Howling with a not-so-lone wolf Q-Notes T September 6,1997 T PAGE 9 by Stacey Robbins Special to Q-Notes Visionary author. Father of the Beats. Coun terculture guru. Rascal poet. The eternal flower child. Icon of the hippies. Laureate of alien ation and protest. It’s hard to peg Allen Ginsberg, who brought the’ arid the visceral “Howl” and the poignant “Kaddish.” But during the five decades that he played upon the American consciousness like a benevolent Pied Piper, the critics tried. In The Life and TimeTdf Allen Ginsberg, M American Masters special premiering later this month on PBS, acquaintances such as WjUiim Burroughs, Amiri Baraka, Norman Mailer, Joan Baez, Ken Kesey, Tirnothy Leary and Abbie Hoffinan toss aside the labels and get to the heart and mind of the infainous |X)et. f Allen Ginsberg has gone on to that great' poetry slam in the sky. Williams Burroughs, Jack Kerouac, Neal Cassaday, Timothy Teary and Abbie Hofl&nan are there, too. Remember ing their friendship, in an interview taped be fore his death, Burroughs talked not about die hip, iconoclastic poet who spoke to the collecT tive conscience of a generation, but about the young neophyte he had gotten to know 40 years earlier, still-more or less a conformist,”: “I was in the Army fot about six rnonths, discharged. In 1944,1 met Jack Kerouac and also Allen Ginsberg,” Burroughs recalled. “His father, Louie Ginsberg, disapproved of me. Thought of me as sort of a decadent million aire or something like that, corrupting his son with sort of subversive ideas.” But Allen Ginsberg already had a few radi cal ideas of his own. The seeds had been sown long before by his communist mother Naomi, for whom he would write “Kaddish.” And soon those seeds would flower into the boldly qnique voice that would let fpar its “Howl? upon a buttoned-dovm public. But imiriediately, Ginsberg fpund an audience. ’ * “I think [“Howl”] was closer to my owp experience and had a kind of contemporary tone that I like, and it had that anger in it that attracted me even before I knew I was angry myself,” said poet Amiri Baraka. “I think that’s what tuned a lot of people into that voice be cause it was a voice of young people protesting the kind ofdisgusdng, anti-humane culmre that we were growing to adulthood in.” “I do recall that the poem had an Immense effect on me and I felt immediately that Ginsberg was at the least a major poet, and maybe a genius,” said Norman Mailer. “I’d never read any poetry that was that charged, that intense and that extraordinary, and I knew he was going to make a revolution in the con sciousness of his time.” Ginsberg, the Beat poet of the 50s, slipped comfortably into the 60s like a funky new pair of shoes, custom made just for him. Writer Ken Editorial Continued from page 6 about the threat James Dobson and other reli gious extremists pose to the American tradi tion of tolerance, inclusivity and the separation of church and state. And I apologize to my fellow Christian Americans, many of whom have been misled by a man I once loved and trusted. I hope you will not make the same mistake I made in let ting my personal loyalty to an old friend blind me to the unchristian and un-American words and actions of James Dobson and so many of his Focus on the Family guests. I apologize to any American who has felt the sung of James Dobson and the Christian Right wagging their holier-than-thou fingers in your face, shrieking that because your views differ from theirs, you are ungodly, evil and unworthy of the rights of full citizenship. Please don’t let these extremists confuse you about the life and teachings of Jesus. He spoke in love. I regret that Jim and Focus have not. Second: I have come to Colorado Springs to call on James Dobson to step down as a po litical activist and return Focus on the Family to its original mission. When we began Focus, in 1977, the seven founders had only two objectives: 1) To help Americans raise their children and 2) to help us maintain our marriages. Millions of Ameri cans would say that James Dobson has made a tremendous contribution in those two areas. Unfortunately, the same cannot be said regard ing his harmful foray into big-time politics. Kesey sees it as a natural progression of the times, with Ginsberg helping to turn the tides. “It seemed like it was part of the same drama and we had been accepted into it by the old gunfighters, the real heavies in our mytholo gies — Kerouac, Cassaday, Ginsberg. And it was an honor,” he said. Timothy Leary considered himself “a rather straight Harvard professor” before he met Ginsberg, who wrote to him inquiring about his drug research. An invitation was immedi ately dispatched to Ginsberg and his lover Pe ter Orlovsky. “I’d never met anyone like Allen and Peter,” Leary said. “They were true bohemians in the classic sense of the word. And just to know Allen and spend an hour with him just changed my life right then. I knew that I was never going to be [a] part of the system after being exposed to the power of a liberated, bohemian, artistic ■:-mind.” Singer Joan Baez remembers Ginsberg as a sort of court jester with a social conscience, holding court during a volatile era. “Allen could behave like a nut but he was serious about some thing,” she said. “He was serious about other people’s lives and Allen took risks and was seri ous, and at the same time was very colorful and very crazy. And we need that.” Remembering the 1968 Democratic Na tional Convention in Chicago, activist Abbie Hoffman called Ginsberg “a peacemaker.” In the midst of violent confrontation, the poet chanted a mantra over the address system. “Allen was a figure of calm during the con vention,” Norman Mailer said. “What I’ve al ways loved about Allen is precisely his bravery. He’s the perfect example, in my mind, of cour age transcending fear.” Transcending even death, it seems, in the words of Mailer during a recent memorial service: “How can you mea sure courage? I remember once 20 years ago, I wrote a kind of tribute to Allen. It went more or less like this: ‘Sometimes I think Allen Ginsberg is the bravest man in America.’ What did it mean? I suppose I was saying that if I had had his life, if I had been a Jewish homosexual with an insane mother, I would not have been as brave as Allen, I would not have broken through, I would not have become the greatest poet in America and have done it uphill all the way. No, Allen had the stuff out of which Paul Bunyans are made, and with it all, he cared so much about so many people that he gave life and honor to the most inconceivable contra diction of them all: he was wild; he was respon sible. Of such incompatibles is compounded the mortar of his artwork. May some of them prove immortal.” T [The Life and Times of Allen Ginsberg will premiere Wednesday, September 17 at 10pm on PBS. Check your local listing for the PBS affili ate in your areal\ I believe Dobson-style politics have been inept, simplistic, exclusionary, divisive and alarmingly sectarian. Mr. Dobson has shown little respect for our pluralistic system, for dif fering views or for the core skill of compromise and consensus building. That is un-Ainerican. James Dobson’s political style has been one of relentlessly demonizing his adversaries. And he has created the impression that the pathway to national moral reform leads through the leg islative machinery of Washington. That is un christian. 1 ask Mr. Dobson: • To cancel his political radio series Family News in Focus and his political magazine Citi zen • To get out of the business of organizing and training grassroots political organizations around the country • To break off his powerful alliance with lob byist Gary Bauer and the Family Research Council • To discontinue meeting with politicians in an effort to leverage his influence to shape public policy and to pledge never again to de vote a Focus radio broadcast to politics. 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