4The Daily Tar HeelTuesday, February 7, 1984 'Star 80' portrays Playmate's murder 3 : M ,SY I if s Paul (Eric Roberts) desperately tries to hang on to Dorothy Stratten's Bob Fosse's 'Star 80,' which is presently showing in the area. 'Reckless' a bland, uninterestingfilm By ED BRACKETT Staff Writer Reckless is artless. It tries to be something it isn't, namely, an affecting love story. You know, the classic Boy Meets Girl, Boy Loses Girl, Boy Gets Girl Back routine. In Reckless the Boy, Johnny Rourke, played by newcomer Aidan Quinn, is a real scuz from the wrong side of the tracks (nudge, nudge) while the Girl, Tracey Prescott, played by Daryl Han nah, is Miss Clean-cut U.S.A. from the right side of the tracks (wink, wink). Review But, alas, the conflict between the backgrounds of the two teen-aged lovers just isn't developed. Not at all. In fact, Johnny and Tracey never discuss, or even wonder about, their differences, which is what the whole story hinges on. Their differences, to be sure, are con siderable. For example, Johnny's home is a dinky, drab hell-hole; Tracey's, on the other hand, is a mini-Biltmore House. Johnny's father hurls obstenities and digs sleazy prostitutes; Tracey's father hurls cognacs and digs crabgrass from his lawn. FORD DIVISION CONGRATULATES Men Bob Frimmel Doug White MikeShilor Tom Spencer Tom Stewart Kevin Fairley Tracey Sample KrisHarturg Mark Thompson Scott Cunningham Wayne Spiceland Roy Sellers Official Vehicle of the U.S. Volleyball r V f ... Ay S " an- r Needless to say, their socio-economic upbringings are radically different. Heck, Johnny probably couldn't even spell "socio-economic. Why, then, with all these differences, do Johnny and Tracey not bother to ex plore them? That is, why isn't each curious enough to find out where the other is coming from? The answer is that screenwriter Chris Columbus makes Johnny and Tracey just a couple of dumb kids who have no idea where they're com ing from. Well, even if the script isn't very good, there's always hope that good direction can save the movie, as it did in Paul - Brickman's Risky Business. Enter first time director James Foley; exit hope. You want endless, conventional facial close ups? Reckless has 'em. You want uninspired shotreverse shots? Reckless has plenty. This is not to say that Foley's direction is by any means sloppy it's quite polished, actually but rather that it lacks creativity. And Columbus' script calls for some creative, artistic direction, make no mistake about it. Johnny, is a sort of James Dean misfit with a lot to say about "what's goin on." Such an expres sionistic outlook demands ecmally expres- WMNEMS Women Debbie Hildebran Cathy Strieker GailHeenter Lundy Adams Linda Wright Cristine Zimmer Lynette Barnes . Teresa Puckett Debra Graves Karen Dopp Cathy Rudisill Association FORD BRONCO II has the most powerful V-6 engine and more horse power and torque than Chevy S-10 Blazer. Bronco II has a tighter turning radius than the S-10 Blazer or Jeep CPs. Twin-Traction Beam suspension for controlled riding. t. X "i ' I V '':J ::.(:; x- :.: ...... : : (Mariel Hemingway) rising star in sionistic direction, doesn't deliver. Foley, unfortunately, But to give credit where credit is due, Reckless isn't all bad, especially when compared with all the cinematic trash that has come down the pike recently. And surprise! Reckless doesn't qualify as a member of the "horny teenager" (a.k.a. Porky 's genre and we all know what a truly noble genre that is). The sex in Reckless though unnecessarily frank at times, is treated with uncharacteristic tenderness. The acting is fairly good also, but even that is marred by the lackluster script. Quinn does on OK job as Johnny, and Hannah, whose previous credits include Blade Runner, fares well as Tracey. But, thanks to Columbus, they have to spout such dopey lines as "Yer makin' me crazy!!" and "Crazy? Crazy? Ya know what's crazy!?! Staying' here's crazy!!!" "Crazy" must be Columbus' favorite word. Watching Reckless is like eating a taco without the filling: there's no meat there, nothing you can really sink your teeth in to. And what's left is bland and uninteresting. Co-Rec "DISCS 1?ffilijS Jeff Burgess JeffByrd Jack Harrell, Jr. Yates Fulbright Cindy Cumbo Terry Massengill Diane Sutton z IK5 Removable rear windows and sun roof options! AT FORD, QUALITY IS JOBI! irsA BRAND NEW KICK Get it together Buckle up s3 - 111 By IVY MILLIARD Staff Writer A pretty young girl working at a Dairy Queen in a small Canadian town is swept off her feet by a fast-talking older man with slicked-back hair and an abundance of ambition. So begins the ill-fated rela tionship of Playboy Playmate of the Year Dorothy Stratten and her husband, Paul Snider, in the Bob Fosse film Star 80. . . Review Based on a true story, Star 80 chroni cles the life of Stratten, who was shot and killed in 1980 by her estranged hus band when she was just beginning to gain some measure of fame as an actress. While the main subject of the film would initially seem to be Stratten her self, played by Mariel Hemingway, it turns out to be the husband, strikingly played by Eric Roberts. Those who know Snider describe him as everything from a go-getter to a pimp. His obsession with Dorothy and her career, coupled with his intense feel ings of inadequacy, changes him from a pushy yet supportive and eager-to-please husband into a jealous, desperate man. life Sr.:" TO Pill liiiii m. I: if: v Aidan Quinn, as Johnny Rourke, and Daryl Hannah, as Tracey Prescott, play two teen-aged lovers in 'Reckless,' a love story dealing with the conflicts of different backgrounds. THURSDAY 7:30 WRESTLING vs NC STATE The biggest match of the year we're talking conference bragging rights here. SATURDAY 2:00 WOMEN'S BASKETBALL vs NC STATE The Tar Heels are on top of the ACC heap (as of this writing) and will face one of the toughest challenges of the year -this is it the big one. Both events are in Carmichael Auditorium. nOVJw-w Sponsored by 213 : rip . '- iii. 4 i 4f ' ' i tax ,1, r T v NiVV FjrMrw AFf'XZf ifA rA7 Roberts, in only his third film, is eeriely realistic and creates vivid image- of Snider. Mariel Hemingway is surprisingly right in the Stratten role. Despite gain ing some notoriety for having breast im plants to fit the part physically, Hemingway lends a fresh-faced inno cence to Stratten that makes it easy to understand why her relationship with Snider got so out of hand. Cliff Robertson co-stars as Hugh Hefner, who made Dorothy his protege. Robertson fills the silk pajamas-of this almost mythical figure convincingly. Carroll Baker makes her first ap pearance in a Hollywood film in 16 years as Dorothy's mother. Baker rose to stardom in the '50s with films like Giant and Baby Doll before retiring from the public eye. Roger Rees, the Tony Award-winning lead actor of Broadway's Nicholas Nickleby, rounds out the cast of Star 80 as director Aram Nicholas (a part loose ly based on real-life director Peter Bogdanovich), who falls in love with Dorothy while making a movie with her and encourages her to leave her hus band. As a whole, the movie itself is visually impressive due to the creative talents of W'liii Hi Ills m. m ill WJj Qti J Jtft litrf" 'J j Vir inn ii- n - i West Franklin St. & 1800 Chapel Hill-Durham Blvd. CHOCOLATES ( ' . I - Whitman's Valentine Hearts A nice selection at the . Sttidcsit - Stores cinematographer Sven Nykvist, who won an Oscar for his work on Ingmar Bergman's Cries and Whispers in 1974 and who has collaborated on more than 20 Bergman films. Director Fosse, best known for his musical films Cabaret and All That Jazz, brings his own particular style and point of view to Star 80. Fosse uses a compelling combination of flashbacks and flash-forwards of the SniderStratten relationship intercut with interviews of people associated with the couple and their observations on what led to the murder-suicide. A voice-over of Dorothy in interviews talking about her life and Snider's tirade over the unfairness oftos life also punc tuate the action before it builds to its foregone conclusion. . This method may sound like an awkward way to tell a story, but it proves itself in drawing the audience in beyond the simple scandal and nudity in the film to the real tragedy of the situa tion. Star 80 is, without question, a dis turbing film about an unpleasant sub ject, because Snider is simply pursuing the American dream of becoming famous, and this becomes an American tragedy. i 0 9 0 Z t: ? v - l2A '-. 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