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O'cto'''er, ' 1940
The Dialleto
Pa^e '"'.hree
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To diacuGS Gtyj.ish studes must first
cortr.ider the definition of style, id'e
Fre-ch say, '‘'Cliic". nhich, l.ein.f^ tra?iG-
lo.ted freely, :\Gt\ns '‘in the nood—or
in the j ode". To be stylish cno Must
rnoM v/hen and hov; to Mear nhat. TJie
rirht time rialces for stylo.
Ddre we are interested orr.'T,rily in
campus stylos. A slouc’iy si;e.ator
dra;)od above a sap;p;ing skirt which
'v/aves hiyh above di.rty saddle-shoes
-V5,lces a cOiVif or table' outfit bu/fc is far
fron :r.akiny a chle pict^ire. Of course,
co?.::.Corl: is iMpcrtant, but don't be con
fer cable at the e.uponse of stp/-le.
A:' interestin'; plase of clothinf: in
cludes our coanon fads. ITe nust not
confuse a lad with a style. Fads are
gerroraiy^ foolisJij whereas styles are--
u'eH—stylos .are st‘'’‘lish, Thf.'.t is the
difference. A .''’or; of tlu? latest .fa'b"
have been ''.'.’■ea.riiif spiko-hoels irit''"' ank
lets to cla.sses wliich t/as uj-'-ccrifortable;
wearing; ni s-Matchoo.' anklens, rdiicli
v;as confusing;; wsarinp; bi’i,'fitly colored
hi-Gox, wViich wei'e lisu'd on.tlie eyes
and ivearinp, the viost ridiculous Iiats to
■o found, which aiincr/od i.r-oul'y .le:'.'.-
bers. The -irl i.'ho accepts every fad
she contacts stamps .lierseli as beiny so
uninap;inative tliat she can't con.;iuro up
cojnething diffei'eiit to brin.;; out her
oirn individuiil pers oriali'b.’' but has to
reb/ on what the nouies are doiny. All
of which, adds up to this r if you would
bs a stylish stude, wear th'O riyht
clothes at t.he rii;ht tine, and don't
tp.’co up ever;’' .fad that tuys at';vour
(Turn to Paf;e fix)
MUSICAL ^ MENTION
everyone :.:ust necessarily have a dif-
feront conception of the torn ’’•■msi'e”.
[•:c some it means s. delightful evo-ging
of the classics as interpreted by sane
well-lcj.avm syripuory orchestra; and to
others, it 'meons an hour of swin.g uh-
Oir the leadership of Ta.ay Dorsey and
his irropressiPlo 'bro.ibone'.
.•..u0..o of US 'v'hc roc.lly onpov the
cl-.i;5sj.cP are rcgo.rded aj.inost as sc. e-
t'-inp of a nuseuQ pioco-scnothinc out-
Mcded and_ not a little vFict'r>i'lan’.
iiioro -.'.re ti:-'-.es when i c is al los t av.'u.ifi--
ing to see the expressiens on ry ciniig
fan friend's, .faces wdien I mention Tdhai-
kovsiy'G Fifth Syyhorrw They are
often unaf-'le to control the desire- to
arcy their eyebretrs in a supercilious
j-oon, as if to say-- "0.h, hevr purr-
fectly level-/-" with just the faintest
.-■'.ant c' sareas-;, Fo'.revor, there i&
:,'.ot a /'rcat deal we can say in . rsfelyy
other than .rkin;;, thcM fool (if poss
ible) that v.fe yenuiiel ■ onjo'’- that
y j and are not trying to
fa Is-el" '‘apireciMta the finer things
in like", '.;0 are in 'the'minor i'ly, so
i.'o only enjoy lausio for nusic's sake,
O:.'1 .lV.lO'.is ..0 vs-rxeus an/' su?.idrv re—
narks,
.1 ...Cl/ 11 ib ■\‘rere irat for sv/ing or
.popular music 'this old world v/ould be
i... dull place. A iiajori'iy of '/oung peo
ple lias caabcliy tuies, the clever li/-a
lies, a.nd lilting '.lelodies. And 'boo,
■"ho fac'^; ishat it is biein.p, steadily ca>
.,'csed 'ykres ffio'y and not foimd
in other ."lusic, fo .-ular nusic is dif-
(Turn to rr.;;e 6)