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The Daily Tar Heel
Saturday, February 20, 1371
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N.C. aborttioe bill
RALEIGH-After weeks of hassling, a bill to legalize North Carolina's abortion
law will hit the floor of the General Assembly next week.
The House Health Committee, chaired by Rep. Mrs. John Chase, D-Wayne,
Friday approved a substitute to an original substitute after beating down attempts
to table, adjourn before a vote or pass out an unfavorable report on the bill.
Finally, a motion by Rep. John Ingram, D-Randolph, the committee, by a 10-6
vote, approved a substitute which would delete a requirement that a married
woman under 18 would have to have the consent of her husband before she could
seek an abortion.
The bill would allow any woman to get a legal abortion providing the pregnancy
was not 20 weeks advanced and if she resided in the state for 30 days.
It would also have to be performed in a hospital or clinic licensed by the Medical
Care Commission. ' . " '
Rep. Robert Jones, D-Rutherford, sponsor of the original bill, noted that none
of the committee members was medically qualified to pass judgment on the bill,
but "this is the woman's right. This is a bill to protect a woman's life and not a
eet upsets Messia
MOSCOW-The Soviet Union said Friday it has asked the Belgian government to
prohibit the World Jewish Congress from meeting in Russia.
The official Soviet news agency Tass said the Soviets also expressed then
displeasure with the Belgians for not having already banned the Feb. 23-25
convention which will consider the status of Soviet. Jewry, including the difficulty
Soviet Zionist Jews have reported in obtaining Soviet government permission to
emigrate to Israel.
The Soviet government statement attacked "anti-Soviet international Zionism"
and, at the same time; denied that anti-Semitism exists in the Soviet Union.
"It is surprising that, .despite the demarche already made by the Soviet
ambassador in Brussels, the Belgian authorities are not taking measures to prevent
the holding of an openly anti-Soviet act," the statement said. .
Tass said the statement was delivered Friday to a Belgian embassy representative.
DALLAS-Working under the spotlight of a helicopter hovering over a dingy
$17-a-week apartment, police Friday captured two tattooed gunmen charged with
the execution-style slayings of three deputy sheriffs.
Police said the suspected killers are drug addicts and could have been high on
heroin last Monday when they tied the hands of five lawmen, ignored their pleas for
life and then killed three of them with guns blazing in each hand.
The gunmen both shirtless and one with a tattoo of a woman with long, black
hair apread over his chest and stomach were subdued without a word and only a
short struggle two hours after midnight,. ; . : si-
Rene, AdoIfV Guzman, 33, and Lopez, 25, were arraigned and
jailed without bond. Dallas County Sheriff Clarence Jones said both are addicts.
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SPECTATORS NEEDED for Rugby scrimmage
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The 1920's come roarir.g back as the
Carolina playmakers present Sindy
WiJson's musical, 'The Boy Friend"
February 23-28 at the Playmakers
The musical bow to the era of hot jazz
and the Capper made its debut in London
in 1954, chalking up an impressive 2,804
performances. In 1956 the musical moved
to Broadway bringing with it a new
talent-Julie Andrews. The original
Broadway success was repeated in 1970
when a revival starring Judy Came and
Sandy Duncan won critical acclaim.
Richard Watts of the "New York Post"
wrote of 'The Boy Friend": "It has the
spirit, atmosphere and quality of the girl
and music shows of the Twenties and is in
every way a gay and engaging delight."
The plot of 'The Boy Friend" focuses
on a Cinderella-figure, a wistful, lonely
rich girl who falls in love with a
handsome messenger boy, whose place in
the social strata dooms their romance.
Meanwhile, the heroine's father has a
chance encounter with an old flame from
his youth while the hero's father kicks up
Lis old heels in foolish deli-ht with a
The musical numbers of "The Boy
Friend" include the rousing "Won't You
Charleston With Me" a toe-tapping
production number called "I Could Be
Happy With You," a love duet, "A Room
in Bloomsbury" plus a host of dance and
comedy numbers including "The You
Don't Want to Flay Writh Me Blues."
Twenties dances were an odd
assortment -the Bunny Hug, the Lindy
Hop named after popular hero Charles
Lindbergh and the Charleston among
The challenging task of staging the
musical numbers falls to James
Challender, a newcomer to the
Department of Dramatic Art faculty. He
Peter Brooks studied
'The Magic of Peter Brook," a
two-part examination of the work and
workings of one of the contemporary
theatre's most influential directors, will
be presented on "Camera Three" on
consecutive Sundays, February 28 and
March 7. .
"Backstage" film and a discussion
among theatre critic Margaret Croyden
and a quartet of actors who work with
Brook will comprise the broadcasts.
Brook's production of Shakespeare's
"A Midsummer Night's Dream'
performed by members of England's
Royal Shakespeare Company, drew
critical accolades when it began its
current Broadway engagement. He has
been described by a major magazine critic
as possibly "the most valuable single
figure in theatre today."
Part I is a film on how Brook staged
his experimental version of 'The
Tempest." It affords a view of a play in
its formative process, as well as of
Brook's attitudes toward the theatre.
The March 7 broadcast will feature
analysis of Brook's work by critic
Margaret Croyden, a prominent teacher
and writer on modern theatre. She will
talk with four members of the cast of "A
Midsummer Night's Dream" Alan
Howard, Sara Kestelman, Barry Stanton
and John Kane about the ideas and
techniques of the director. The actors will
also provide two short excerpts from the
James Macandrew is the host of
"Camera Three." Merrill Brockway
produced 'The Magic of Peter Brook" for
WCBS-TV, New York.
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.!SIS'W2(SIirT M$B TEE IfirSir
has performed on Broadway as well as on
stages across the country.
Between de-rees from Vt'CIiara and
Mary and the University of kiinu,
Cullender mi-rated to New York,
seeking to gain footir a st;re Litre.
He danced in musicals which included
"Bye, Bye, Birdie," "How to Succeed in
Business Without Really TryiS nd
"Maggie," a Broadway-bound musical
starring Betsy Palmer.
Challender went on to tour with
Martha Raye in "Call Me Madam " with
Patric Munsel in "Can-Can" and ytith
Steve Lawrence in "Pal Joey." He joined
the UNC faculty this falL
In staging the productions for The
Boy Friend," Challender has drawn on a
variety of sources. There's a touch of the
Busby Berkely production number, the
tap of Fred Astaire and the soft shoe of
John W. Bubbles. According to
Challender, the numbers have their basis
in the dances of the Twenties. There is
the flavor of the Dljckbottom in "th
Rifiera" and quite narura3y, the
Chzrlestcn in "T.on't You Charleston
With Me." But the numbers also depe- j
on jazz and ether musical comedy idioms
for "jeux d'esprit."
The cast: Mary Ann Warwick f.
Polly Brown and Randy Jones puys
Tony. Betty Szlztt is Madame Dubor.r.ft
and Bill Macllwannan is Sir Percy. Stev?
Pratt plays Robby van Ilusen with Bohh-,
Wilson as Madcap Maisie. Susan Chamber
plays the maid, Hortense and Wilhini
Brooke plays Lord Brockhurst.
Tickets to "The Boy Friend" nay te
purchased at the Playmakers Businta
Office in Graham Memorial or at
Ledbetter-Pickaxd on Franklin Street.
Tickets can also be bought by phcrur.g
The third concert in the Chapel Hill
Concert Series brings famed duo-pianists
Gold and Fizdale to Memorial Hall
tomorrow night at eight o'clock.
Both artists are of Russian descent.
Canadian-born Arthur Gold was a child
prodigy who later studied under Josef
and Rosina Lhevinne. Chicago-born
Robert Fizdale comes from a musical
family, a forefather of which was a flutist
in the Czar's private orchestra.
Gold and Fizdale met as teenagers in
New York before their solo careers had
jelled. After experimenting with
two-piano playing for their own
amusement, they decided to devote
themselves to the art of duo-pianism.
They are widely regarded as the
pre-eminent duo-pianists in the world
Sunday's program will include
selections from Robert Schumann and
Franz Schubert. A Sonata commissioned
by contemporary French composer
Francis Poulenc for them and a work by
Vittorio Rieti, dedicated to Gold and
Fizdale in 1969, will also be performed.
Said a "New York Times" critic:
"More than any other duo-piano team,
they can make their four hands sound as
if they belonged to one person and ons
mind without sacrificing the individuality
of any hand. Such artistry is rare ..."
Student tickets are SI at the Union
.'Spanish Msat Loaf
Two Vegstables & Bread
Back of the Zoom
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