Page two THE TWIG February 15, 1957 In Appreciation Those of us who are fortunate enough to know Dr. Elizabeth Vaughan know that she is a most wonderful and remarkable person. We in soci ology know her as being an inspiring professor, a devout Christian, and as an adviser and friend—always ready to listen to the unceasing petty problems—academic and personal—of her students. 1 have known her for only two years, but in that time she has been a great inspiration to me. In spite of failing health, she has been an un shaken optimist, always cheerful and always looking for and finding the brighter .side of every situation. Her indomitable courage to keep on remains unshaken in spite of all obstacles. I would like to express my personal gratitude, and the gratitude of her many friends, to a woman who has given so much of herself to Meredith, and who has been an example to all of us. On her leave of absence from Meredith, all of our hopes, prayers, and best wishes are with her. Barbara Nesbitt. MEREDITH IS IN TRANSITION It seems to the writer that the trend in modern colleges is to put more responsibility on the individual student for his academic role and for his social behavior. At Meredith, too, we can see this process taking place and most agree that it is a good thing. For when we know that what ■ we do is our own concern and our own responsibility, we can hold only- one person accountable-—ourselves. Meredith is in this state of transition at the present time. Rules which have become outdated are being questioned by the student body, and attempts at revision are being made by our leaders. To allow unlimited class cuts for upperclassmen, to let freshment single-date, to permit college-sponsored dances, and to have a better system of light cuts are all movements in the direetion of making Meredith a happier place in which a modern girl may live, study, and become a woman who has already shown by four years of responsible living at Meredith that she is ready to assume her role in modern society. ( BRAIN oFbRAWN? When we came to Meredith College we were required to have not a certain athletic ability, but a certain academic average high enough to meet Meredith standards. The same requirements have not been carried out in the college program. We are required to have not only a certain amount of brain but a certain amount of brawn. One can learn certain information for academic courses, but none can cram for a good physique. The grade that is given, although seemingly very unimportant as com- f pared to three-hour courses, can keep one off the eligibility or the dean’s list. To be able to take a “sport” of one’s choosing there may be a fee of $5 to $40; even then, one may make a very poor grade. It is our belief that physical education should be required so that students can get away from their studies and grades. But we do not believe that it is a sound practice to place grades for these courses on an equal basis with grades for academic courses. We feel that many students share our opinion. We would like to hear other views. Anne Howard Betty Kellum Eunice DuRant F^uodoted CbSc4S(cte’FVan EDITORIAL STAFF Editor Julia Abernethy Assistant Editor Bette Nock Managing Editors—Clara Hudson, Mary Eran Oliver, Bobbie Conley, Jane Stembridge, Nancy McGlamery Feature Editor Nancy McGlamery Columnists Nancy Joyner, Kay E. Johnson Art Editor Mary Jane Sumner Music Editor Pat Greene Drama Editor : Donnie Simons Sports Editor.. Juanita Swindler Photo Editor Corinne Lowery Day Student Editor Becky Surles Correspondence Editor Pat Kerley Reporters—Pat Corbett, Ann House, Lela Cagle, Pat Johnson, Jimmie Rucker, Harriet Seals, Carolyn Johnson, Belinda Foy Faculty Sponsor — Dr. Norma Rose BUSINESS STAFF Business Manager Nancy Bunting Advertising Manager Julene McPhaul Circulation Manager Eleanore Foulds Assistant Circulation Manager Carole Kerley Mailing Editors Joyce Hargrove, Diane~Stokes Chief Typist Marlene Caulberg Advertising Staff—Joyce Foster, Beverly Scott, Faye Locke, Annie Ran- sone, Frances Fowler, Marlene Clayton, Nancy Whisnant, Katie Joyce Eddins, Faye Munn, Mona Faye Horton Typists—Beverly Rbwand, Mary Ann Braswell, Elizabeth Grainger, Kay White, Emily Gilbert, Frances Johnson, Shirley Strother Elizabeth Hicks Faculty Sponsor Miss Lois Frazier Entered as second-class matter October 11, 1923, at post office at Raleigh, N. C„ under Act of March 8, 1879, Published semi-monthly during the months of October, November, February, March, April, and May; monthly during the months of September, December, and January. The Twig is the college newspaper of Meredith College, Raleigh, North Carolina, and as such is one of the three major publications of the institu tion the other two being The Acorn, the literary magazine, and The Oak Leaves, the college annual. Meredith College is an accredited senior liberal arts college for women located in the capital city of North Carolina. It confers the Bachelor of Arts and the Bachelor of Music degrees. The college offers majors in twenty-one fields including music, art, business and home economics. Since 1921 the institution has been a member of the Southern Association of Colleges and Secondary Schools. The college holds membership in the Association of American Colleges and the North Carolina College Conference. Graduates of Meredith College are eligible for membership in the American Association of University Women. The institution is a liberal arts member of the National Association of Schools of Music. Subscription Rates; $2.45 per year The Twig is served by National Advertising Service, Inc., 420 Madison Ave., New York 17, New York. HfiPPy UfUENTINES TJBY f SheN ANigans By NANCY JOYNER This griping situation on campus is becoming pretty acute. Now we’ve even begun to complain about complaining. Since one of the standard things that we fuss about is not having enough time, I shall attempt to alleviate that problem by cataloging the gripes so every body can refer to them by number, thereby saving three-fourths of the time usually wasted in complaining. TE 10IX (The TE is just to make it look more impressive — like telephone numbers.) — THE FOOD. This category includes many things such as “The food is too samey”; “There isn’t enough of ^^aqic ^^omenls By KAY ELIZABETH JOHNSON Prayer is not artful monologue Of voice uplifted from the sod; It is Love’s tender dialogue Between the soul and God. —John Richard Moreland. Since the beginning of time, man has searched for and leaned on some being greater than himself. Today, we still need this Superior Being. Our means of communica tion with God is prayer. Phillips Brooks tells us that “Prayer, in its simplest definition, is merely a wish turned God-ward.” An anonymous writer has given us this insight: “In the morning, prayer is the key that opens to us the treasures of God’s mercies and blessings; in the eve ning, it is the key that shuts us up under His protection and safe guard.” John Laurence Casteel has given us a thought-provoking book en titled Rediscovering Prayer. Philip- pians 2:13 is the starting point of Casteel’s discussion. “Work out your own salvation with fear and trembling, for it is God which worketh in you both to will and to do of His good pleasure.” The con junction of God’s initiative and our response, says Casteel, shows the limits, the eourse, and the well- spring of our prayer life. The re sources, promises, and purposes God has for us do not free us from the responsibility of response to Him. Prayer is part of our response to God. This book was written not to make Prayer seem eomplex and not to make it seem simple and easy for the immature, but to show that “prayer is essentially a eommunal experience, in a kind of sacred intimacy.” .In this book inquiry has been made into the meaning, the content and the practice of prayer. The rich possibilities and heroic de mands which come when one is in communion with God are seen. Mr. Casteel’s closing sentence exempli fies the quality of the whole. He says: “The rediscovery of prayer comes down to this: that we come awake to our own yearning for God, and rouse ourselves to open our life to Him; and as we do, we dis cover His grace there before us, al ready working in us ‘both to will and to do His good pleasure’.” Hoping that you will read this book and profit by it, I leave this thought of Phillips Brooks, ex pressed in his Twenty Sermons: “Do not pray for easy lives. Pray to be stronger men! Do not pray for tasks equal to your powers. Pray for powers equal to your tasks.” it”; or “I don’t like parsnips.” TE 102X — THE FACULTY. There are various complaints along this line. Call out this number and you can mean that the teacher gives too much work, that he doesn’t un derstand why you simply must cut class to go to that big week end at a foreign college, or that he is just generally crazy. TE 103 XXXXXXX (The fore going is unprintable.) — RULES. This category has so many ramifi cations that it would be paper consuming to go into them all. TE 104X — EXTRACURRI CULAR ACTIVITIES. Gripes in this classification include such things as S.G., B.S.U., A.A., de partmental elubs, and men. Take your choice. TE 105X — THE GENERAL ATTITUDE OF THE STUDENTS. They complain too much. » There, girls, is the gamut of com plaints. Many other things can be added but they will possibly fit into these large groups. If everyone is going to keep earrying on as she has the last few weeks, perhaps it would be wise to clip this article and post it on your bulletin board for easy reference. Personally, I think it’s a lot of foolishness. After all this rigmarole you may not be lieve this, but / like the place. Musical Notes PAT GREENE goodness By “Thank goodness exams are over!” This could well be called the “theme” of the month for all the music students and faculty. (And by “exams” we mean applied music exams, not the easy kind.) Those five or ten minutes spent before the “jury” can be pretty exhausting, be lieve me — pretty revealing, too! At any rate, we have a whole new semester before us, and a clean slate to start with. We begin again that sometimes grueling round of practice, perform, practice, per form. . . . Most of the recitals, both junior and senior, have been scheduled; and we have those dates to look forward to, both as nervous per formers and as an attentive audi ence. Annette Kahn’s senior piano recital, the first of the year, was presented last Saturday night, and Annette did a remarkable job. Her program consisted of selections by Franck, Brahms-Busoni, Chopin, and was concluded by a Kabalevsky sonata, which was especially good. Annette, you reeall, applied for a Fulbright Scholarship, and is really an outstanding pianist. Her recital was one we will long remember. The Chorus has again resumed its rightful place on the stage each Tuesday, ’Wednesday and Thurs day afternoons at 5:00, and is cur rently engaged in preparation of the special music for Rehgious Em phasis Week. Although the Chorus is relatively small this semester. Miss Donley has announced that a spring tour is in the making, in ad dition to that annual chorus con cert to be held also in the spring. There are still some vacant chairs which could and ought to be filled by some of you who can sing, and who enjoy singing. (There is such a thing as “auditing,” you know!) The recital presented by the The Green Room By DONNIE SIMONS One of the busiest organizations on campus is the Playhouse. With the spring production only about six weeks away, tryouts and com mittee line-ups are busily going for ward. At a recent meeting. Play house members voted to present The Cradle Song, a two-act comedy by Gregorio and Maria Martinez- Sierra. The English version is by John Garrett Underhill. There are two male and eleven female roles, plus extras. This play is no stranger to Meredith, as it was presented by the Meredith Little Theatre in No vember 1941. The scene is a Span ish convent. The Twig for October 18, 1941, gave the following syn opsis of the play: “The story is about a child, left at the gate of the convent, who brings about a great change in the lives of the nuns, bringing to them a tenderness unusual to those who spend their lives as sisters. Later she grows up, falls in love, and leaves the home the nuns have made for her.” Those interested in reading The Cradle Song will find it in the library. It is included in The Best Plays of 1926-1927. March has been designated as In ternational Theatre Month, and the Meredith College Playhouse will participate in that movement. The dates for the spring production are March 22-23, and the play itself has something international to offer. Dr. Vaughan Patient At Walter Reed Dr. Elizabeth Head Vaughan, who since 1950 has served as head of the department of sociology in the College, is at present a patient at Walter Reed Hospital, in Wash ington, D. C. She has been granted a leave of absence for this semester, during which time Dr. Leslie Syron, associate professor of soci ology, will serve as acting head of the department. Filling the vacaney in the teach ing staff created by Dr. Vaughan’s illness are two professors from N. C. State College, who will conduct one course each at Meredith. Dr. San ford Winston, head of the sociology department at State, is teaching Dr. Vaughan’s course in urban soci ology; Dr. Elmer Johnson, associate professor of sociology at State, is conducting the course in crimi nology. music faculty last Tuesday night was certainly a most interesting and en joyable one, to say the least. Spon sored by the S.A.I.’s, the program consisted of selections by mod em American composers. Ineluded were a piano duet by Miss Suzanne Axworthy and Mr. Charles Turn; vocal selections by Mr. Edwin K. Blanchard, accompanied by Miss Axworthy and Mrs. Phyllis Gar- riss; a piano selection by Miss Ax worthy; and an organ selection by Miss Belle Haeseler. A unique pro gram, the selections ranged from a somewhat sophisticated sonatina by Kubik to an unusually “unsophisti cated” rhumba for the organ by Robert Elmore. We have quite a versatile little musie faculty, we do! They appreciate ALL types of music (with the exception of “Pres ley,” naturally). The Pittsburgh Symphony was heard by many Meredith students Monday night, and as always this Civic Music Concert was thor oughly enjoyed. What an oppor tunity to have the advantage of all this musical culture via Civic Music Series! Since I can think of nothing else “musically noteworthy,” I shall say ... but wait! There IS one other thing! I would like to add, on be half of all of us in the musie de partment, that we are very happy to have “Peanut” in our midst. We feel sure she will be a credit to our profession.

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