
create new services
Applicaticns are due by i
Secretary cf
Technclcfiy
recently created position is
Webmaster for the Student
Government Webpage and
works for the technological
interests of the students
Secretary cf
[)ublic Peiaticns
advertises Student Government
events and maintains positive
public relations with the
University
Attorney General
responsible for the SGA
Constitution, parliamentary
procedure, and prosecuting
all violations of Student
Government policies
m cn rridayApril 7th in the SG4 Office (II2CC)
All applicants must have completed 27 semseter hours by the beginning of next fall.
Interviews will then be set up after the new President takes office.