September, 1979
page three
Kt like troupers
introductory visit to your department or station sometime
The message they’ll bring is important, but the show itself
t’s free, but aren’t the best things in life?
line’s program is a movie. The filming was done this summer
?rs, actors, spectators and audience are eagerly awaiting the
le Movie. Some employees were cast in their own roles; and
. Nearly 100 employees arrived early on the set, the hangar
5arly all day smiling and waving and acting natural, on
^eale^l^re, you’ll just have to be present when the curtain
bows, bystanders learned that movie-makers are much more
ire always behind the scenes, their attire is conspicuously
noving the miles of cable and wires, the best way to tell who
gging shoes. One spectator noted that the director wore the
i and filmed the production. The script was written by the
ay said they enjoyed the experience. But there hasn’t been
)ur station.
^d).
•‘•fontoar
Bob Reed served as project manager for the production. He scheduled
everything from shooting times to staff and actors’ coffee breaks. In the
background, Brad Owen and Don Newsom watch over the plane they
polished (see page four) for use in The Movie.
r of Bill and daughter of Wain,
spians long enough to explore
Will Barber, Katie’s brother, used the time between scenes
to check out the airplane. Behind him, George Reynolds
rested from acting.
Flight attendants Linwood Ricks and Tami McKeithan paused
briefly . . . and then the director said “ready on the set," one
more time.