I I " .V* * Marable F : assume that he/she cannot com* piete on par with whites; that this ? student is somehow "culturally ,5 disadvantaged.1' Even if,Aobjec*; tively, the black student's work is ? identical or superior to that of a white pupil, the grade received is lower. The cultural expectation of failure and .inferioritv transcends the objective merits of one's work. Students tend to learn quickly - if the material relates to their ^ciudtural or social* experience in some direct way, or if the overall environment reinforces their desire to excel. If their curriculum is structured to negate their heritage and culture; if their teachet* -expect only the / "minimum level" of competency from them; if they are not constantly reinforced in the classroom and in campus life * generally, their failure is almost preordained. The myth of equality in American education is based in part on the assumption that recruitment of representative nnmK*rc Ui?? uMinwvi j vi viavR (UlU niSJMUliW : students ultimately will produce a pluralistic society. Equal access Counterpom alive and well. In defense of the movie, there are those who would say that it provided a vehicle to showcase black talent and a black author in a medium that has largely ignored them. For the crumbs that "The Color/Purple" provided in these realn^vye must weigh the price ^ that was paid. As a black man who is a child and adolescent psychiatrist by profession - a husband and father by choice - I say the price tag for this movie is entirely too high. Professionally, 1 spend a -Significant portion of every day fighting, to .help children, womenand men who have been abused by each other and the system. At a time when our children and families throughout the world are struggling for freedom, justice and their rigHtful role in selfdetermination, we can ill afford setbacks of the type this movie nromntM The issue of having the vast talent in the black community ignored cannot and should not be addressed with the sham that this production provides. Given the so-called choice between continued obscurity on the movie screen and the perpetuation of self-hatred and self-defeatism leading to family genocide - the "choice" ought to be clear* The jrony of a black woman accepting the white man's dollar (begotten through the dehumanization of her and her people) to insult her black man and black male children would be comeaic 11 11 were noi so iragiw. In a time when one out of every two black children is growing up ^ Opinion f? He felt equally at ease sing spiritual or a Yiddish folk sc Most importantly, no mat tistic or intellectual prowess, Robeson's fierce individualist The tall, eloquent black baritone voice and menacing nis principles. In response, Robeson was 1 His concerts were banned ii forced to live abroad. But st "If you were young and id ~ in those days, Paul Robo Jewish writer Yaacor Luria i Amid the attention justly i King Jr. national holiday thri ly marked the 10th anniversai probably didn't know that. Youngsters who aspire to b J probably don't even know they need to know. They neo footballs and recite Shakesp< So we salute Paul Robesoi way one can be a giant. Yq some have stood by their com sequences. They need to ki truest Renaissance men was 1 i *** . rom Page A5 to college enrollment, however, does not guarantee retention. According to Alexander Austin, author^ of "Minorities in American Higher Education," the percentages of ail college-age young people who entered in lOM u'ma * ? UUITVI ItUM U1 1 7DA WVIW JO cent for whites, 29 percent for blacks and 24 percent foD" His panics. The percentages of this group who graduate from colleges are: whites, 23 percent; blacks, 12 percent, and Hispanics, 7 percent. Of those who enter graduate or professional schools: whites, 14 percent; blacks, 8 percent, and Hispanics, 4 percent. Whites still comprise 86 percent of all students in academic institutions, and nearly 92 percent of all graduate and professional school ~ students. Of every 100 black students who enter high school. only 72 graduate, 29 go to college and only 12 receive degrees. Other than at historically black colleges, an Afro-American student is usually at a tremendous disadvantage within the university. The bulk of his or her white counterparts find that the t From Page A4 in this country living in a singleparent, female-headed household, often in poverty, anything that serves to widen the gap between our men and women cannot be ignored or tolerated. At a time when our black male children are killing each other and themselves via heroin, cocaine, PCP, alcohol, tobacco, guns, knives, speeding cars or, worse yet, through corporatecontrolled and -induced military conflicts, can we afford to promote, a vehicle that, under the guise of entertainment, gives credence to their societally taught self-hatred * and * self'defeatist ?b?havioi7 The answer is an emphatic "no!" Since our ancestors came to these shores, American society has worked overtime at destroying the fabric of the black family. Initially, their actions were blatant and easily seen - families < were separated via the auction block. With the passage of time, the tactics have become more sophisticated. Thoughtless and irresponsible attempts at "entertainment" as seen in "The Color Purple" serve only to re-open wounds that have never fully healed without any focus on the source of the wounds themselves - white-maledominated and oppressive society. Instead of focusing our attention on the root causes of our mistrust of one another, which, has led to our inability to love each other or parent the children we produce - we end up fighting each other even more by design and a projected devaluation. >m Page A4 jng an operatic aria, a Negro ins. ter what the extent of his arthey paled in comparison to rn and his defiance of racism, man with the commanding stare would not compromise labeled a Communist traitor, i the United States. He was ill he didn't waver. ealistic - 'socially conscious' ion became your idol," said n a Miami Herald column, given the first Martin Luther x days earlier, Jan. 23 quiet* ry of Robeson's death. Many, ie like Moses Malone and Dr. who Paul Robeson was. But d to know that you can catch sare. n, a giant of a man in every tungsten need to know that fictions regardless of the connow that one of America's black. I f <r cultural and social environmeai is directly designed for them. Black professors are few and far between ~ statistically! only 1 percent of the ; faculty at predominantly white institutions are black. Much of education occurs out -side the classroom. Professor Jacqueline Fleming, author of "Blacks in College," has observed that most AfroAmerican students are placed in a second-class status at white institutions. Many white professors ignore them, and students sometimes experience "a loss of motivation and thwarted intellectual growth." Some students "may begin to accept a minority status, that of not really being a part of things." Professor Fleming's study also shows that black students have a higher rate of intellectual develODment in black inctitu. tions: "Although they came to college with lower test scores .... these . things were overcome because they were encouraged and supported by peers, adWe are all familiar with Hitler's "Final Solution" to the Jewish "problem." There is no question that this movie amassed brilliance, compassion and talent unequalled in any production now on the market via its actors, author and producers. It is a damn shame that it never came close to utilizing its vast potential to provide an accurate or balanced depiction of our people and our life - our children and our community deserve and need so much more. It's about time we recognize and stop colluding with a sick segment of American society pmhUig -the- "solution" to the black "problem.** RUT YOUR FORWARD 25% BURLINGTC STARTING TPs easy to look yc eye-catching col< at 25% savings, tc best time to stock styles including te: Sheers available i ^ - - * - navy ana oTner to Textures available colors. Hosiery. SHEER AND CON! #327 Silky Looks, i #328 Silky Looks C #366 Ultra Sheer ( #367 Ultra Sheer, #368 Light Suppo #369 Tummy and #376 All Sheer Hu TEXTURED STYLES #318 Filigree Lac* #334 Flower Dot ( #387 New Artist Bi / LI' . f ministrators and faculty membess." The struggle for racial equality does not mean that all . blacks should attend all-black colleges, but it does mean that greater emnkaii* *> <? tu ? ? ?? piiHU 1I1U91 |/iawcu IU WI CMC structures which provide positive reinforcement and an environment of cultural pluralism for blacks within predominantly white institutions. Equality is not a color-blind, invisible status which condemns black youth to insecurity, isolation and failure. It means taking the logical steps to guarantee real cultural pluralism -- more black nrnfMcnrc anri eta f f MrnanH?H W ?MI%? klVMl A | VApUlIUVU funds for black cultural .and academic programs and institutional links between campuses and black communities. Dr. Manning Marable teaches political sociology at Colgate University. t 605 N. LIBERTV .1 -vat Sixth Street fiiiiieft BEST FOOT 5 > WITH SAVINGS ON DN? LEG LOOKS? TOMORROW Kjr besTwIth the beautiful fif and ~ xs of Burtihgton? Leg Looks?. And xnorrow thru February 23 Is the up on all your favorite Leg Look xtures! n off white, dove grey, black, soft shion colors. > in black, white and other fashion ROL TOP STYLES reg. 3.75, now 2.81 Control Top, reg. 4.50, now 3.37 Control Top, reg. $4, now $3 reg. 3.75, now 2.81 ft, reg. 4.75, now 3.56 Hip Control Top, reg. 3.75, now 2.8 es, reg. $3, now 2.25 reg. $5, now 3.75 Control Top, reg. $6, now 4.50 rush, reg. $6, now 4.50 '* JB^^"- >''^v' ~ ffV - ' - !??*? " ? . The Ctironicle, Thursday, February 6, 1986-Page A13 GREAT REBUILT APPLIANCES 60 Days Parts and Labor Guaranteed TOTALLY REBUILT ? 784 8797 ? mt 4 I ) > I J? / J / Kui^BliMll^MiiBIjlllMflM ^qi] n . . ^ "| r THE OASIS pawn'0""1 > Disco 1 > p.m. to 2 a.m. 7 Days a Week Free Salad Bar! -i f ST. -h 724-2371 11 i > . ' 4s!U i v^l # 0 %**7 tm ^ ^ . i 'jgr .^^F9 if'* v <?' ^H[V' ' ?^iUifl :'^^^jft: ' f. ^ [ - f*

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