The Daily Tar HeelThursday, May 24, 1 9905 and FEffurra ffli Williams' car salesman hysterics subdued in latest film offering Cadillac Man Robin Williams, Tim Robbins, Lori Petty, and Pamela Reed Directed by Roger Donaldson oooo Cadillac Man in one word: FRE NETIC. Well, not at first. The film starts out ludicrously, yet calmly Joey O'Brien, a man who lives to sell cars, attempts to push his automobiles on a disraught widow before her late husband has even been interred. Immediately thereafter, we meet Joey's girlfriends (Joy and Lila), his ex-wife, his co-workers, his bookie, his customers at the car lot (Turgeon Auto), the waitress from the Chinese restau rant at which he dines.. .in short, we meet the people who make up his life. After several funny, touching scenes with these "significant others" plus a few narrative asides from Joey (Robin Williams) we are all set for a soft, sweet movie, sort of like Dead Poets Society (Williams' last film). Forget it. Some strange upstart director, pre sumably after the youthful, action-oriented crowd, decided to incorporate the suspense element: A psychotically, jealous husband, Larry (Tim Robbins). Larry, convinced that his wife (the receptionist at Turgeon Auto) is sleep ing with the various salesmen, crashes into the showroom window with a machine gun, holding everyone hos tage until he can figure out who's sleep ing with his wife. Ordinarily, the average film would have generated into a Lethal Weapon esque melee of complete and total chaos; one would fear that shots from Robocop II might have been edited in by mis take. Again forget it. The atmosphere, once open and friendly, becomes tight yet humor remains, perhaps more so than before. A human being, under extreme stress, does one of two things: dissolves into hysterics, or grins and bears it. ; Williams takes the latter option. ; Believe it or not, the film is much more realistic because of this choice. 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For more Information, send resume to: American Passage Media Corporation, Long Distance Marketing 6211 West Howard Street Chicago, IL 60648 or call (800) 727-6783. 14K SEEING IS BELIEVING! (01D Says Dare To Compare! We Have Low Prices Everyday! GOLD CONNECTION In " I 11111 A 1. I Ikl upening in wiiiow ureex This Summer Mon.-Thurs. 10-5:30 Friday 10 6 Saturday 12-6 128 E. Franklin St. 967-G AMEX, VISA & MC Accepted LD Beverley White tween Williams and Robbins hover between humor and tension, never quite connecting with one option or the other. The audience witnesses a couple of attempted slayings, the injuring of a police officer and a spunky waitress preventing police from taking control of her restaurant ("No eat, no seat," she declares) but nothing so dramatic as the private dialogues Williams and Robbins have. All through these dialogues, Wil liams shows us something rather fright ening: Car salesmen double as psycholo gists or, rather, brainwashers. Williams makes several "sales pitches," taking advantage of Robbins' vulnerable side: he doesn't want to hurt anyone. Not a soul. He'd rather kiss and make up with his wife. One by one, Robbins is persuaded to let the hostages loose, until Williams is the only one remaining. To secure his own freedom, Williams makes his last pitch the wrong one. Even the most invincible, the most convincing salesman can make mistakes. . J I i ft a.m. iWWOffly Cadillac Man Williams makes a point with Tim (Nuke Laloosh) Robbins Again, such is life. While Cadillac Man is no Dead Poets Society this is still a film that cannot be replicated the talents of Robin Williams, coupled with the lack of arti ficial atmosphere (a welcome attribute in a "hostage" comedy) leads us to believe that we are seeing real, flesh-and-blood people, in a life-threatening situation. Until Williams tries to sell another car, that is. Baby Flies captivate The Baby Flies A Colorful View Resonance OOOi The second release by The Baby Flies, A Colorful View, is a captivat ing mix of sparse instrumentation, hook-filled melodies, and moody tempos. The band's sound falls some where between 10,000 Maniacs and Wednesday Week, with a dash of Cowboy Junkies thrown in for good measure. Vocalist Pat Waters dominates A Colorful View with a delivery resem bling that of Debbie Hatry or Natalie Merchant. Chris Katris and chief songwriter Jim Waters paint the in strumental backdrop. Their self-produced, atmospheric mix features in ventive drumming up front with gui tar, keyboards and bass popping through. The lead-off tune, "Let It Fall," is the album's best cut, weaving a flow ing melody with an utterly seductive bassline. As the quiet verse changes to the solid 44 of the chorus, Waters relates the end of a relationship, sing ing, "I took your picture off my wall Let it fall." "Washing Over Me" is the album's hardest driving, most electric song with a fast tempo and powerful rhythm section. This contrasts with the title track which features dueling acoustic guitars by Waters and Katris. "The Only One" juxtaposes jagged electric guitar with delicate acoustic sounds. The song is Blondie-esque, with a million-dollar chorus. Waters Brian Springer sings, "You think you're the only oneWho's ever been lonelyYou think you're the only one alone . . . And it's sadWhen you find you're not the only one." "Give Me the Light" is another more aggressive track, with brittle guitar work, hard drumming and powerful bass. All hell breaks loose as Waters sings of a "Hand like steel Too numbToo numb to feel." A Colorful View needs more mood breakers like this, since it sometimes becomes overly hypnotic. "Coming Back to Haunt You" is the song most resembling the 10,000 Maniacs sound, as it ebbs and flows in a dark mood. Waters approaches a whisper as she sings "Close your eyesSee the world in dark disguise." While The Baby Flies trades musical excess for a sparse sound, at points the band is too successful, leaving tracks with a little too little of . . . everything. Fortunately, only three songs "Chains," "Where the Creatures Call," and "Just the Begin ning" fall into this category, though nothing on the album is a throwaway. Although A Colorful View has its flaws, it seems that the small Reso nance label has yet another winner. When The Baby Flies clicks, the band displays irresistible charm.. we put the fun bach in dining out... A Tradition in Chapel Hill Since 1977. 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