SjteaA of M& jIs/ Anv What Would Paul Robeson Do? It's a question that will be answered in "Speak Of Me As I Am," a one-man show about the legendary actor, singer and freedom fight er. Robeson,, who was 77 wnen he died in 1 9/6, comes down from the heavens in the play - in the form of singer/actor KB Solomon - to give his perspective on today's youths and other timely topics. Robeson also uses his return to Earth to clear up popular miscon ceptions about him, such as the notion that he was unpatriotic and a pawn for communists. Written and produced by Solomon and Krys Howard, "Speak Of Me As I Am" has won raves for its honest portrayal of the iconic Robeson. Solomon, a classically-trained singer, has been lauded even by those ? ? ?-? I I A I _ _ l_ I wno Knew KODeson. los Angeies journal Reviewer Ed Rampell said that he thought that he was actually watching Robeson as he watched Solomon's performance. "Solomon's performance is a marvel not to be missed. The towering basso profundo opera singer has the icon's stature, manner isms and smile down, and his mellifluous voice is a delight that sometimes had the audience singing along Rampell wrote. The show includes Solomon singing many of Robeson's classics, including "I Dreamed I Saw Joe Hill Last Night," "Porgy's Plenty of Nothina." "The House I Live In." "Dannv Boy" and Robeson's signature hit, "Old Man Kiver. Jeffrey Anderson-Gunter directs the shoW. Anderson- > Gunter, a longtime supporter / and regular attendee of the / National Black Theatre Festival, / is best-known as an actor in I films such as "Marked for Death," "Predator," "Only \ the Strong" and "Don't Be a Menace He also starred \ on the television shows "Hudson Street" and "Union \ ? Square," but perhaps he is most rememered as the \ dreadlocked face that morpes into another face at the \ end of Michael Jackson's "Black or White" video. Kirk Taylor js the show's musical director. The Bridgeport uonn -native nrst emDracea music as a sman cnna, dui aciinq also became a ove of his. He has appeared on stage in shows like "5 Guys Named Moe, "Signed, Sealed, Delivered" (a Stevie Wonder tribute opposite Chaka Khan) and the one-man show "Jelly Roll' The Music And The Man. He has appeared in films like "The Cotton Club," Jhe Last Dragon," "Death Wish 3," "Full Metal Jacket" and "School ' 1 r ? - r* _ l i I FICi>C Udys, I ctyiui ICLUIU^ anu )JCI luimo III juuuiuh California with The Angel Chorus, a Gospel ensemble under the lead ership of legendary producer Scott V. Smith. - The Chronicle kirk Taylor Jeffrey A nderson-Gunter Aug. 6 at $ p.m. Aug. 7 at B p.m. Aua. B at 3 SB p.m. at WFU s The Ring Ticket Price: $37 INCIUDCS BOTH SHOWS The teal Josephine Baker. Qoananas/ Familiar to television viewers for her appearances on such shows as "Girlfriends," "Las Vegas" and The Parkers," Sloan Robinson pays homage to a true pioneer and trailblazer in "Bananas. American-born icon Josephine Baker had to travel across the Atlantir tr? Paric in thp 1 Q?Oc cn that anrtionr-oc ilrl view her for the content of her character - and great singing and dancing talents - and not the color of . her skin. By the 1930s, Baker was the most famous (or infa mous, some say) and richest black woman in the world. She bared more than her I soul to audiences around / the world. The title J "Bananas" refers to the / scantly skirt of bananas that / she wore during her early / shows, which she performed topless. The cabaret-style play is set much later in Baker s bittersweet life. It's 1961 in Paris and Robinson as Baker takes the audience on an amazing journey through the performer's life through dance, song, mono logues and costumes that will draw oohs and aans. -T-|_ _ kl. V/ I . l_ I ? _ 1 . I Sloan Robinson i ne New TorK Dorn aciress nas receivea tnumDS-up rrom crit ics and audiences for her honest portrayal as Baker. "Bananas," which Robinson wrote, has had longtime engagement at the The Vintage Hollywood Private Club, a performance venue that pays homage to old black Hollywood. This is not the first time that Sloan Robinson has tackled the role of entertainment heavyweight. She won an NAACP Theatre Award for Best Female Performance for "Yesterday Came Too Soon. ..The Dorothy Dandridge Story," which she brought to the 2003 National Black Theatre Festival. Both women blazed new trails for black females in show business, but both their lives were not all curtain calls and roses. Before their deaths, both women had a string of unhappy romances and trouble making ends meet. The beauty of Robinson's creative gifts is that she is able to take audiences beyond the headlines and heartaches to expose the real women behind the legend. - The Chronicle