16Tbe Daily Tar Heel Thursday, March 24, 1988 T aKing Hill Hall Is a Gothic novel just waiting to be written. The shelves of the music library are in a dim and dank labyrinthine cavern, and the main section of the building is officially classified as a fire hazard. Demons dwell in the prac tice rooms of the dungeon, a place of great heat and unorganized sound. After an aborted attempt to experience music instrumen tally, I emerge Into the outside world, where spring is. My Walkman is turning a tape by the Smiths, but the sunlight makes their-brilliantly morbid whinings laughable, instead, I pop ftflailbag a eisurely wa Ik n Elizabeth Ellen Random Thought in Vivaldi's "Four Seasons" and hear an 18th-century spring. As great as it is to hear, though, with spring as with classical music, it is better to be inside the experience. Blooming trees and the faint aroma of old charcoal distract me for a few moments, walking away ; from Franklin Street, I neverthe less find my mind bar-hopping. He's Not Here, he never is here, and what will we do if he happens to show up? You've got to hate those bricks that stand about half a millimeter above all the others on the path ways. They are just high enough to trip me up, and one of them does. Fortunately, everyone else is too busy daydreaming to notice my lack of grace. Speaking of grace, why is there so little dance on this campus? Surely not everyone trips over renegade bricks. The town is so into the arts and so into trained bodies, at least when they leap and turn on basketball courts, that the from page 7 to spri neglect seems strange. Dance is the most primitive and natural of the arts, a direct means of expres sion using the body as a medium. Sex should be like that. I understand that this is both National Orgasm week and Creek Week. There really is no connection between the two, but on principle, 111 probably be rebellious and not observe either event. Spring sun brings out the adven turer in many people, and I feel I'm on a quest for the perfect sunny spot. In my search, I try to be thorough but not Thoreau, who gained insight watching the Artist ngtime ants march through the woods. Yet I can partly understand his reasoning; I escape to my own waldens. But just now, I'm in the Pit with some late afternoon skateboard ers and a radical squirrel. My yogurt is getting warm, and Vivaldi is coming to the end of the Winter Concerto. After winter comes spring, according to con ventional wisdom, but true wis dom is rarely conventional, great minds don't think alike, and my batteries are turning the tape more and more slowly. from page 6 JOS C03S UAIUJAG Dear Joe Bob, Next to making requests for. obscene songs to the female DJ at the local college radio station, I enjoy reading the secretly pur loined columns of Joe Bob At the-Drive-In on my couch, eating pizza bagels. Typical middle-class-rich-punk-head you say, well say it again it hurts so good. The Starlite Dl, our local sleaze ateria, lies in a state of utter despair, beyond repair and desper ately in need of a bulldozer, well : Joe Bob, nothing lasts, not even people! that's written on Ford Pinto warranties, and I'm due for another prolixin shot at the local Mental Hell clinic. Guy B. Morey, Chico, Calif. Dear Guy, Write back when you're juiced up cause I wanna tell you exactly when vaudeville is coming back. Dear Joe Bob-. isnt sleaze in a helluva state today? Take, for instance, "Flowers in the Attic." There was supposed to be incest and full frontal you-know-what, and what was there? Brother scrubbing sister's back in the tub, and that's it. I've seen more at the beach. Best regards, Irv Ray Hal, Denver Dear Irv Ray: Those gosh-darn Hollywood people never HAVE been able to get kinky enough for people that live in Colorado. I agree. Start dangling full fron tal you-know-whats like every body in Aspen has been doin' for YEARS. A lot of the buildings in Winston Salem, as In other cities, are so poorly constructed that it seems things rather than people belong in them, she said. "It saddens me that buildings are just put up," she said. "Builders don't take into consideration what's around the building." That is why beauty and ugliness cannot be separated in a city, she said, "(in the city) you might have a beautiful building, and then right beside that you might have a crummy building." Despite the contrast, Suther land said that as a painter she notices that light shines on both the ugly and the beautiful, inten sifying the contrast. However, she has no particular definition of what she considers beautiful or ugly. "I guess it's like the old cliche, 'beauty is in the eye of the beholder.' That's why I paint, to find out what is beautiful and ugly." 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