ncssm I the stentorian Latin America Test Sizzles With Excitement BY Sara Wise O n Saturday, January 22nd, students at NCSSM had the opportunity to step out of the cold and into the sizzling hot hispanic culture at Latin America Fest. This festival was organized by seniors Aden VanNoppen and Elena Bryce, and hosted by the MFCs and the Hispanic Cultures Club. The occurence of this excit ing new festival is a very sig nificant step in increasing awareness of other cultures. VanNoppen explains, "Latin cultures are becoming increas ingly more important in our community, both inside and outside the NCSSM campus. It is important that we recog nize and celebrate these cul tures in order to raise aware ness and appreciation of To Gun comma Jen I love you hairu:urly or I lovejhe;imyf jOH skate I love you rtfnning down da hall ^ I love it Se mineZ^ yf^ To the Cowgiris, 1C, 2C, ±V> -ciervevUve Hke them." For the event, the PEC was transformed into a carnival. Delicious tortillas and quesadillas were served as the NCSSM Jazz Combo set the atmosphere. The audience was then entertained by a per formance by Elena Bryce and Elizabeth Moose. The duo recited two poems from Chilean poet Pablo Neruda. One of the poems, "Cuerpo de mujer," was particularly enchanting, with lines •such as, "Body of a woman, white hills, white thighs, you look like a world, lying in surrender." Following the poetry read ing, the audience was treated with a story reading by Rachel Wingo. Everyone listened intently to find out whether the To CfrouMl C ^ttLewHvve's t>ay from saral I Love aU of you omI I dow't krvow whttt t'd do without yoi0 you haye ’^ helped to best yeor.eveH^, Sara ? TOr:lZ,2E~lD ^ You’re the greatest Happy V-day'! -Anna protagonist would be able to outwit the lady Death. Without a doubt, those who came to the festival were lucky to leam about the passion and the culture of Latin American literature. Next, the audience enjoyed It is important that we recognize and ceiebrate these cuRnres in order to raise awareness and appreciation of them." the privilege of hearing guest speaker Professor Steve Ellner, who has been living in Venezuela for the past 30 years. Although Professor Ellner hadn't planned on stay ing more than a semester, he was enticed by the hospitality To Mr. Zachary “Nice" Armfield Here's to the all- sefing eye of drama,^ Uoughing at Stoddard .dnd Stoppard, Commendations ond. SAT scores ^ "For me to poop on," and big babies Thanks for making 04-05 a bit funnier. -The Versatile actor of the Venezuelans and the interesting situation of the laborers. He had an incredible wealth of knowledge to share that provided listeners the opportunity to understand the unique situation of one Latin American country. Soon afterwards, the fies ta started heating up. VanNoppen and salsa dancer Andrpw Pearson performed two beautiful Spanish dances. The crowd could not take their eyes off of the graceful pair as they whirled around the dance floor. Another fast-paced and lively dance demonstration followed, led by flamenco dancer Sharon Bryant. She later gave a brief dancing les son for anyone who wanted to leam the rhythmic steps of the flamenco. After the scheduled events had taken place, everyone par- Umakda Alaaen fS dope uudd imd earned •'itui.! 3 you JCalisana To my sweetie; Sorry t missed Prom last year But t will maize good on. My promise to you Love, your Sohi^okurus took in the fun activities of the carnival. Participants could choose from a variety of games and activities, from swinging at a pinata to making paper flowers. As Latin America Fest drew to a close, everyone was sorry to leave. However, they encountered one last surprise before they left. Every person who took their shoes off before entering the festival found that their shoes were now filled with candy. This is a popular Christmas custom in many Latin American countries. This is also just another example of the detail and ded ication that was put into the festival by the MFCs and the Hispanic Cultures Club. Everyone who attended the festival is already hoping that this will become a part of the NCSSM cultural tradition that will continue in the future. To Robin Kandl I wove you very much! You are the best room mate I could, eyer have .. thesd^pasiUwo years. l^^opeana To,the Pirates of ID parrot I'4|^ays pick You shralder to sit on A A Love, Jane Lee NCSSM Performs the Lord Nelson Mass Lucie Guo TZ D uring the summer of 1798, in the Battle of the Nile, Napoleon was devastated by the British navy under the command of Admiral Horatio Nelson. Seven years later. Admiral Nelson stopped Napoleon from invading England and died in the stmggle. While Europe was gripped in the turmoil of the Napoleonic wars, the composer Joseph Haydn worked within earshot of battle cannons. That summer, Haydn composed the choral piece - Mass in D minor - also called the “Mass in Time of Distress”. It was later named the Lord Nelson Mass in tribute to the admiral. Now, more than 200 years after its composition, the mas terpiece will be resurrected on the stage of our own auditori um. It brings together the NCSSM Chorale, Orchestra, and the choir of Durham’s Blacknall Memorial Presbyterian Church. Mr. Scott Laird, conduc tor of the NCSSM groups, said that this collaboration between student and adult choirs is an endeavor that NCSSM has never attempted before. He teams up with Mr. Dave Stuntz, who is his old fiiend and the conductor of the Blacknall choir. “Here is a project that thrusts folks ranging from "The choras is essentially screaming the text, with kettle drnms booming and trnmnets blaring away." teenagers to 60-plus-year- olds into the same arena, with the same goals; they are peers.” Stuntz said. Laird and Stuntz both noted that the appeal of the Mass was the way it defied choral expectations of the time. “The high dramatic ele ments in this piece stood out to both of us,” Stuntz comment ed. The Lord Nelson Mass is Hadyn’s biggest, most well- known choral work. It is also his only mass in a minor key. The text of this work praises God, but the music does not have a serene and prayerful setting. Instead, it is often intertwined with frustration and anger. In the Benedictus movement, the orchestra begins with a storm. Three trumpets create a war-like fan fare in the climax of the move ment. “The chorus is essen tially screaming the text, with kettle drums booming and trumpets blaring away.” Stuntz described. Through such unconventional elements, the composi- |tion sends out a dis turbing message “Where is the blessed one? Is that person coming at all?” “The best art some times raises the most dis quieting of questions.” Stuntz said. Through bringing Hadyn’s masterpiece to life, NCSSM students adults of the Blacknall choir partake in a unified endeavor of music-making. Even NCSSM faculty members are getting involved in the project. Dr. Jo Ann Lutz participates as an alto singer in the NCSSM Chorale. “I have always loved singing,” she said. “The stu dents are very talented and also very helpful to me.” “Rehearsals are fun,” said Toan Tran-Phu, a violinist in the NCSSM Orchestra, “but they are also terse and focused. The performance is soon, and the pressure is mounting. But it’s music, so we have fun.” Preparing such a masterpiece involves immense dedication. The performers are required to attend rehearsals outside of class, even on a Saturday morning. But many agree that such efforts reap great rewards. “As .much as I love the perform being passionate engagement with the moment, being filled up with the music, the text, and the lives around you.” and ing,” Stuntz said, “I love the rehearsing even more.” Both he and Laird believe that one of the most enjoyable aspects of music-making is its social, interactive environ ment. “The heart of art is rela tionships,” Stuntz commented, “lives touching lives, intersect ing, impacting and impacted by others.” “The process begins with my seeking to ‘hear’ what Haydn is saying to.me from 1798,” Stuntz said, “then - my life intersecting with Mr. Laird's, each of us talking and rehears ing with our respective choirs, then combining and continu ing the process. And the per formance is the extension of that: the performers are touched by the music, they have the opportunity to touch the audience.” “That's the big deal to me,” he continued, “not musical purity or perfection of per formance, but a pas sionate engagement with the moment, being filled up with the music, the text, and the lives around you. What an astonishing privilege is ours in the arts, to spend our time in such pursuits!” The NCSSM music depart ment invites you to join them in the experience. The per formance of the Mass will take the stage on March 12, at 4:00pm in the NCSSM audito rium.