FORUM Thank and appreciate all teachers Nigel Alston Motivational Moments "Teaching is the choicest ' ?f professions because every ? body who is anybody was taught how to be somebody by a teacher." -Author Unknown I live with a tdwther. 1 think she's a very good teacher - one who cares about '? - her students, holds them i responsible for their actions and challenges them to live up to their potential and her expectations, Some udays it is not so easy. A young schoolteacher discovered that in a dream one night. An angel appeared to him and said: "You will be given a child who will grow up to become a world leader. How will you prepare her so that she will realize her intel- ^ 1 _ ligence, grow in confidence, develop both her assertive ness and sensitivity, be open minded, yet strong in charac ter? In short, what kind of education will you provide that she can become one of the world's truly GREAT leaders?" That's a tall order, isn't it? The young teacher apparently thought so, waking up in a cold sweat. It is also one that is being met every day a yel low school bus travels throughout the community or a student sets foot inside a classroom. What kind of education do teachers offer to the thou sands of students they encounter each day? The answer lies in the unseen hours of preparation, the money teachers spend on sup plies from their well-earned and often insufficient pay checks. It also shows in the lines of frustration on their faces when some students just don't try to succeed, Tffspite the opportunities available today. The list of challenges is endless. I am who I am today because of the teachers in my life, and I think about the importance of teachers and appreciate what they do daily as the time of year for gradu ation is upon us. Students are making the transition from one grade to another, from high school to work or col lege, from college to that first "real" job or the continuation of more educational experi enees. The transition is made possible by dedicated teach ers who understand the value of education and experience in the preparation of students for a world that is ever chang ing. I read the parable of theC young teacher, written by Steve Goodier, that began by describing the difference between education and expe rience: "Education is what you get from reading the small print. Experience is what you get from not reading it!" I think good teachers pro vide both, a task often unrec ognized and underappreciat ed. Teachers have probably asked themselves the same question the young teacher thought- about: "How might my teaching change if I KNEW that one of my stu dents were this person?" His thought process illus trates the challenges met daily in this most important of pro fessions, teaching. He believed a student would need experience as well as instruc tion. problem-solving ability, growth in character as well as knowledge. A student should also understand and appreci ate the past, yet feel opti mistic about the future: know the value of lifelong learning; set high standards; learn dis cipline. yet also need love and encouragement. His teaching changed as a result. He started to see each student in a new way, "not as they were, but as they could be," according to the story. Each was taught as if the world depended on his instruction. "Children are living mes sages we send to a time and place we will never see," writes Goodier. This story "isn't simply about an unnamed school teacher," according to Goodi er. "It is a parable about you and me. whether we are par ents or even teachers." As another school year comes to an end. we should all thank and appreciate all teachers. After all, "every body who is anybody was taught how to be somebody by a teacher." While we can't pay them what they deserve, we should acknowledge that a child's future depends on their influence. That's price less. Nigel Alston is a radio talk show host, columnist and motivational speaker. Visit his Web site at www.motiva tionalmoments. com. Despite Oscars, Hollywood not colorblind Brian Gilmore Guest Columnist At the Oscars, Hollywood made an attempt to atone for its sins against black America. Yet. despite the awards, it is a birtpre mature to believe that the situa tion in Hollywood has changed for African Americans after decades of exclusion and racial stereotypes. Three black Americans won awards: Denzel Washington for best actor, Halle Berry for best actress (the first African-Ameri can woman to do so), and. to top the evening off, a lifetime achievement award was given to the dean of black American thes pians - Sidney Poitier. But the situation is still far from perfect. There is simply too much evi dence to suggest otherwise. There are the continued com plaints within the black commu nity about the inability of blacks to find work both in front of the cameras and behind them in Hol lywood. The NAACP threatened boycotts last year because of this problem. And choices for black actors have often been limited to stereotypical roles such as con victs, servants or athletes. For example, Morgan Freeman has been nominated for an Oscar three times - for playing a pimp ("Street Smart), a chauffeur "Dri ving Miss Daisy") and a convict ('The Shawshank Redemption"). The speeches at the awards from Berry, Poitier and Washing ton seemed to offer the most compelling truths about Holly wood and race. Berry's tearful mixture of joy and pain seemed to represent the dreams, hopes and frustrations of all the black women who have struggled vainly to conquer Hol lywood's rigid racial mores. Berry's emotional reaction was troubling because she is a well respected actress w hi* has been able to find steady work in Hol lywood. Imagine what the many talented black actresses who can't find work are going through each day as they watch their careers pass slowly before their eyes. Washington and Poitier took the edge off the awards with their speeches. Washington was affa ble and content simply to pay tribute to Poitier. However, Washington's cynical opening remark to his acceptance speech - "two birds in one night" - was subtle humor with a powerful message to Hollywood; Don't think that one night of awards can reverse decades of exclusion and exploitation. Poitier, who won a best actor Oscar in 1963 for his work in "Lilies of the Field." chose a con ciliatory tone as well. He paid tribute to all those in Hollywood who gave him a chance, and accepted his lifetime achieve ment Oscar "in the name of all the African-American actors and actresses who went before me in the difficult years." Poitier's message to Hollywood was clear, as well: You know you can do better. And ultimately, that's what it will come down to: what Holly wood does next. There has been some progress. Slack actors and actresses have received six awards since Louis Gossett Jr. won best supporting actor in 1982 for his role in "An Officer and a Gentleman." There have been 12 nominations for blacks in acting categories since Whoopi Goldberg received the best supporting actress Oscar for her role in "Ghost" in 1990. This is in contrast to only two Oscars for African-American performers from 1927 to 1981 (Poitier and Hattie McDaniel. who won a best supporting actress for "Gone With the Wind") and 22 nomina tions from 1927 to 1989. But there will have to be more because receiving awards and nominations is not the only measure of progress. There have never been as many aspiring I black filmmakers, screenwriters, directors, producers, actors, actresses and technicians as there are now. Spike Lee showed a generation of young black artists that you can make films and get them distributed internationally. And then there is the most important category of all that desperately needs to be addressed: those coveted deci sion-making jobs within the industry. This is where the real change can happen in Hollywood - at the executive level. Not only will a presence of more blacks in decision-making roles in Holly wood likely alter the inequities ? that are so disturbing, it will also make possible a more honest and varied depiction on screen of black life in America. For an industry that seems to be finally trying to put its sordid past behind it. that would make this year's Oscars truly a watershed moment. Poet-attorney Brian Gilmore is the author pf two collections of poetry, including his latest "jun gle nights and soda fountain rags: poems for Duke Ellington " I Karibu Books, 2000). He can he reached at pmpmj@progres sive.org. 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