RESULTS OF WOMEN’S POLL Continued from Page 1 resolution was authored by Women’s Rules Study Commission and en dorsed by WIDC. Campus would be defined as follows: The student will not be allowed to leave the campus except under emergency conditions. (Vote: Yes-416, No-2) PROVISION VI Every woman above a first-semester freshman should have an “overnight permission”, to sign out for an overnight or weekend at any time without a note from hostess or parents. First-semester freshmen would observe regulations. (Vote: Yes-417, No-2) JUSTIFICATION In view of the greater amounts of freedom to which increasing numbers of freshmen women have been previously accustomed, the Commission feels this change in permissions is necessary to avoid a rise in incidents of falsifying destination or unauthorized absence from the dormitory. Also, to this tendency toward freedom that freshmen women possess, the Commis sion feels that a sense of responsibility should be added, and that this change in permission regulations would provide such a chance for responsi ble action. (Vote: Yes-417, No-2) PROVISION VII Closed study for first-semester freshmen would be terminated. JUSTIFICATION In view of the fact that male students have no such restriction, and realizing that women (and men) are individually responsible for their academic performance, the Commission strongly recommends the termina tion of closed study. Also, upperclassjwomen are greatly inconvenienced by their freshmen roomates who are forced to observe the restriction. (Vote: Yes-412, No-12) PROVISION VIII Friday through Sunday dormitories would be locked at 2 a.m.; Monday through Thursday at 12 a.m. A door will be designated at each dormitory to which the night watchmen will have keys. This will necessitate a lock change at Staley of the door facing the campus at an estimated cost of ten to fifteen dollars (reference: Samuel Sides, locksmith). The designated doors will be: In New - the end door (nearest the street) In Virginia and for West - the end door (nearest the street) In Staley - the side door (facing campus) First semester freshmen must be in at closing. All other women may enter the dormitories after closing by going to the appropriate door, which will be unlocked by the night-watchman every hour on the hour after closing until 3:00 a.m., Monday through Thursday and until 5:00 a.m. Friday through Sunday. Any woman out after these hours will be considered as taking an overnight. NOTE: On March 13, 1973 a resolution to extend the women’s closing hours was passed by acclamation in the Student Senate (S. R. 73-3.5). The resolution was authored by James S. Denton and endorsed by WIDC. (Vote: Yes-412, No-12) PROVISION IX Signing out (but not for overnight) would be done on signout cards anytime the student leaves the dormitory after 7:00 p.m. Th^re would be no signout card requirement at any time prior to 7:00 p.m., regardless of destination. In order to facilitate the closing time provisions, first-semester freshmen would have cards distinguished by color from those of all other women. Each woman shall put down expected time of return. (Vote: Yes 415, No-2) PROVISION X Signing out for a weekend or overnight would be done at any time prior to closing hours. The student would pidce her exact destination and a means of contacting her in a sealed envelope; she would then sign her name and write her expected time of return on the face of the envelope, which she would put in her sign-out slot or box. A woman would be allowed to call in at any time before closing and have someone perform the above procedure for her, adding their own name to the face of her envelope. These envelopes would remain untouched except in the case of an emergency or in the event that the student has not returned within 24 hours after her expected time and date of return specified on the face of the envelope. Women must be paged before their envelopes are opened. Envelopes may then be opened in the presence of a counselor. JUSTIFICATION Obviously, this system ensures the privacy of women students when they take overnights or weekends and, just as obviously, it provides more concrete information of her whereabouts should an emergency arise. An address, telephone number and name of hostess would be, for example, a great deal more helpful than the word "Burlington” written in a signout book. Also, the cost of such envelopes would be no more than the cost of huge, bound books, chained to the wall, and could be kept by housemothers to guard against their unauthorized use by students.* 'Estimates from Will's Bookstore: envelopes, $6.28 per thousand ledger book, I6V2” x 12”, $10.15 (Vote: Yes-399, No-20) PROVISION XI Housemothers may give calldowns for the following offenses: 1) First-semester freshmen who are late (for being X minutes late) 2) Women who have not returned by the time of return specified on the face of their envelopes (for failure to return on time from weekend or overnight) 3) Women who take an overnight but have merely signed out on their cards (for failure to sign out properly) 4) Women who fail to sign out on their cards or on their en velopes or who fail to pull their cards or envelopes upon return (for failure to sign in or out) All other rule infractions would be handled by WIDC members. JUSTIFICATION: Housemothers have many duties and the Commission feels that this provision would lighten their load considerably. Also, limiting the types of calldowns housemothers may give would prevent their involvement in many WIDC cases and not force them into a position as an accuser, which may cause ill feelings with the women involved. In other words, it would protect housemothers considerably from being "put on the spot” before women with whom they must live and by whom they should be loved and respected. (Vote: Yes-417, No-2) BIOGRAPHY: GRIN On May 4th, in the gym, GRIN will begin the Spring Weekend festivities at Elon College at 8:00 p. m. The decade of the ’60's brought three important things to the art of music: The Beatles and the “birth” of rock music, the “discovery” of Bob Dylan and the rebirth of folk music, and the advent of the Buffalo Springfield and country-rock. These contributions matured into new expressions of music in the '70’s; the merging influence of folk and rock, the growing popularity of country music, and the importance of the singer-song-writer. Two groups of musicians and song writers until this year best expressed this new maturity: Creedence Clearwater and Crosby, Stills, Nash and Young. As in the case with all art, the past affects all new artists and their efforts. Both of these groups passed their influence on and they find it expressed today by Nils Lofgren and his group, Grin. Nils Lofgren, 21, song-writer, guitar-player, piano-player, accor- dian player, formed his first and only group. Grin, in 1969 with: Tom Lofgren, 18, rhythm guitar; Bob Berberich, 24, drums; and Bob Gorden, 22, on bass. Most of the “experts” of contem porary music and their followers first heard of Nils Lofgren in connection with Neil Young and his band. Crazy Horse. The short history of Nils Lofgren and Grin, begins in Washington, D. C. at the Cellar Door. Young and Crazy Horse were appearing at the Cellar Door. The Buffalo Springfield had just recently broken up and, as Nils recalls, “The only thing I knew about The Buffalo Springfield was ‘For What It’s Worth.’ I went to .hear Neil and he turned me on. I went to his dressing room after the show and we talked .. .Someone gave me a guitar and they asked me to play some songs of mine and we all hung out for a few days.” When Neil Young brought Nils to Los Angeles and introduced him to David Briggs, who co-produced Neil's albums, an album was started by Briggs to be released more than a year later. Between the making and release of this album. Nils sat in with Crazy Horse on their first album, contributing two powerhouse songs, “Begger's Day,” and “Nobody.” As a temporary member of Crazy Horse, Nils played piano on Neil Young’s most important album, “After the Gold Rush.” Crazy Horse wanted Nils to tour with them, but Nils already had a committment to Grin. Grin's first album, “Grin,” started Nils Lofgren on his way to being recognized as an artist who could cut it on his own. He would no longer have to be a side-man or a studio musician for Neil Young. “Lofgren can not only play guitar, piano and organ ex tremely well, but he also writes beautifully simple songs and has a gift for composing ex uberant melodies and choruses. On top of all this. Nils is a first-rate rock and roll singer . . . who possesses at least a half-dozen different vocal styles . . . Grin is a good, solid band with no pretensions. Its first record stands head and shoulders above every album released this year. Thanks to Nils Lofgren, 1971 will not be devoid of hope. So long as Grin keeps recording, there will be reasons to smile.” — John Koegel, Rolling Stone Mag. 1971 Continued on Page 3

Page Text

This is the computer-generated OCR text representation of this newspaper page. It may be empty, if no text could be automatically recognized. This data is also available in Plain Text and XML formats.

Return to page view