fy'y? BLACK -; CLIFFORD KNIGHT ..VvVc.fl X Bi Elsa ChatOcld ti disinherited by her Aunt Kitty who died of an overdose of morphine. Hunt Rogers and Barry Madl ■on go to Mexico to solve what they be lieve to be Aunt Kitty's murder. On ar riving they find that Elsa'i party has pre ceded them by plane. James Cbesebro la murdered, Elsa's father, Bam, meets death from the sword of a marlin when his chair breaks, toppling him Into the sea, and George Rumble, a member of the fishing party. Is fished out of the sea near the dock. Police chief Lom bardo conducts the lnvestlgaUon Into these deaths. Reed Barton asks what they were doing with his fishing knife and learns that this Is th* knife that killed George Rumble. CHAPTER XVII "Practically all," he said. "I think ff we were to sort them out properly we could go a long way toward a solution. Perhaps not all the way. We can settle upon several perti nent facts—clues that point toward the solution." "What are they?" Rogers was silent for some mo ments, turning over in his mind the answer to my question. "I'll name one thing," he began. "It is more important than any other— the picture of Elsa and the baby in the Los Angeles paper." He did not go on for some moments, then he said: "What Chesebro did or said to Elsa that so enraged her inter ests me very much too. The knife that killed Chesebro is a clue I'd like to discover." "Are those all?" I asked when he ceased speaking. He did not reply at once. I felt that something had come over him, some new thought had struck him. In the darkness that shrouded us I could sense that he was vitally alive to something, some new phase of our problem which had electrified him. I waited with growing im patience, afraid to startle him with any word of mine. "Barry—the black sombrero!" he said suddenly. He didn't speak again for several moments, then he said: "There's an amazing story here! In credible! I see it only dimly yet." Inside Berta, Margaret and Dwight were attempting a three handed fame of bridge—killing slow time, as ft were, in the hope that tomorrow would be a brighter day. Rogers, no?v that I could observe hrtn In the light of the living room lamps, betrayed none of that impul sive energy which in the darkness I fancied he possessed. He was as casual as if he had tired of being out of doors and had come inside for company. He walked about the table, examining the cards each of the players held. Margaret was playing the hand. She finessed through Dwight. "Scnora," began Rogers address ing Berta abruptly, "did you not come ashore from the Orizaba that evening prior to our fishing trip?" "Yes, senor," she replied after a moment's hesitation. "But only to the—the muelle—the wharf, with Ar turo." "Yes?" "It is because I have forgotten a promise, senor, to my husband. I shotild bring his fishing things, his harness, and his belt and knife. And I forgot. When I remember it I go ashore to find somebody to send with a note to the rancho for them." "Did you find someone?" "(Jh, yes. Two boys. I send them In a taxi." "Did you wait for their return?" "tfo, senor. I go back to the boat and Arturo brings the things to me later." "Did you see Senor Rumble on the wharf, senora?" "No, senor. I see no one." "What time was it?" "That Ido not know, senor. I do not think it is very late." The cards by now were aban doned and the players moved to more comfortable chairs. Doctor Crilz appeared in the doorway and behind him Lombardo. They came in and we greeted them. I won dered what their mission was. Rog ers continued to stand. His gaze was restless; he seemed to fix upon Elsh's small black hat, which still lay on the table against the wall, with a sort of satisfaction, although I cdUldn't understand why. "HJlsa has retired?" he inquired. "Oh, no; she and Reed are around •omewhere," Margaret answered. At that moment Elsa, followed by Reed Barton, appeared at the study door. "Did I hear my name men tioned?" she called. "Hunt Rogers was worrying about you," I said. "But I wasn't," Rogers objected. "I merely inquired what had be come of you. I'd not seen you since dinner." In the brief moments of this con versation, Rogers had walked a few steps toward Elsa. The table where her hat lay was close at hand. He reached out of a sudden and picked up the quirt which lay partly con cealed underneath it, and held it up before his eyes as if studying the knob with the carved head. Elsa continued to walk toward him. Somehow Rogera had managed to center our gaze upon what he was doing. I found myself staring slight ly at the quirt. It brought back to mind that vivid scene of Elsa rac ing madly toward the house, of her bout suddenly checked and th* de THE DANBURY REPORTER. DANBURY. N. C.. THURSDAY. JUNE I. IM4 scending lash upon the unsuspect ing Cliescbro. Elsa's eyes were now fixed upon what Rogers was doing; a sort of fascination gripped her. "I've been wondering," said Rog ers with a faint smile, "what I might find concealed in this thing." He twisted at the knob. It was the wrong way. He reversed the pres sure, and the knob slipped slightly like a screw. To my amazement he pulled the knob loose from the handle of the quirt, drawing with it from its concealment a long, thin bladed knife of finely tempered steel. "You must have had a very great provocation that morning to mur der." Rogers' voice hardened a trifle. "More than you realize," Elsa flashed. She seemed to stand tall er, her gray eyes turned full upon Rogers. "If I had to guess what that provo cation was," began Rogers, as if he were feeling his way into a dark room and would welcome a light, "I should hazard that it had some thing to do with the picture of you and the baby." He paused for a fraction of a second, as if giving Elsa an opportunity to speak, then went on: "The child bore a very strong likeness io Jimmy the Cheese. I assume that he was the father." "You are correct," said Elsa with dignity. "George Rumble, after the picture of you and the child appeared in the paper, told me something which rather cleared him of any intent of wrongdoing," Rogers went on. "He said lie first saw that picture of you and the baby at your Aunt Kitty's. "Barry—the black sombrero!" He asked her about it and your aunt told him that it was your baby—" "She lied!" Elsa flashed. "I'm not the mother of that babyl" she said fiercely. She added more softly: "I'm glad, though, you told me how George got his information. I never asked him." Something like a sigh of relief seemed to stir in the room. Elsa stood firmly, defiantly before Rog ers, flanked by Reed Barton. Berta sat forward in her seat, an eagerness in her manner, something trembling on her lips. Rogers asked, "Who was the mother, Elsa?" "Aunt Kitty!" "Please, may I say something?" said Berta quickly. "Of course, scnora," Rogers turned to her. "There are some things I should tell," she began in her precise Eng lish. "Elsa does not know I know these facts; my husband did not know I had so much knowledge. But my cousin, Maria Mendez, who is a nurse at the hospital, told me. Aunt Kitty's child was born in the hos pital here at Mazatlan. She came secretly here, wanting to be near her brother, and yet for some strange reason not telling him she was even in the town until after the child was born. "Later, on a steamer day, she sent word, pretending that she had come ashore for the few hours the steamer stopped. She explained the child by saying its mother had died at sea and she expected to adopt it. Sam went to see her," Berta went on rapidly, a deep fire in her eyes. "She would not come to the rancho, because of me. She would not even permit him to tell me anything about her being here at the time. Only after Maria had told me later something of what had happened, did I learn about it from Sam. But he made me promise never to talk of It. Things, of course"—she ges tured vehemently with her small, ivory-tinted hands—"are different now. It is time to talk." "You are right, Scnora Chatfleld," said Rogers. "It is time to talk." He turned to Elsa, a questioning look in his mild blue eyes, and seemed to wait for some word from her. Elsa had listened to Bcrta without a change of expression. She now looked at Rogers stesdily, her level gray eyes fixed' upon his; the linej had smoothed ftut of her face; her voice when next" she spoke was quite calm. "Perhaps you're right, both of you," she said. "Having kept still so long, however, It really makes lit tle difference with me now." She continued to stand before Rogers as if answering to him, ignoring the others who sat silently in their chairs. "I ran away from school in the East. I went to New York, be cause I'd decided to be an artist. Father knew what I'd done and aft proved it. I didn't tell Aunt Kitty and she didn't know where I was. After I'd been there nearly a year father one day telegraphed me that Aunt Kitty needed me. That was the first mistake. She never need ed anybody. But just the same I flew to San Francisco. I was seven teen, and I didn't have any sense." Rogers interrupted her. "Won't you sit down, Elsa?" She smiled at him. "No, thank you," she answered, continuing to stand easily before us. "I met Aunt Kitty when she got off the boat with the baby. Father had written me at San Francisco, telling me what he believed was the truth. I'd had only the telegram. Of course, I was sort of stunned; nothing like this had ever happened to our fam ily. I was very frank to say so; she had it coming to her after the way she'd brought me up. Aunt Kit ty turned on me so fiercely I thought she was going to strike me. She denied it was her child. She said Father had lied to me. It was a baby she was going to adopt. But I stuck to the point like the little fool I was. I threatened to kidnap the child and go home with it and announce it as my own, just to shame her. That was the second mistake. I didn't carry out my threat, but it was only because I couldn't get the child away from her." "You returned home together, then, you and your aunt?" Rogers suggested. "Yes. I'd used up all my money in going to San Francisco, and fa ther couldn't send me any more at that time. Aunt Kitty would not give me any to go back to New York. She'd buy me anything I wanted, though, in the way of cloth ing. She'd never been really gen erous. I couldn't understand it now. I thought before this that I'd hated her, but we were really only begin ning to hate each other. "Then one day I woke up to what had happened to me. Odd how you can be the center of gossip and never hear a whisper of it. It's like being in the center of a hurricane, everything is so quiet. Months had passed before the maid one day said something to me about 'my baby.' I was furious. I went to Aunt Kitty. She laughed. 'The whole town thinks it's yours,' she said. She laughed again. 'And it's going to be yours. You can't prove it's not. You ran away from school, so the school authorities can't help you deny it. It comes down to your word and mine, and mine will be believed be fore yours. So what?' "There I was," said Elsa simply. "What could I do? She had me, and I knew it. So all I could do was to go on hating her more and more. When the baby died—it didn't makq any difference. I could only go on as I had been going, hating her with every breath I drew, and hoping to live it down some day." "Tell me now about Chesebro and what happened the other day," in structed Rogers matter-of-factly. Elsa laughed shortly, but ther* was no mirth in her voice. "Elsa, the brilliant caricaturist," she said sarcastically, "never saw that re semblance in the child to Jimmy the Cheese. She hart to be told by Jimmy himself in one of his sev eral fantastic proposals of mar riage." There was a tittge of scorn in her voice. "He'd m?de advances to me in his elephanfiA* way ever since Aunt Kitty's deatb. He didn't seem to mean it until a short time ago. I detested him and t told him so. Then came that picture in tbe paper. He was very contrite that day we went for a ride. He begged a thousand pardons; he groveled before me— literally. Finally he startled me with the statement that he was the father of the child, and before he was through gabbling ha admitted that it was his idea origi nally and not Aunt Kitty's that the gossip be started at home that tha child was mine." Elsa's voica ceased for a moment and then took up again in a quiet, dead level tone. For several moments none of us realized just what we had heard, or that Elsa had reached the end ol her recital. There had been no bit terness in her tone at any time, ne emotion until she had come t« Chesebro, when something of thai Immense anger she had shown on that day she turned se savagely upon the man who had bean at the bottom of all of her troubles glowed in th fiery pinpoints in her eyes. Rogerr voice startled me when he finally spoke. "You make that statement of youl own free will, do you, Elsa?" "Why, yes, of course." (TO BE CONTINUED! IMPROVED UNIFORM INTERNATIONAL SUNDAY I CHOOL Lesson By HAROLD L. LUNDQUIST, D. D. Of The Moody Bible Institute of Chicago. Released by Western Newspaper Union. Lesson for June 4 Lesson subjects and Scripture texts «e- ' rected and copyrighted by International : Counrll of Religious Education; used by permission. PAUL IN EPHESUS LESSON TEXT—Acts 19:810; Epheslani 2 410; 3:14-19. GOLDEN TEXT—\\> are his workman ship, created In Christ Jesus for good works, which God afore prepared that we should walk In them.—Ephesians 2:10. Not peace—but a sword! With such graphic words Jesus indicated that His coming into the> world would set men apart, either for or against Him (see Matt. 10:34-42). The gospel is the good news of re demption for all mankind, but the attitude of men toward the gospel divides them sharply, into the saved and the lost. Which are you? Our lesson, telling of Paul's min istry at Ephesus and giving part of his letter to the Ephesians, shows that the gospel does divide, but that it also gives quickening grace and strength for Christian living. I. Dividing (Acts 19:8-10). Paul had a long ministry at Ephe sus and a very successful one, but at the same time it was a stormy, trying experience. After all, do not those elements often go together? Paul began in the synagogue. That was the proper way, and his cus tom. He ran into opposition, and after three months he had to seek another place to meet the people. But notice, he did not give up and leave town. The teaching of any truth results in division, and especially is that true of the gospel. It was found before long (vv. 23-4!) that winning people to Christ interfered with the heathen business interests, and then things began to stir. One wonders why modern busi ness set for the destruction of men's souls by rotten plays, movies, books, amusements, and by the saloon is so content to let the church alone. Is It because our testimony does not harm their business? If so, we are certainly not walking in the foot steps of Paul or of Christ. Christ is a divider of men. Yes, but those who stand on the right side of that divide also receive 11. Quickening (Eph. 2:4-10) Dead men, spiritually, come to life when they meet Christ and believe on Him. We were all dead in tres passes and sins, entirely unable to help ourselves, when God in mercy and grace quickened us. He did this for us, but also for His own glory. That really is the most p.dequate explanation of grace. It was and is for His glory, a show ing forth (v. 7) of the exceeding riches of His grace, through all the ages to come. Being saved, then, is not (as some describe it) a foolish thing of little import, that takes place in some mis sion or little crossroads Sunday school. It does happen there, thank God for that, but it reaches clear up to the highest heavens, and on into all eternity. This business of bringing men and women, boys and girls to Christ is the greatest of all occupations. Let's be busy about it! Be sure to note in verses 8-10 that it is all of grace. No works can enter into salvation. We are "his workmanship," not the result of a cooperative enterprise or creation. But at the same time do not fail to stress that we are created "unto good works" (v. 10). The professed Christian who talks about being saved by grace, but who does not live it out in the good works which God has ordained as the proper ex pression of salvation by grace, should not be surprised if the testi mony of his lips is not believed. If we are quickened to newness of life in Christ, we ought to bring forth fruit. That is not possible in our own puny strength. But wait, the gospel which divides and quick ens is also— 111. Strengthening (Eph. 3:14-19) Paul prayed for the Ephesians, but somehow one feels that he prayed for the Ciiristians of all time, for every member of "the whole family in heaven a.id earth" (v. 15) who bear the name of Christ. The writer is rejoicing today that he be longs to that family, but he wonders how it is with you who read these lines. Do you belong? Paul prayed in the Spirit, that is evident as one reads these sublime words. It is a comforting and en couraging thought, too, for Paul here asks for a Christian experience foi his readers, which seems quite im possible of attainment, except foi one thing. It is the power of God which is to bring it about. Prayei in the Spirit is prayer that God an swers, always and fully. So we read with confidence thest magnificent, enriching petitions, ana we say: "O God, make me that kind of a Christian, a real Christian." Observe that there is to be i strengthening of the inward man bj the Holy Spirit. This is not some thing "put on" or acquired. It ii God's gift. Note also that it has a normal development, a growth in the knowl edge of Christ because of an abilitj to "comprehend" (v. 18). Is no' that our great need' We are un spoakably rich in Christ, but we d not seem to know enough to take out our inheritance. i,w_ Strawberry Patch Quilt A "STRAWBERRY patch" quilt makes one of the loveliest quilts you've ever seen! Big, fat berries about s'. •> inches across are appliqued—plain blocks have white strawberry flower designs to be quilted—leaf design around bor der is quilted in pale green thread. • • • Vou will obtain complete cutting pat tern for Strawberry Quilt (Pattern No. 5:t97), quantities of materials specified, fin ishing directions and quilting directions. Due to an unusually large demand and current war conditions, slightly more time is required in tilling orders for a few of the most popular pattern numbers. SEWING CIRCI.E NEEDLEWORK 530 South Wells St. Chicago. Enclose 15 cents (plus one cent to cover cost of mailing) for Pattern No Name Address KNOW YOUR FOODS .by Mar/ Bell As LATE AS 1867, BOTH EUROPEANS AND AMERICANS FEARED TO EAT FRESH V* FRUITS AND VEGETABLES!-A MORE ,g RECENT PREJUDICE WAS THAT AGAINST MARGARINE. TODAY, HOWEVER, WOMEM EVERYWHERE USE 'TABLE-GRADE" NU-MAID. SMQ'M SAY7T\. IJFJ&JK CHILDREN LOVE NU-MAID ON /\ 1 nU'MAiU UW a .J BREAD AND AFTER-SCHOOL SNACKS Vir«/c*.o BECAUSE OF ITS SWEET, CHURNED- ' >fi FRESH FLAVOR. AND THIS'TABLE-GRADE" f J , Ji'jK \ 1 MARGARINE IS SO ECONOMICAL,THEY VF W§l|. \ J CAN Us£ IT L,BERAI - LY ' 1 * NU-MMO'S MILD, SWEET. H CHURNED-FRESH FLAVOR 1 Ic/\ m MAKES IT PREFERRED ON THE table and the choice ° f AV '2-p I GOOD COOKS FOR BAKING. r „ "rf SEASONING AND FRYING. 'TABLE-GRADE" NU-MAID IS 97*. DIGESTIBLE, RICH IN THE ♦PEP-UP" VITAMLNX' AND A HIGH ENERGY FOOD (3,300 CALORIES PER LB.) TRY NU-MAID TODAY-YOU'LL LIKE IT. iillgp M OJ a M AD ® THE MIAMI MARGARINE COv CINCINNATI Kill TIE EIEIT f^L// who's after your „ BLOODj^C^ (Lj? Spray FLIT on all mosquitoes .. . it's an easy (j~ way to kill 'em quick. Best of all it wipes out MBy BL C Anopheles .. . the mosquito that spreads ( malaria. Yes! Flit not only mows down this carrier of disease . . . but kills the baby Anopheles, when sprayed on stagnant waters I *•*! where it breeds. Arm yourself with Flit, today! //V ■ Jlii PI IV kil,sflie *' ant *' f / v«S»4i ■ g I H moths, bedbugs and *■ fc ■ B all mosquitoes. Subs Dive Under Equator Submarines, according to navy custom, never cross the equator. They always dive "under" it. RHEUMATIC PAIN Rill not Spoil vour Dajr—l»l •fl«r II Don't put off getting C-2223 to re lieve pain of muscular rheumatism and other rheumatic pains. Caution: Use only as directed. First bottle purchase price back if not satisfied. 60c and $l.OO. Today, buy C-2223. 4*UGH7ENS ■KSSSSHB TANNED (|#l DARK #mn MtrhU-riatanned dark.blotch* W ,k,n - externally earned, tliia ■'/'% easy. quick-acting way. line ■ 0&F Dr. FRED Palmar'a Skua w W Whltanar 7 dny* an directed. V M IfnotbntMlipd.Monayßacli. ' fcv at drutffrixtfl Free Sam* \ 'T 7 pla. >Vnd3e postage. Galenol, "■■■&*• £W Dept. T. Box 264, Atlanta. (ia. \ .Jr OR. FRED PALMER'S SKIN WHITENER For the Preservation ☆ Of the American "& Way of Life ☆ ☆ ☆ BUY U. S. WAR BONDS! I SYSTEM and OiHer Siai>o«a King's QuartcJ FREE / Kadlo fib/* Cotrttpomdtnf Covnea APVIL* ]UHKML« MAJkU -I VAMOd • fOITVCUtiI • COMMI WISE WAYS WRAL WCSC WATL WBDW WBML WPDQ WTSP WDBO Newspaper Logs Show Other Stations

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