14 Ampersand MayJune, 1980 Europe? Cheap? Are bu Kidding? To many travelers, the idea of seeing Europe on a budget must sound too good to be true. It is; rising prices and an end lessly falling dollar have made Europe on a Budget a myth, a relic from a bygone era, but people who spend a fortune on movies about spacemen will certainly find a few dollars to invest in guides to "budget travel." The two most popular and successful budget guides are probably Europe on $15 (formerly $10, and, before that $5) a Day (Frommer Travel Guides, $3.95) and Let's Go: Europe (Harvard Student Agencies, $5.95). Both are widely respected and each is full of travel information and suggestions, but anyone seriously in terested in seeing Northern. Europe com fortably and cheaply would do" about as well consulting UFO magazine. Arthur Frommer probably invented the budget travel guide when he developed Europe on. $5 a Day during the 1940s as a way to share his travel secrets with the public. Today, the format has become so successful that he shares those "secrets" in a whole series of guidebooks and heads a travel bureau with the modest name of Arthur Frommer International. Asa mini-conglomerate, Frommer may no longer be the best source for tips on budget travel. More to the point, any time $15 a Day or any other guidebook recommends a place, it becomes the "dis covery" of thousands of readers. The arri val of hordes of budget-happy tourists is almost certain to overwhelm local flavor, increase demand for rooms or tables, drive prices up, and generally change the things that made the place worth recommending in the first place. Frommer's taste in restaurants is nause ous; he consistently praises the budget meals to be found in cafeterias, youth hostel dining rooms, and other places that serve dull, institutional food. In a recent edition he gushed: "... a pleasant little room of eight tables covered with pink checked oilcloths. . . Is it a stage setting? A Russian plot? The work of a saint returned to earth?" Let's Go: Europe described the same place in less romantic terms: "Don't expect too much. It's dirty and the most you can say for the food is that it's food, but where else can you eat a full meal for $1?" Let's Go: Europe, revised annually by Harvard students who have spent the pre vious summer touring Europe, discusses cheaper places and generally seems to be written for younger travelers. At its best, it provides well-written, thoughtful, and realistic descriptions of hotels and res taurants, along with knowledgeable sight seeing suggestions and practical informa tion about everything from exchanging currency to buying drugs or selling blood. (Occasionally, the information gets a little too practical for comfort "If you're really down and out, a good place to scrounge for discarded food is...") In general, though, the realistic descriptions in Let's Go are a refreshing contrast to the gushy, Chamber of Commerce enthusiasm ol $15 a Day. Let's Go identifies places that are dirty, noisy, poorly managed, or overrated, and even suggests a few places to avoid al together. "Unfortunately, Let's Go's non professional researchers are not always ac curate, sometimes leaving out important details like street addresses. Let's Go readers may dis- - i o o 0 (3 cover that a recommended place has raised its prices, changed its policies, or simply disappeared without a trace. To make up for its own unreliability, Let's Go is careful to identify tourist information centers and to offersuggestions for read ers who find themselves looking for their own accommodations. A good deal of time, effort, and experi ence (both books are in their third decades of publication) have obviously been de voted to Europe on $15 a Day and Let's Go: Europe; if popularity means anything, they are the best of their kind. The disap pointing, uneven results suggest how dif ficult it is to compile a useful, reliable travel guide, particularly one devoted to a sub ject as elusive as Europe on a Budget. David Coursen Collegiate How To There is something curiously similar about the vast majority of books which are de voted, in one way or another, to aiding the college student scramble through the academic experience. Perhaps it's a func tion of the genre that all those study aids and guidebooks possess a usually subtle, ocassionally abrasive element of what Mr. Rogers embodies so pedantically on TV: talking down to the pupils. Take, for example, Michael Edelhart's College Knowledge (Anchor Press Doubleday, $7.95), an imprudently indis criminate guidebook resting on the notion that college is a four-year experiment in growing up. Edfehart's assertion that one's education in college is only partially re lated to the classroom is a verifiable one indeed. His conclusion, however, seems to be that the average college student is an inept, apathetic youngster for whom inex pensively decorating a room or filling spare time is a difficult achievement. Col lege Knowledge is plagued with a lot of what should be considered superfluous mate rial: consumer sections on buying autos and sound equipment, psychological guidance for cohabiting couples, where to buy art reproductions. There is some nifty advice under the litter: reference sections on summer employment, internships, financing and careers (especially the Dept. of Labor's OIS program of career information) indi cate some hefty research and an eye for the offbeat. Edelhart's worst mistake is his shallow advice on academic ingenuity; the 25-year-old graduate should have left how-to-study remarks to those who take the matter seriously, such as James and Ellin Deese, whose third edition of How to Study (McGraw-Hill, $4.95) reaps the benefits and shortcomings of the professorial ap proach. Here, too, one finds excessive explanation and a tinge of the humiliative, but the handbook, written in the dry, au thoritative tone seemingly earmarked for such concerns, offers helpful sections on note taking (organize!), reading textbooks (highlight!) and studying foreign lan guages (recite!). Revisions are most appar ent in the paragraphs on calculators, in which the authors advocate that every stu dent should own one (a dubious prescrip tion), plus adding emphasis on reading and writing, no doubt sparked by good ole' Johnnie, who can't write or read. In Playing the College Admissions Game (Times Books, $12.95), Richard Moll at tempts an entertaining, readable ap proach to what is the prelude to the college experience, actually getting into an in stitution, which has always been a truly acute event. Playing relays tips from the Director of Admission at Vassar College, whose overriding advice, and it's excellent, is for the applicant to take real initiative to insure that hisher high school is properly "defining classroom accomplishments" and that hisher personality is evident in the application. In an intriguing dialogue between members of a fictitious Admissions Com mittee, presumably based on Vassar, Moll shows us how and why selections are made in the private, relatively posh segment of American education. In a discussion which ironically assumes an intelligence and worth in its high school readership, a refreshing exception to the rule, Moll verifies the ineffectiveness of many high school guidance counselors and insists that one must fight to retain the services of those hired to serve. Moll seeks to help us get into college, Edelhart strives to cushion life at the col lege level, and the Deeses demand wizar dry in the college classroom. Enter Cliff MacGillivray with his manual for the college-bound gourmand, The Simple Poors '".'"ftfajitf " ..... Handbook to Cooking (Far West Publications, $4.95). Those who have been accepted into college and are adjusting beautifully both in and beyond the classroom need not worry about another essential concern, eating. There is a college handbook, it seems, for everything. MacGillivray, a 23-year-old graduate who apparently conceived of the manual in between phone calls to mom for tips on escaping dormitory food, lists over 150 re cipes which he terms "tasty, economy minded, quick'n easy." Virtually half of the meat dishes call for ground beef, the sauces are based on canned soups, frozen vegetables are preferred, and casserole dishes, in which one flips on the oven and bakes, run rampant. Fool's Handbook is written with crisp humor and gleeful anecdotal illustrations (by John Ibrmcy) and there are some wild ideas, such as making a grilled cheese sandwich with an iron and formulating soup in a coffee pot. The hints on cooking in a dorm room bear the book's greatest fruits. Having tried a few dishes myself, I can say that (hard to believe) this author relies excessively on the intelligence of his stu dent audience. (Amateur gourmands re quire explicit guidelines.) Of course the Fool's Handbook, in the final reckoning, charms as much as whets the appetite. The food it recommends isn't all that tasteful, but The Joy'of Cooking never looked so stuffy. MacGillivray, by the way, is dis tributing his own book; if it can't lc found in local bookstores, write to him at Far West Publications, Box 953, South Pasadena, CA 91030. William W. Bloomstein Science Fiction Science fiction writer Roger 7elazny's new novel is the latest installment in his con tinuing mythology of the motor vehicle, a mythology begun early with short stories such as "Devil Car and "Auto-Da-Fc" and previously brought to fruition in the novel (and later the movie) Damnation Alley (1909). His latest motor myth hlloadmirks (Ballantme Books, $8.95), in which a superhighway through time is the scene of the action. 7clazny wastes little effort justifying the time-road's existence or explaining how it works. Instead he concentrates on Red Dorakeen, a tough time traveler who spends his days driving up and down the centuries in a blue pickup, searching for a way back home again. Red is accompanied or accosted by a variety of weird ro!ott, mutants, throwback and hitchhikers, and though there's lots of talk about what's happening out in the "real" world of the off ramps. Red and his friends rarely go there. Roadmarks has little in the way of a plot, but much of the action is generated by a

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