tL ENTERTAINMENT IT — TEDE CHARLOTTE P08T Tburwtay, March 28,1978-THE CHARLOTTE ■ 1 ■- " -----‘ —^ i - - - , — - - - -- - _ _ - New Rufus, Chaka Khan LP Strikes Gold Street Player, Rufus and Chaka Khan’s sixth ABC al bum, has been certified gold by the R.I.A.A. The LP, released Jan. 20, follows the immense success of the group’s 1977 album,Ask RUFUS, which recently recei ved platinum certification. In honor of the group’s on going sales achievements, ABC Records recently held a special dinner for the group at LeDome Restaurant in Los Angeles. Top ABC execu tives, group management re presentatives, and band mem bers were among those in attendance. During the even ing, Street Player gold albums “Stay” is the new single from Street Player. Rufus and Chaka Khan embark on an extensive, two-month national tour beginning March 17 in Houston, Texas. Channel 9 To Air “King Of Kings” I Easter Sunday The classic Easter epic, “King of Kings," an elabo rately told story of Jesus of Nazareth, will be presented on Channel Nine Easter Sunday, March X at 3:30 p.m. on Academy Award Theatre. The original Cecil B. De Mille film opens in the house of Mary Magdelene who la ter becomes one of Jesus s most devoted followers. As the story unravels, the life and works of Jesus are highlighted and the characters of each of his disciples are developed. Flip Wilson To Appear On Milton Berle Special Johnny Canon, Gene Kelly, Donny and Marie Osmond, Gregory Peck, Frank Sinatra, Mark) Thomas, and Flip Wil son heighten the star list of “A Tribute to Mr. Television Mil ton Berle”on Channel Nine Sunday, March M at 9 p.m. They join Lucille Ball, Joey Bishop, George Carlin, Angie Dickinson, Kirk Dot«las, Bob Hope, Gabriel Kaplan, Kermit the frog, Carl Reiner, and Don Rickies. R. D. HUDMON — Taught himself to play R. D. Hudmon’s Music Is Classified As Classical Soul By Cynthia Bell Post Staff Writer “Closer To You” represents one of the best rhythm and blues LPs released in the 70’s. E.D. Hudmon, who recorded this album says,“I'M SING ing what I feel. I can’t do a song if I don’t feel it.” R.D.’s music can be classi fied as Classical Soul. His style of music is strictly rhy thm and blues. He has been influenced by many great soul artist like Otio Redding, Wil son Pickett, Sam Cooke, Per cy Sledge, and Solomon Bur rk. Born under the sign of Leo, R. D. became interested in piano at the early age of six. He couldn’t help but pick It up since both his mother and sister played. R. D.,however, taught himself to play, first on the black and then the white keys. “It’s a self-taught thing, really,” says R. D. His first performing exper ience wee In church where be sang and played gospel sor^s like “The Lord Will Make A Way” and “What A Friend We Have In Jesus." He can remember liking church and singing with the choirs. At a very young age, he played for three different church choirs until he made his first record at the age of 12. “Everybody in my commu nitywould want me to come over and play piano for them and sing gospel songs,” says Hudmon. “I never stopped going to church. I was a real hard believer inGod and I still am - but I got out of playing for the church,” he recalls. He felt that he bad a greater potential and he wasn't reach ing it with the church. He met a local group called" The Stolen Children" and his father put-up money for the group to make their first > recording. Friends heard him playing blusi on the piano at a party at htt house and Insisted that he go to Atlanta and let Joe South hear him. His parents were skeptical at first but finally agreed for the trip. R D. made a demo of “Yesterday” , the old tune and JoeSouth really like it. ' Gwen Kesler had started her own distributorship and Hudmon went to work for her as a record promotion man working about 25 different labels as well as his own record on the side. Joe Galkin, the Miami-based promotion man , who had promoted successful artist like Otis Red ding, Solomon Burke, and Joe Tex for Atlantic persuaded Atlantic to pick up the rights to Hudmon’s own “How Can 1 Be A Witness ” Sales for the single sky rocket ted and Hud mon gave up his Job as promotion man and returned to live performances. This single was awarded a gold record for its sales in South Africa. He released two follow-up singles, “Whatever Makes You Happy” and “This Could Be The Night", which paved the way to his debut LP “Cloeer To You.” Sammy Davis, Jr._ To Be Featured On Oscar Show Sammy Davis, Jr. will be featured in a special produc tion number on the 50th Annu al Awards Presentation of the Academy of Motion Picture Arts and Sciences, Producer Howard W. Koch announced today. Davis will sing “Come Light the Candles” described as a ballad relating to the evening, Oscar’s Golden Jubilee Cele bration. He will be accompa nied on the piano by Marvin Hamlisch, who wrote the song with Carole Bayer Sager. This will be Davis' sixth show, dating back to 1959. He has performed on every occa sion, signing nominated or specialty songs and serving as master of ceremonies twice. He last appeared in 1974. Oscars for outstanding film achievements of 1977 will be presented Monday, April 3, at the Dorothy Chandler Pavilion of the Los Angeles Music Center. The show will be telecast live by the ABC Tele vision Network, starting at 7 p.m., Los Angeles time. Roberta Flack’s Newest Album Strikes Gold “Blue Lights in the Base ment,” by Atlantic's recor ding artist Roberta Flack has been certified gold for sales over 500,000 units. Both the album and the single “The Closer I Get To You” (recor ded with Donny Hathaway) are enjoying success on pop and rhythm and blues charts. A special surprise luncheon was held for Ms. Flack when she was presented her gold album for "Blue Lights In The Basement." This album is the seventh for the label and many of Atlantic's executives were on hand to help her celebrate number seven Currently Ms. Flack has launched a 19 city tour across the United States. She will appear in Charlotte on April 23 at Ovens Auditorium with CBS recording star Bill Wi thers. Musicians to accompa ny Ms. Flack in concert will be Harry Whitaker who is musi cal Director, arranger, and plays keyboards, Howard King (drummer), James Mtume on percussion, and Brenda White getting down on vocals ' *

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