“HIGH” LIFE, JANUARY 13, 1922. PAGE THREE t. '>1 J The Habit Of Thrift 1 Is i A foundation of success. Ac- « quire this habit by depositing ? in our Savings department. * quarterly. I I Atlantic Bank & Trust f Company j WANTED 800 G. H. S. STUDENTS TO PATRONIZE ? HYLMORE TEA ROOM 1 Horae Made Ice Cream After'noon Tea 3>6 ELLIS-STONE AND CO. INSURANCE We write all kind?. Let us serve you FIELDIN L. FRY & COMPANY Phone 453 231 1/2 S. Elm St. Walton Shoe Shop i EXPERT REPAIRING I Ladies Work A Specialty Phone ilOS no Vf. Market St., Greensboro. ^hone ^06 : ro. N. C. I Wm. A. Roberts Film Co PHOTOGRAPHER -■ CENTRAL MOTOR r CAR CO HOME OF THE ¥ NASH—SIX and 1 NASH—FOUR 5"- Passenger Cars HOME AGAIN BLUES A Tragedy in one Set, by WHIegby Scene—The Southern Railway Sta tion Greensboro. Time—A few days before Chri.stmas, 1921. Characters of the play I. M. Phresh, ’25—home from school for the holidays. A Cop. Author’s Foreword All dramatic .scenes should be grounded in the universal. To inter est man a play must expres.s a theme applicable to man everywhere. We cannot successfully isolate it in the {.‘articular; we must, on the other hand give articulation to a plot whose theme reaches out and seizes upon the universal. It was, therefore, the intention of the writer of this little epi.sode of heartrending tragedy, to give expression to a theme that may well serve as a play to be given in any land or any speech. The deep pa- • thos of the lad retuiming home for the first holiday after triumphantly overmastering all obstacles in his path toward higher enlightenment, and his consequent downfall and discrediting by a cruel and unseeing home community that criminally fail ment—all this is tragedy in the j essence. - f This play, then, with Aeschylus’ ' to recognize his ability and achieve- “Agamemnon,” and Shakespeare’s ' “King Lear,” is a play dealing with ; one of the deepest and most .soul- ' stirring themes, the sin of ingrati* • tude. Act I Scene 1 As the curtain slowly rises, the noise of an approaching locomotive ■ is heard off-stage. It steadily in- ■ creases in volume until it apparently reache.s its destination, evidently just off to the left of the stage, where we judge it has stopped. The stage re mains unoccupied. The settings are quite bare, the stage representing as it does cover of the station between the yard and the street that runs at right angles to the track. Back stage a pox-tion of the track cuts diago nally across. At right a corner of the station protrude.s to center stage. The entrance door to the waiting I'oom may be seen in the left sec tion of this building. Off stage right are heard the bumpings and groan- ings of a trolley car, and an occas ional auto as it attempts South Elm Street. The train has stopped and i.s letting off surplus steam. Enter Phresh—(He looks it.—Ed.) from left, carrying suitcase. He is seventeen. Booth Tarkington would tell you so himself. He wears pinch back blue flannel ovei’coat that strikes him just above the knees, disclosing a part of a pair of gray tweed trous ers. These in turn have a Gillette crease in ihem that maintains itself in spite of the fact that the straight cuff trousers flop and reflop several times over the black low quarters. (We know it isn’t good playwnting, but we venture the assertion that he wears wool socks, and maybe—cai*- ries matches—in his hip pocket.—Ed.) A large gay wool scarf hides every thing except the red and brown knit tie that partially shows. On the top of the front of his head there perches a cruelly treated brown chapeau that has evidently been under a steam rol ler and three or four pile drivers. (They sa'y it’s collegiate when you wear it that way.—Ed.) From hrs overcoat pocket protrudes the latest copy of the Cosmopolitan. He walks over to the center of stage near the waiting room entrance, and .‘^ets down his suitcase. With dignity and great deliberation, he takes from his pocket his watch, disclosing a bronze 25c fob. Returning it to its place, he glances around, as if expecting some one. With a sigh' and a raising of eyebrows, he ex presses a boredom that would make Wally Reid green with envy. Phresh—(Oh, Algernon, isn’t he the dear!—Ed.) I wonder where the old man could be! He didn’t even send the chauffeur around with the limousine to meet me. After the way I knocked those old profs off the limb, too! His disgu.st is quite evident. Reach ing into his vest pocket he brings forth a half dozen or so cigarette holders of various colors and sizes. Selecting one about nine inches long, he fits his Pall Mall into it, lights up, and begins to smoke rings at the dingy walls of the station. Enter from the station room door, ^ the Cop, He appears to be absorb ed in matters of great moment and does not notice the late arrival. Phresh (advancing)—Why, good morning, Mr. O’Reily. I’m mighty i glad to see you again. The Cop (looking up)—Hello, son! | just gettin’ in? Been over to High’ Point for a day or so? Phresh (he has lost three inches in i chest expansion.) Er-- no. I’ve been | off to school this fall, and am just i getting in for the holidays. ■ The Cop—Oh, you are! Didn’t ' know you’d been out of town, son. (Another inch evaporates). But you see Tm kept powerful busy with ! these here traffic regulations to en- ’ force. Greensboro’s, such a strict town after watching this car parking . in the right places. I just sorter lost track of you boy.s. Phresh—Yes, it didn’t take us long to grow up. It doesn’t seem anv time since I was only a high school lad. The Cop—So you are off at col- , lege. How you like it? They feed you plenty ? Phi-esh—Oh, yes. I eat at the best boarding house in town. Most of the fraternity men eat there. I sit only four tables away from the I. Tappa Kegs. They have a table all by themselves. The Cop—I bet they do feed you good there. Them men you are talk ing about are the fellows that are putting up so many buildings over there, aint they ? I know they’d eat like bosses. But that’s over to Chap el Hill, an’ you told me you was go ing over here to Elon, didn’t you, or was it Guilford ? Phresh (horrified)—Oh, no, no. I go to North Carolina, but the frater nity men are not the ones who are doing the work on the new develop ment over there. They are students who belong to frateraities. They are social clubs and very select, you know. You can't join a frat— The Cop—A what? Phresh (with fatherly wisdom) Probably you don’t understand. By “frat” I mean “fraternity.” That is the short name that we apply to them As I started to say, you can’t join a fraternity until your Sophomore year. The Cop—That’s the second year, isn’t it? Phresh—Yes. And when you go back the second year you may get a bid to a fi*at, and then you join and you get to wear a frat pin, and if you get engaged you give it to your girl and she wears it, like a diamond ring, you know. If you get in a frat you are a big man, and evei’y- body looks up to you when you wear a frat badge. The Cop—Sorter like the lodge I belong to, I reckon. Phresh—Yes. Only a frat is lots classier. Of course the Masons are good, but a frat is lots more import ant and stronger. The Cop (laughs to himself)—Yes, son, I guess you’re right. But it must be a powerful strong club, (chuckles) You are going to join one? Phresh—I hope so. If I don’t, life won’t be worth living any more. It would be a terrible disgrace not to belong to any. Just think what you would say if the girls would say to you: ’’Well, 1. M., let me see your pin. I know it’s perfectly darling, with the pearls’n everything,” and you’d have to say: “I’m not a fratei'- nity man.” But I think I’ll get in one. One of the fellows that belongs to one told me how to do to get a bid, and I’ve been doing it. All there is to it is to take the members to the drug store once a day and to the movies at night. Then sometimes- I take them to a show in. Durham. This boy that told me said it was a confidential tip, and not to let it out, but you won’t tell anybody, I know. None of the other first year men know about it. The Cop—I thought you called 'em Fre.shmens. Phresh— Oh, I reckon that is one name, but we prefer that people call us “first yeai’ men.” It is not as, well—vulgar—to say the least, you know. Off stage band music is heard. Phresh straightens up, adjusts his necktie, sets the cigarette holder at a rakish angle, pulls his hat lower over his eyes, and with a downward movement of his hand wallops the in defensible hat another terrific blow that renders it completely “college.” The Cop—That Salvation Army certainly likes to hang out hei'e at this station. Raise more I'acket than that auctioneer up at Max Rone.s’ sale, (laughs) Well, I’ll see you later, son. (He goes out.) Phre.sh (crestfallen, to himself)— I I might have known “Bull” Slinger i was woofing about the band meet ing me at the station because the ; News told about my being elected sub-assistant manager of the First i Year Reserve Horseshoe Varsity ’team, (swelling to normal). But, care be gone. Next year shall my ■ breast be adorned with the worthy I badge of I. Tappa Keg, and I shall then be nothing shoi’t of the unadul terated stuff! Meanwhile, to my father’s house, and the fatted calf! Heroically, he takes his suitcase, Comos, and departure, just as, with a tremenduous crash, the curtain falls and awakes the audience from its sound slumber. FOR ALL COLD TROUBLES WICKS W VapoRub Greensboro Drug Co Films Promptly Developed Y. M. C. A. 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Thehy have an appeal which you can't A i, get awav from. f A THE SOUTHERN LIFE AND TRUST CO. T V ^ i GREENSBORO, N. C. T i A Home Company A Home Builder I DICK’S LAUNDRY COMPANY Launderers and Dry Cleaners Phones 71 and 72 WE’LL TREAT YOUR CLOTHES WHITE ! i ¥- * i I

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