6The Daily Tar Heel Monday, March
Towo police began crime watch program for
Dy AMY V EISNER
Staff Writer
Hundreds of local workers are
participating in the Chapel Hill Police
Department's Mobile Crime Watch
program, which trains workers to
look out for suspicious activity in
residential neighborhoods.
Employees of Duke Power, Caro
lina Cable and the U.S. Post Office
on
Estes Drive are among those
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participating in the program that
began in mid-January.
"These people like the postman,
the cable installation worker and bus
drivers are out in the community
every day," Chapel Hill crime prev
ention officer Robert Frick said.
"They may be in areas that we don't
get to."
Chapel Hill police planner Jane
Cousins said most of the growing
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number of break-ins in Chapel Hill
occur during the day when people are
at work or school or on weekends
when many residents are out of town.
Frick, who initiated the program,
said, "The main reason for this type
of program is to get more people
involved in reporting crimes."
Despite a 45 percent increase in
instances of breaking and entering
over the past year, people are still
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extremely hesitant to report crimes
because they do not want to become
involved, Frick said.
The program, modeled after a
similar idea in Alexander County,
takes this popular attitude into
account, Frick said. He stresses to
participants that it is not necessary
to leave their name when reporting
potential crimes.
"We train people to call in and
report the incident, but we do not
require them to tell who saw it," he
said. "We're concerned with the crime
itself."
The program includes training
sessions for participating organiza
Springsteen remains
with driving rock 'iV
Bruce Springsteen showed why he
is one of the most acclaimed per
formers of his generation in his Smith
Center concert Friday night, March
4. Springsteen tore through a three
and one-half hour conceit of straight
ahead rock 'n' roll, and the E Street
Band's exceptionally powerful and
driven playing provided him with
excellent support.
Springsteen didnt play many of his
starker and more disillusioned songs
from albums like Nebraska and
Darkness on the Edge of Town, but
he did perform'rnost of the songs on
his most recent album, Tunnel of
Love. These usually gentle and
restrained songs provided a fine
counterpoint for the blazing rock
which dominated the show, and they
blended well with Springsteen's older
tunes.
Springsteen brought an expanded
12-piece E Street Band to the Smith
Center. The beefed-up band took
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tions to help the workers know what
to look for and how to report what
they see, Frick said.
Frick, who said he hopes to involve
as many workers as possible, recently
conducted nine training sessions at
the town's transportation department
workshops.
There is no way to measure the
effectiveness of the new program
because the police do not require
sources' names or organizations,
Frick said. But the program can have
a significant slowing effect on the
increase in crime if the number of
workers participating is steadily
David Hester
Concert
center stage on a number of songs,
such as the muscular rendition of
"Adam Raised A Cain." The band's
newly-added five-piece horn section
provided an extra layer of sound to
the traditional E Street wail. This full
bodied sound enhanced such older
songs as "You Can Look But You
Better Not Touch."
The Street Band displayed a
unity that comes with playing as a
unit for over 15 years, yet each
member of the band took his or her
turn in the spotlight. Garry Tallent's
pumping bass was a highlight of the
band's performance of "Light of
Day," and Nils Lofgren had a breath
taking guitar solo on "Tunnel of
Love" that surpassed his solo on the
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workers
increased, he said.
Duke Power representative Bob
Hall said he did not know of any
instances of his employees calling in
to report crimes. Duke Power has
been affiliated with the program for
a little over a month, he said.
"The management would certainly
hope a caller would report his or her
name in order that the employee
might be recognized," he said.
Frick said contacting potential
organizations has been slow because
he is the only one working on the
project, but he welcomes any sugges
tions or volunteers.
the boss
roll show
recorded version of the song.
Springsteen's performance was the
most important element of the show,
of course, and his singing and playing
matched or exceeded the standard of
excellence set by his band. Spring
steen's vocals were extremely strong
and assured, and his voice was as
good as it has ever been. His singing
was very expressive on slower songs
such as "Walk Like A Man," but he
may have been at his vocal best during
the rave-up rock songs in the show.
Springsteen's opening vocals for
"Spare Parts" were particularly
impressive. Springsteen half-shouted,
half-sang the opening lines of the song
a cappella and continued to sing with
great intensity after the band kicked
in. In this song Springsteen provided
a textbook example of gritty rock 'n'
roll at its finest.
Springsteen's rapport with the
crowd was extremely good. He
introduced the song "Seeds" by
talking about the plight of the
unemployed, and he imitated a
television evangelist delivering a
mock sermon before singing a new
song titled "I'm a Coward When It
Comes to Love." Springsteen danced
around the stage during songs, and
he and the band acted out the plot
of some songs while playing them.
Springsteen's material consisted of
older, up-tempo songs, songs off of
his new album and unreleased songs.
He played many of his more dance
able songs like "Rosalita," and he also
played many of the faster songs from
Born In The U.S.A. These pounding
rock 'n' roll anthems were the most
central feature of the concert, arid
they kept the crowd on its feet arid
dancing for much of the show. But
Springsteen also played eight of tne
12 songs from Tunnel of Love
generally introspective songs that
provided an effective balance for the
concert's accent on shake-'em-up
rock and prevented the concert from
degenerating into mere fist-in-the-air
bombast. Springsteen's brand new
material, which included the tune
"Part Man Part Monkey," seemed to
work very well.
Springsteen didnt play any of the
acoustic songs from Nebraska, which
occupied a central part of his shows
during the Born In The U.S.A. Tour,
and he generally seemed to favor his
more exuberant songs over his more
self-doubting ones. This apparent
shift towards optimism was particu
larly apparent during Springsteen's
cover of "I Cant Help Falling In Love
With You." During the Born In The
U.S.A. Tour this song was given a
quiet and introspective solo interpre
tation, but Friday night in the Smith
Center the Boss played a fired-up
version with the full band behind him.
Although this concert had an accent
on his more up-tempo material, the
high point of the show came from
a quiet and acoustical reworking of
Springsteen's most famous rock
anthem.
Springsteen played a dramatic solo
acoustic version of "Born To Run"
as the concert's first encore. Spring
steen introduced the song by saying
that he looks at the song differently
now than he did when he wrote it
15 years ago, and his new version of
the song reflects the new understand
ing he has for the song's story of a
young couple searching for a home.
Springsteen used only his voice and
his guitar to strip the song down to
its bare bones, and his simple but
heart-felt reading of the song was
breathtaking. In this performance
Springsteen combined the best of his
anthemic style with the best of his
acoustic style, and it was the finest
moment of a great evening of
rock'n'roll.
Honors
from page 1
good idea to complete the four-year
honors program by adding the junior
courses.
"It definitely helps out," he said.
"By extending it to the junior year,
they're removing that interim."
He said he has been satisfied with
the courses he has experienced in the
program so far.
Allen said he is also excited about
undergraduate research award
grants, which will be offered for the
first time next year. ;
For the next two years, small
grants contributed from money raised
by the UNC Parents Council, ranging
from $100 to $500, will be distributed
among 20 to 30 rising seniors to be
applied to their departmental
research programs.
V