UNC prof probe of 'the Southern fcy LW'C News Bureau What makes a Southern writer Southern? Or is the idea of some unique "Southerness" only a myth or a mernory? Tracing the historical identity of the Southern writer in terms of his relationship to his community, Louis D. Rubin, Jr., professor of English and specialist in Southern literature at UNC, explored these questions in a series of three lectures on "This Writer in the South" this week. The Lamar lectures, delivered at Mercer University in Macon, Georgia, will be published as a book later in the year. According to Rubin, some of the greatest Southern writers, including Mark Twain, William Styron and William Faulkner, have "tried to insist they were not Southern at all." "This is partly because of what the term "Southern writer" historically his implied," he said. 'Johnny' Johnny Got His Gun - Some awkwardly conceived fantasy sequens.es are the only flaw in this shattering, overwhelming anti-war movie, nude ;!1 the more unbearably moving by its libera! naivete. Not to be missed. - R Carnal Knowledge - Jules Feiffefs script is a disappointment, being largely a collection of fashionable cliches concerning sexual frivolity, and lacking real depth. The picture is given worth by the superb job Mike Nichols has done of putting it together, but he has made not a satrical comedy but a dreary and depressing drama. - R Patton Part of this movie is a character study of a fascinating man, intelligently and impartially scripted, and well acted by George C. Scott. Unfortunately, this is sunounded by a thoroughly mediocre war movie with poor scripting, poor acting, and unimpressive war scenes. Last year's most overrated movie. - R My Fair Lady - A British play becomes an American musical comedy, and in this version loses most of its sparkle. Many entertaining moments, but as a whole, overblown and rather preciously cute. (In 70mm) D Billy Jack Obviously sincere tale of youth vs. bigots done with the intelligence of a TV program, complete with stock villains and melodramatic situations. Nice photography and low key acting help some, but not enough. - R, G Skin Game Pleasant but thoroughly run-of-the-mill Western comedy, about what you might expect from James Garner. Television, anyone? I), G Catlow A computerized Western, about which nobody seems to have cared MOTORCYCLE i ROAD RACES If C c ? -J. i ..;,' - i- y ' t. - " ... 0 .i I Nov. 6-7, at V.I. R. I (Milton, N.C.) I PRACTICE & STREET CLASS, Sat. SIX EXCITING RACES, Sun. FREE CAMPING c? i For Information Call i OPEN ROAD. Inc. J Durham. 688-7525 iV : OPEN ROAD, Inc. (SSSC?SCJC? C?-C???f ?!??'c C i NOW LISTEN Unison tei.. icv j i mi. 5EA6LE...TH15 to U'HAT I WANT VOU m TO CO F0RA SI! T'n QC D CD if) HI Z o O Q LOOK! THR'3 CHARUE GREEN, THE SIDEWflUr GURU. Lr'S GO RAP , WITH HIM! Sy WHO 4 il-5- Jfj ... i y.. VfTt IMA 1 I - c In th ptrri the writer wis an irttgrs! part of his cr,::. j'.:? rr,t alier.stei from its -c. or r-.tjcs. !;;-for .r.r:r a.- praooi '.h. -er The iv.h failed "to . CA i community. He v. a- ' o rr.---.h a part of it. too v.iihr.2 to a..ept its 2lJe5. too reluctant to fhr-v. its V.r :ohvs mto literary image,"' a..o:J:ng to Rutin. And the result -ai-. often mediocrity in his wr.nr.i.': It is this image the Southern v-riter, contended Rubin, that nodem artists have to overcome. In his sv-o-sd k-;t..;e. Rs-m trd.eJ the career of a n4 i :- who grew up as a Southerner r ut left the So-th to become the on'v tyeat writer from the reeion dun n g Mark Twain's eJ by Southern ho h' -" d h" imagination wa values, but in !. was ft:-: to ex. love, 3r :rer an d a to c value- w;th l-;ectivity. ::ii:i-:-::-:-:-i: iv recieics powerfu very mu.h. e- pr..j!!y the director. A waste of time. H Shaft Phi..:- , M'.u'c e e m..Vie -ee::i to have m u rev tor .;r-J -h u!d not have had a script. S'.uH. packaged ma:-s audience . nteri.fmmrnt at it mo.-t feeble-mindvd. G 77k- ' !!'''. i')-; fijvc n.'i ?: n rc. rut-.. ()piiii"', c.x;ti s',t..i an- ?ke f a consensus i .' . Soul to Soul - A blavk VVodstock. Terrific. (In Stciee)) G See No Lvii ieols : -d thriller. I) The Omega Man A p r Science fiction movie. CI I. R Preacherman - An i:ie.iv.ibiy bail folksy drama. I! The Marriage o! a Vung Stockbroker - A verv p-vr tal e f a S"Veur. CH P TTtK iTfl JID Or by Adrian Scott I'eanut Writer The lNth season of the Chapel Hill Concert Series opens on next Friday with a presentation of Japanese I do Festival Music and Pantomime performed by the Tadao Wakayama Troupe from Tokyo. The performance will be in Memorial Hall at S p.m. The Troupe is at pie-ent touring the U.S. under the auspices of the Asia Society. It is the first time they have performed outside their native Japan. Director Taneo Wakayama comes from a family that has been involved with the study and performance of "kagura," or sacred Shinto dancing, for two generations. His troupe of eight musicians S -s tj BMP J e ALBERT T. VIOLA b ADAM HESSE V.AR'.AN BROVW ESTY F DAVIS. JR. W HENRY SMITH 1ENE KRiSTE AMOS HUXLEY THE PRLAChERMAN nAsvo"?! vs't vkx Vn-' sm-'- :hs m "-s x ccvob e ictx .wtt-jf!w' :wwKv-'.i: NOW at 3:10-5:15-7:20-9:25 t. : CO S'a" r; .D . ELIZABETH ASHLEY adam wist u.-ectea t 53se.DTffTelhCa''esVVfcb v.s .- s Fred Karlm CCLCR ErCEt.xE NOW at 3:005:057:109:15 I'M 601NS TOTTO KlCKTril5 BLANKET HAt?lT CNCE AJC? FOR ALL, PUT I NP V:: HELP I L'AS,T VC'J TO k'EEf A'n' LAKiKH f:?: .v.Afc :csi cai it ack SO MATTER HCkJ ML'CH I PlA?. NcATTEx H: J ArCH I BEc.NC MAi iE KCiJ PEf PEaATE I 6ECC.VJE.. TCI PROFESSOR GREEN UkrF TO ASK VCU A m f Ikn Villa A CVAiC .'5 SOKEOE Or i5?Tn.o HS'P rr v.ujE or 'oth ' QUESTION hHT CO VOL' TV THt MANS CYMLb PUT POLON YOUR. 6ST-SLU'G I i I V rise writei I). nr. 2 the t;m cf Mark T n t other Southern venters e:e v-:y creating the rr.;.th of the 0:j Sv-th ani kvir.g :r. the Lost "au;e. rstahlr-hunt ever. ;:r'tnger ties :th their communities wh.Ie Tun ieft the S ?uth tehuri. Accrue."; to Rubin, "the Southern wrier of thf lite 19th century- cc-uli n't ani y-1 not look around him. but or.h rckwrd.' In hus f.r. a! ie.ture. "i D r.'l Hare If: The South and the Twentieth Century Writer. Rubin showed the fir.al emergence and ahenati:-r. cf Southern writers from their ecmmun.tiev This meant that "the het of them c.v-iJ produce works of literature that could univervalie Southern exper.er.ve. Free from p-ttri-:ttic ties, thee writers were able to examine their homeland net without feeime but with an added ol ' e t iv 1 1 u n j v a 1 1 a r i e Ruhr, found a relato no.;;-, heiwcen the S'.;uthern Renaissance, that burst of literary genius that produ.ed Fa...'kner. Thomas Wolfe. Robert Penn barren. Frskine Caldwell, tiien GLg . Alien Tate and many others, a-sd the new alienation of these writers fr..-m the values f.t their communities. et, because of their -unermg past. j;e said, "These writers were historically minded to an extent that was true of very little c4her American writing of the;r time. They saw things in time." Neither part of nor apart from the South that crew them up. the 20th century Southern writers ued that dramatic ten-i-m to create art with universal, not met eh local, appeal. Rubin joined the I'NC faculty in 1 He has taught at Johns Hopkins l'niversit , Louisiana State University has been a and Hollins ( llee. visiting professor at California at Santa Harvard University. Rubin directed Bibliographical Guide the University Barbara and ot at an.1 edits A of to the Studv Southern Literature," published in 19do He is general editor of the Louisiana State Universif) Press's "Southern Literary Studies" and co-editor of the "Southern Liter jr Journal." He also has written a novel, studies of Thomas Wolfe and George Washington Cable, and numerous essav s. festival and dancers, all of whom have been trained since childhood, was honored in 1963 by being declared a "Tokyo intangible cultural treasure." a distinction which is accorded to only the most exceptional groups. The masked play genre in which the performance will be given originated in Korea, and was brought to Japan in the 7th century, and were used in Shinto religious rites in much the same way as mystery plays were introduced into Furopean churches. The music usually consists of five movements, a form comparable to Western dance suites of the Baoque Fra. It is characterized by gay melodies and syncopated rhythms. Colorful costumes and masks, many of 1 He'll steal your heaits, your women, your booze, and anything else you ain't got locked up or nailed down. RICHARD BENJAMIN JOANNA SHIMKUSin 20'- Century -Fc i The (Marriage of a Young Stochbroher Lavrencs Turman sc-ee-c t Lorenzo Semple. R iYakpthis isn't ec;.c 601MG TO 3c ij cc r-iiitf fcn! run: r-! sol TD rA5 c- " , rsi-s sr.4C o ' m o -r vev r. 1 rx c5 V ' -' sw, -1 en 9 - 1 t & I r 1 yi!l:iuip t i 4 v L. o " U.. X v .V u':- .V-:-. Kenneth (Turk visited the University of Virginia campus during the filming if "The Smile of Reason." the tenth film of his widely acclaimed ! s part "Civilisation series. The series is III varied program Symphony to perform b Adrian Scott 1 ,:::trt H'nn r "V. tr : p!.s as wide a variety of mu-i. as we van. ar.j V pl.. it to the bet (f our abiiitv . Tho. ,!v cording t- David Serrni-. cor,J,ivtor. is the a.m of the University Symphvmy Or. he4ra. which gives its first concert of the sear . n "I ue-da . Variety is the keynote of the program, which ranges from Vk nm-se wiassicism to A men can m - dern its. Ptc enccr? --pin- wit'ti Wagner's Prelude t "Do Meist-cr-ingers." I'hi- is -j mamni"t!i piece, requno.e an oreliestra of ova ""0, hi conti.tNt, Moart's Piano C .nceito m opening them antiques, enliven the program, which presents a both serious and comic view of the shortcomings of man, told in the universal language of pantomime. Other presentations by the Chapel Hill Concert Series include pianist Phillipe Fritremont on December 6; the Canadian Opera Company on March 5; and the Pro Musica Fnsembie on April 22. Season tickets for the four concerts NOW PLAYING 1:08-3-4:59-6:50-8:48 v r :&J& fair m&nm YUL RICHARD LEONARD BRYNNER " CRENNA NIMOY GP NOW AT GREENSBORO'S JANUS 1 AMERICA to AFRICA men r u Cm rrwa iMti Tt0HtT Tw4 - Masictf fifi - SmM Ti taM - tart Si yr-r V 1 !ir 4 Ul C. wi'i'.u .im:MitiiMWi n i-wi wva 6 C5 7 55 9 -55 I JANUS 2 1 WCO A ICT ir4ii u i 111 TI Y fl Ie 4 ? f c- f 4-TP&C .f ST 3 E O -G- , , c; 'JANUS l mm?55 r m Friday, November 5, 1971 . -- rt . ,- -v ... ' : - "---- 1 i 7 i i ; t ... , K C Msnor. K .4 ') 1 , which comes next, ss a mode! of Viennese charm and delicacy. I lie soloist for this performance is Wilton Mason, past chairman, of the music department and an active pianist, voice teacher and musicologist. Mason was formerly director of the UNC Opera Theatre, and lias participated in the UNC Beethoven Piano Sonata Series. Other works on Tuesday night's program are "On hearing the first Cuckoo in Spring." by Debus, and Aaron Copeland's "Appalachian Spring." Delias, bom in Pngland of German parents, can be called an Fngls.sh Impressionist. He lived for some time in Florida, but was always influenced bv Fnglish folk music. series can be obtained by writing to the Chapel Hill Concert Series, P.O. Box 893. Subscriptions are SI 2 and S9, with tickets for schoolchildren at Sl and S6. Indiidual tickets go on sale on Tuesday, at S4 and S3. They can be obtained from the Chef's International Gourmet Shop, Chapel Hill, and from Memorial Hail on the night of the performance. CAROLINA UNION COFFEEHOUSE presents JERRY and ALICE TONIGHT! V 11:30 p.m. ' " is up Crossword Puzzle A r! 0 i 3 1 '.d s'eep 6 CoSec 11 Ht 12 Lasses 14 P ve' i-. !-a' 25 fa'S" a"d 17 Pis'er 13 A-ger 23 Haanan roc's'ock 24 Te" a' 25 Sei 5 C''.s 6 Land reascrs 7 fi;tecf sea 'e 9 Cease 10 Ta.t'n 11 .'a 13 Ferg 16 Sa'! amount 19 Go in 21 Vcica-Ic emar.atioi 22 Chocs 25 S.rgirg vcic 27 Pas cf ksS 33 Pats in pay 22 Serdfctn 34 Fj' tao-g mama! 2S Prep-s'tiot 29 Cvt ai 21 A'-ersiK 33 Va- s rae 25 H'gnca-ds 25 Sa-g 23 Tr:a's 42 'e a'Cie 43 Fs ses 45 Ga'-t 46 Va- s 45 S .C 5: C'.;ass pct El Pos E3 Sa-cy E5 Earn 55 3 tt 3 -. :ed 61 E?n 2 S:a.es ? L' - I 3 r .? 4 G.to .41 i 1 1 15 18 !9 24 i (25 25 ' 36 ;37 , 42 1 mt3 4- ,47 51 i6 i yt li.s!f. The Daily Tar Hsi -To V .' V " : -o f - ' i . 1 v" I " ' v ' ' . . now being shown in seven p.irt c.o h Sumf.iv Lesley Foundation, The showings bepn at x admission is free to all interested -tudent- p 1,1 , ' : v , - x. . classic- ot ::-!.., Ciftiaoi wj- J Semr-s ;s o- - o ' : ' . .; the I'C C rot a!. - Ko r e; t..i remember." : ' I "nn ersit;, j-ei :, - o depart men: .-.! r : . o One o; h r.oM 're ; : v. the trarKttr-i-s n ,.;-. f -p!a etc "In ,i I , - js a tr.:ii:sit".c . m !.:-- : . ' v expect the p!.i i n ' time." A strorc so ti- -n . barren the next . .. added 'But.' he rn.mii.or.ot. "v. e to phiv. the best mooo i'oo -.v brief look at the vo -r- ti e performed in the l ist ' e confirm this. It is an hi ; including over 4 0 pst Francese hi ni to Rcner If.oo, o. Next Tuesday's concert h p.m. in Kill Hall. It is tie- .o the public. it! !;---! ' r The last man alive... is not alone! .t t CKMRLTON NOW THRU QAT O Do tO U S LIS E c T - ? 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