IS J! f POLE COUNTY NEWS, TBYON, N. C. ;1 For Mature Figures : vsmexxassnss x A Romance of the American Army Fitfhtintf on the Battlefields of France By VICTOR ROUSSEAU BATTLE BE of 1 " j I r ill f 1' I - t IS it 4 K i ! il '4 f s I; ',- i . ' i , . ' 5 I I i v, if 1 tfAVAVAVVAViWA CHAPTER XII l--Contlnued. 10 Suddenly the German tittered a chok X cry and dropped, blood spurting from his .throat, where a chance bullet lMtd found him. As he fell, Mark, pre cipitated himself upon him and lay pat on the ground. The firing died away. Captain 2Iirk began to crawl back toward the parapet of his lines. A whispered chal lenge; an answer, and he had scaled sandbags and descended Into the of the trench, to find the firing. t'crowded and himself facing Kel- iScn&an and the company captain. Imardly boiling, he stood still. It too dark to see the expression on Krilwrman's face, but he could Imagine ke sneering grin that disfigured it. . Wer said Kellerman sharply. ' ""The man you -sent me to bring In was dead. He had been there for "Where are your companions V de saasded Kellerman. Captured." j. "And you?" ffe were attacked In the dark. I jfanght with my man until a bullet ifflcd him. The others were taken." ' "And your stretcher?" asketi Keller--auo with a bland sneer. . "I left it between the lines. Do you ;wish me to go back for it, sir?" mis man Is lying," said Kellerman : file Captain calmly. "He abandoned &n companions and ran away. He lost Us. stretcher. Put him under arrest." The Captain beckoned to the pla sties sergeant, who came forward. "Td like to say one thing," said Mark, striving to keep his voice steady. "BTe three were sent out to bring in dead man, who had been dead for days anyone here will bear me out In Shis. Was any man wounded tonight? There was only one body In this sec- "X7t it out !" said the sergeant, lay lag his hand on Mark's shoulder. But Mark swung clear of him and tamed and faced Kellerman again. "Ten sent me out tonight to put me tit of the wayl" he cried, losing all setf-control. 'Tor reasons that you insnr, and I know, you wanted me dead, and you were willing to send two sites to their death also. You lied Urn me to put me off my guard, d n ysq. you treacherous dog! And here's She blow you gaye, back again !" He struck Kellerman a buffet that mat Mm reeling back against the par- CHAPTER XIV. The three officers who had brought 3a their verdict, and the fourth, of SrifiSi rank, who had passed the sen aence, stood rather stiffly at the door f the little headquarters village house, watching Mark as, with hands chained, i was marched away by two armed guards toward the jail. When he was out of sight they un 8at. "S- n-ItP said one. sentiments," answered another. -What do you think, McKInnon?" I don't want to think about It." "12 It had been some tough who had ga roped Into the army a gunman or kat sort but " ; 'Well, if the fellow's a- gentleman, dTd he do It? He must have latown." "And, after all, he might have been Kspited for the blow, but the gross OMB&rdice " !"I don't see that The blow was wwae than the cowardice. A new toad, between the lines at night, his Jfirst night Kellerman shouldn't have mesa Mm " "I don't follow you there. Kellerman Had known the man in the U. S. and wanted to give him "a chance to redeem MGBself." At nightfall Mark was sitting In his ra&L He had eaten, he had composed Maaself to meet his end according to ffltt traditions of his caste and race; Soft he could not meet It calmly. He Saul deliberately flung everything array; he had let Kellerman goad Sfim to madness; he was going to ffie without even the soldier's satis faction of duty honorably done. And 2 could not compose hfmself. S&ddenly he heard the outer gate of She prison click; then came the sound t voices, footsteps, a woman's swish itg skirts ; Eleanor and Colonel How ard stood at the barred entrance with lite guard. dark rose from his bed and stood aSSsafng at them; he could hardly be Uare them real. The guard unlocked i door of the cell. Eleanor shrank flmck against the corner of the ma cctoiry, her kerchief to her lip, her face ctulky white. Suddenly she started inrward. The Colonel whispered a ward, she brushed him aside as if she 3od not heard him. Her arras sought Kerits neck and found it. She pressed tear lips to his. -TCaptain Mark I Dear Captain Mark!" she sobbed. And. holding her closely to him, and wgetttng Howard's presence and ev wything else, Mark .found his peace. vonei Howard was trying to calm -to assuage her frantic erief. At persuaded her to sit down, tto (Copyright, by W. (Copyright, by took Mark by the arm as If he were a child, and placed him beside her. "Mark, my dear boy Mark, I heard of it only five minutes ago," he said. "I had to spend the night here, and Eleanor had got leave to meet me. I've Just learned the outlines of It I'm trying to get the General. Yes, yes, I know he refused this morning, but he didn't know. I'm only going to ask for a respite till I can see him personally. It will come out all right Now tell me, Mark, what happened? How did Kellerman meet you? Why did you strike him? I don't ask about the charge of cowardice, because that Isn't worth speaking about I'll settle that With the General I haven't for gotten Santiago. But about that blow, Mark how did it all happen? Tell me exactly, so that I " It was unlike the old Colonel to gabble so fast Perhaps he was afraid of breaking down. "Can tell the General. Now begin, Mark. Tell me from the beginning." But Mark did not open his lips. And before Colonel Howard could resume Eleanor had sprung up and faced Mark eagerly. "Now, Captain Mark, listen! If you've never listened to me before, listen now!" she cried. "I know you aren't going to tell the Colonel. It's like you, Captain Mark. You're stub born. You have a stupid, wicked streak of stubbornness in you that al ways makes you pretend things, and always prevents you from letting the world see what a dear, good, splendid man you are. I know you through and through, though you've never known I did. You've ruined your life by your silly silences. You seem to like to be misunderstood. You like things to go wrong with you, so that you can suffer undeservingly. But It isn't he roical of you. Captain Mark. It's stub born and wrong, and, where others are concerned, it's criminal. Where others are concerned others who love you, Captain Mark!" She spoke with intense passion, but, when she ended, she put her arms "Now Capt Mark, Llaten." quietly about his neck. "Tell the Colo nel, Captain, Mark, because of me," she said. "There's nothing to tell, my dear," said Mark, groping for the words that would not come. "I struck him be cause he " And he could say nothing. Of Kel lerman's blow outside the inn, of his false offer of friendship, of the treach ery that had risked three lives that Mark might die on a false errand nothing! And, if he had been able to speak, he could not have told. Yet he was Ignorant of the inhibitory process that now, as always,, held him in silence. But Eleanor clung to him. "Yes, Captain Mark. Because he "He sent three of us out to rescue a wounded man unnecessarily," said Mark lamely. He saw a spasm pass over Howard's face. This was worse than Howard could have believed. The Colonel was shaken; his faith was strong, but he was one of those who accept the obvi ous. "Listen, Captain Mark!" said Elea nor, speaking as if to a baby. "That isn't what you wanted to say. You had no thought of criticizing your superior officer, even if you thought him wrong. That Isn't what you meant. Perhaps he'll tell me, father I Stand back a lit tle. Now, whisper it, Captain Mark !" But in the shelter of Eleanor's arms Mark felt altogether at peace. What did it matter, all this of long ago? "Are you going to marry Kellerman, Eleanor?" he asked. , Very softly, in the obscurity, he felt her shake her head. And the action a4 precisely the opposite effect of what Eleanor had intended, . ' . O. Chapman.) Fox'nothlng mattered any more, noth ing at all. He couldn't find excuses Mark Wallace had never excused hlm- self In hls life Eieanor drew herself out of his arms and looked at him: He looked from her face to the Colonel's. Why were they worrying him? How could he hope to gave "his life by going into the obscure details and explanations that they required of him? And what a long rigmarole, begin ning back in the war department! Mark could not string a case together J his mind was not constructed in that fashion 5 Eieanor laid her hand on his arm. "Captain Mark don't you see that every moment. Is torture to .vsl" she asked. There was a terrible Intensity in her tone, as if she were holding herself rigidly in restraint, for fear that she would fall should she yield to her emo tion. "I struck him," stammered Mark. "I told you why. I thought he was wrong to risk those llves I w '. The look upon each face seemed to be frozen there ; it was as if their lives and not Mark's, hung upon his words. Suddenly a shriek pierced the sky, cutting off Mark's speech, and a shell burst somewhere by with a shattering detonation, followed by the dull boom of a distant gun. The Colonel started, and then-resumed his gaze. It seemed to Mark as If that was an eternity of torture. He struggled In his mind desperately to find words to say when the noise subsided. But there came a stunning sound that seemed to split his ear-drums. He fell forward, and felt as If some one had lifted him; looked out Into dark ness, sought Eleanor and knew noth ing. CHAPTER XV. When he slowly grew conscious It was with the glad -realization that he had found her. He felt her hands, supple and warm, binding a bandage round his arm. He opened his eyes to see her face bent over his. And it was dawn. Vague cries rang In his ears, distant cries, blending, surging, swelling and dying down, but never ceasing. The rattle of small-arms was continuous, and punctuated by the loud timbre of guns. He was lying amid a heap of debris that had been the village jail. Not far away he saw the Colonel sitting with eyes closed, propped up against the fragments of a wall, a blood-stained bandage round his head. "O thank Godl" cried Eleanor. "You have been unconscious so long, Captain Mark 1 And the Colonel Is badly hurt I saw the Red Cross wag on pass and cried, but they could not hear me." All round them the guns were boom ing, all round them they saw khakl clad Americans swarming over the fields, and yet the village seemed de serted. They were alone In a little oasis of calm amid the tumult. "What are we to do?" cried the girl. "Can you walk? Try to stand on your feet Let me help you. We must get the Colonel somewhere." The question on Mark's Hps died away as there cams the howl of a heavy shell, followed by a stunning Im pact A column of broken bricks spout ed into the air at the end of the street, dissolving into a cloud of dust An in terval, and again there came a missile from the monster gun. A house in the next street went down like cardboard. It was the threatened attack on the American lines. The enemy was in force somewhere across the fields, the reserves were rushing up to repel them. Mark staggered to his feet and found that he could stand. His arm ached under the bandage, but It was not broken. Probably a splinter had struck him. He made his way toward the Colonel, who eyed him vacantly as he approached. "Take Eleanor to safety and leave me, Mark," he said, In a choking voice. 'Til take you both, sir. This can't last long. Our men will be In the vil lage in a few minutes. Or an ambu lance will pass." Mark put his hands beneath the Colo nel's arms and tried to lift him. As the Colonel tried to stand he col lapsed forward In Mark's arms. He looked at Mark plteously. "Take her- and leave me," he whis pered. "And listen to me, Mark. She cares for you. All will come right, if I can keep my worthless carcass alive until I've seen tlie General. But I never counted on being done up like this." There were tears in the old man's eyes. "Forgive me, my boy," he mut tered, and fell Into unconsciousness. Mark set him down against the wall again. It was impossible to move him, oven with Eleanor's help. Mark looked at Eleanor. "It's safest here,H he said. The village will be occupied seon. Help will come He broke off. abruptly as another of the heavy shells dropped nearer, send ing the brick fragments flying in all di rections. Of a sudden it had occurred to him that the reason why the Ameri cans did not enter the village was that it was? a death-tMpr Us rarges were all mapped and plotted, and the Ger mans were bent on its systematic de struction. v Mark stood by Eleanor in irresolu tion, cursing his fate. He did not know what to do. He could not leave her; and yet he felt. a burning impulse to play some part in affairs. His eye, trained by long years of practice, took In the tactical situation at a -glance. The Germans must have made a prodi gious thrust In the night, bursting through the center; the reserves, still rushing over the fields, were trying to fill and hold the gap. And the little Headquarters village was the key to the whole battlefield. ' Wounded men came streaming down the street, followed by the merciless shells.; The aeroplane above was still circling like a hawk; it seemed in credible that no aeroplane attacked It And it was quite clear to Mark that only treachery, calculated and long planned, could have brought about the situation. For the Germans must have ad vanced four miles since nightfall. "Help will come " Mark repeated; and suddenly, even above the drumfire, he could hear the sounds of cheering. And, topping the ridge that ran before the village, there came a swarm of gray-green figures, thrusting back the thin, scattered line that held It. The bullets were -whirring overhead, audi ble, and like a swarm of bees. Clouds of dust rose up and hid the battle. Eleanor, clutching Mark's arm, stood tense beside him; Mark saw that she understood, and the two held their breath as the dust clouds eddied along the ridge. Suddenly they dissolved, and the at tacking swarm poured like a great flood into the village. It looked as if all were lost But an. Instant later Mark saw a lit tle company of Americans thrust out a Maxim gun from behind a wall, where they had hidden It The gunner took his seat and, Just as the ranks were closing In on him, swept the street from side to 6lde. The ranks recoiled and fell, body piling on body. Then, as a torrent forces its way through ,the ice-crust of a river, the attackers over whelmed the Maxim section and swept Into the streets. And, as torrent meets torrent with a surge and a rush a body of American troops swept forward to meet them. The battle was all about them. Every house was a fortress, every mound of bricks a rallying point. Mark raised the half-conscious Colonel in his arms and drew him Into the shelter of a lit tle hollow In the brick wall. He beck oned to Eleanor to crouch down beside him. There they were safe from flying bullets, and might hope to pass unno ticed. He still hesitated, when a body of Germans rushed, shouting, past him, upon a troop of Americans who came round a shattered corner, led by a young officer carrying a blooey sword. It was quick and short bayonet work. Mark saw the blades flash, heard the panting gasps of the thrusters and the moans of the wounded. He saw the young officer stagger and fall, a bayo net through his shoulder. The. sword fell from his hand. Before the German could withdraw his weapon Mark had snatched up the sword and, with a mighty blow, cloven the German's arm from his body. (TO BE CONTINUED.) EAGLE ALWAYS AN EMBLEM From Mythological Times the Monarch of the Air Hat Been Chosen as Representative of Power. In mythology the eagle usually rep resents the sun. The great mythical eagle of India, the Garuda, Is the bearer of the god Vishnu, victorious by his brightness over all demons. In Scandinavian mythology the eagle is a gloomy figure, assumed by demons of darkness or by Odin himself, con cealed In the gloomy night or in wind swept clouds. The storm giant Hras welgr sits in the form of an eagle at the extremity of heaven and blows blasts over all people and on the great tree Yggdrasll sits an eagle observing everything that happens. When Zeus was preparing for his struggle with the Titans the eagle brought him a thunderbolt whereupon the god took the bird for his emblem. It naturally became the emblem of nations after Its long use in mythology. Ptolemy Soter made it the emblem of the Egyp tian kingdom. In the Roman story the eagle was the herald to Tarqulnus of his royal power, and it was one of the most important insignia of the re public, and was also assumed by the emperors, and adopted into medieval heraldry after the time of Charlemagne. A Good Laugh. A "good laugh" is not quite the same thing as a hearty laugh. Occasionally you may have seen young people con vulsed with laughter over something that meant sufferjur and disaster tn ; another. Many a laugh has been raised oy an unclean suggestion. But It is a "good laugh" that has o hint of im purity or unkindness. S jl ' - ji I i Lines that give an effect of slender ness make the plainest frocks or suits intensely Interesting to women whose figures have lost that longed-for at tribute of youth. Line and quality they are the first consideration in the American gentlewoman's clothes after she has reached "the age of discretion" and becomes severely discriminating. She will take the simplest affair in street frock or suit. If It possesses what she requires In these regards, and tone it up to a high degree of dis tinction by means of a bit of neck wear, a furpiece, and a hat that matches it In trimness. Designers oc cupy themselves in working out clothes that are to give to the figure long and very graceful lines and their artfu achievements compel us to admire them. The suit shown In the picture above is . a case in point ; built on almost stratght lines and plain even to the exclusion of buttons. The skirt is nar row and a trifle longer than has been the rule In suits. It has barely enough width to allow a comfortable stride in walking and is finished with a five-inch hem. The coat has a long waistline, Indicated by a narrow belt made of From the Salon Debutantes Only three of the many charming styles In hats, made for the girl who finds herself at last frown up, can be shown In our Illustration. But these three styles have be-n. found great fa vorites with the younger women whose Individual tastes ajad preferences In matters of dress, ace more clearly de fined than those of their elders. Their young Intuitions are keen and it will have to be concc-ded that no millinery could express more definitely the spirit of youth than these hats which so many debutantes have approved. Thehat at the left of the group Is one of a great many Interpretations of the tam which Is enjoying a long-drawn-out period of popularity. It la picturesque tostart with, and since the war, the glamor of the Blue Devil of France has cast a spell about It This particular tam Is made of beige colored beaver cloth,, mounted on a beadband of gros grain ribbon In the same color, tucked at Intervals. A flat bow of the same ribbon fastens the folded-ln-crown to the band. These tarns are made In All the popular col ors with brown and ' purple worth mentioning for their richness in beaver. And there are others of vel vet f The pretty square-crowned hat at the right reveals beaver in combina tion with velvet in a street hat of un wual merit for allrotrad wear. It Is - ... -v - the cloth and crossed at the front It has pockets of the sort that are no noticeable, merely slits at each side that don't interfere with any Um which is pursuing Its stralght-dowj. ward career. The ever present fur wi. lar and cuffs, In this particular Id stance, are of Hudson seal, the collar one of those long convertible affairs that can be brought up close about th throat. Collars by the way are one of tht means of achieving length of Hoe. Made of the material of the coat or frock or blouse they creep up about the chin and are fastened by buttons at the end of a long row on the gar ment It is impossible not to follow this slim line of buttons that attract and hold the eye. Panels, wide and narrow, that hang from neck to hem, made their Instant success because of their long Hues. For the sake of variety designers hate added narrow floating panels to one piece frocks and have carried out the Idea In many ways on both frocks and suits. Even blouses ha-e taken on the distinction of panels that fall from the shoulder and far below the limits of the waist they embellish. a beige and brown combination bavin? a band and bow of brown grosjra ribbon. A bit of needlework of simplest sort holds the flat bo the side crown or pretends to-n might be put on in u gay color. A dressier bit of headwear app" in the black hat of panne veie the bottom of the group. It hj9 fl Ing of plain velvet and is P1" be the class of things youthful scalloped edge of the trim. An trimming daringly placed n e P In this regard. It Is a small store tab of velvet, supporting a caDoc made of black soutache braid Is fastened to the edge of the One must explain It as a vaga youth as well as an ornament, is' an all-black hat -Men prove-all-black may he as youthful CQlor if It is managed In tne way. To Lenflthen Skirt To lengthen petticoats r mi99 instead of taking out tucks j longer, open the shoulder sea sew pieces of muslin to one ede. buttonholes and button to to e Ton can thus drop the skirt j sired length and easil short Necessary. - ! fw I 1

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