i f
THE TWIG
January 23, 1953
T H E R E '5
c
THE AIR
Thursday and Friday afternoons
from 2:00 to 4:00 and Saturday
morning from 10:00 to 12:00.
Students playing for Dr. Podol
sky at these sessions received
constructive criticism. Dr. Podol
sky also was available for pri
vate lessons and group auditions.
Mr. Pratt was chairman for the
workshop
By BETTY MILLER
terials were made available to
I the students in the Music Store.
Well, everyone’s getting into Repertoire classes were held
the grind for exams now. Christ
mas is over and we can begin to
The MacDowell Music Club
met Wednesday night, January
14. Some of the members pre
sented a musicale. The perform
ers were Carolyn Brady, Leah
Scarborough, Marjorie Thore,
Phoebe Barnhardt, and Betty
Miller.
concentrate. Jean Wrenn An
drews is having to work a little
harder than most of the other
students. Her graduating recital
is soon. Good luck, Jean.
Leo Podolsky, a noted pianist,
teacher, editor, and lecturer,
conducted a piano workshop
here on Thursday, Friday, and
Saturday, January 15, 16, and
17. This workshop offered five
sessions covering a variety of
subjects of interest to both
teachers and students. Thursday
and Friday mornings from 9:30
to 12:00, Dr. Podolsky conducted
piano clinics. Lectures on tech
nique and interpretation were
supplemented by discussions of
teaching materials. These ma-
James E. Thiem
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2010 Cameron Street
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MRS. B. D. WILLETT
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FINCH’S ORIVE-INN
and DINING ROOM
ROOLES FOR PLAYING ON
A ORGAN IN MEETING
'When the preacher comes in
and neals down in the poolpit,
pool all the stoppers. That’s
what the stoppers is for.
“When a him is given out to be
sung, play over the whole toon
before singin, but be sure to
play it so that they can’t tell
whether its that toon or some
other toon. It will so amoose
people to guess at the toon.
“When you play the interlood,
sometimes pull all the stoppers
out, and sometimes pull them all
in. The stoppers is made to pull
out and in. Play the interloods
twice as long as the toon. The
interloods is the best part of
mewsic, and should be the long
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the.toon without them knowing
when the toon begins. This will
teach them to mind there own
business. Always play the
loods faster or slower than the
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ing the same time as the toon.
“If the preacher gives out five
verces, play four. Tew many
verces is teejus.
“During the sermon go out of
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time for the next toon. This wiU
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on the preacher by having tew
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LONG PLAY RECORDS
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Victor LM 6009 Beethoven: Symphonies Nos. 1 and 9
Toscanini and the NBC Symphony
Robert Show Chorale
Victor LM 1221 Debussy: La Mer
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Phone 2-2019
Cameron Village
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