4AA/ednesday, December 12,1984/THE BLUE BANNER i^1K> Forum Theatre overview By Alana Jones DNCA*s Forum Theatre wrapped up Its fall season with Wbnday’s perfonu^ce of A Heed Far Bmssel Sjpzouts. Forum productions are held each semester during the fall and spring* The one-act plays are directed by senior drama students as part of the directing class taught by Arnold Wengrow, professor of dra ma and director of the university theatre. This semester, the plays chosen for presentation were ppenlqg MixBie- sota Mom, and A Heed For BroBsel Sprouts* Opening Sight, a play about an aging actress* attenq)t at a comeback, was presented on Nov* 19 by director Bernice Lazar* Sherry Cathcart por trayed the once—famous Fanny Ellis, and Ellen Wharton played Hecky, her long-time dresser and closest confidante* Both Cathcart and Whar ton’s acting were realis tic and convincing* Cath cart captured the essence of the neurotic actress in her speech and mannerisms; and ^though she spoke a bit too rapidly at times, I felt that this was the character and not the ac tress * Wharton's Hecky was both funny and touching. A lit tle stilted at first, Wharton nevertheless gave a performance worthy of notice. The relationship between the two wcxnen was obvious ly one of deep affection and devotion* Of course, for the characters to have a good rapport, the ac tresses had to establish one also, and I think they adiieved this* The second Forum Theatre production was Minnesota Moon, directed by Scott Mebane. This touching play about two friends "celebrating" on their last night to gether starred Colin White as Larry, the gas station attendant unsure of what he wants to do in life; and Don Hardin as Alan, the ambitious college- bound student. One of the most iiq)res- sive aspects of the play was the realistic setting. Mebane's creativity and ingenuity helped him transform the stage into a deserted junl^ard, awi- plete with empty beer cans, old tires strewn about, and even a worn-out clothesline. The play depicts two Mgh school graduates im mediately following their graduation in 1968 before going their separate ways. The rapport between White and Hardin was ex tremely believable. The dialogue was natural and I honestly thought that I was eavesdropping on their conversation. Their at tempt to deal with a close friend's death as well as their aspirations was mov^ ing and one to which any young adult could relate. A Meed For Brossel Sprouts, directed by Gor don Hurst, was the last of this semester's Forum The atre productions. Per formed on Monday, the show starred Jason Sanford and Melanie Johnson. Sanford portrayed Leon Rose, a struggling young actor, and Johnson played Margaret Heinz, the toughr minded policewoman who summons Rose to court with a conq)laint that his music is too loud. Sanford displayed an excellent stage presence; and everything about his performance, from his flawless delivery of lines to his movement on stage, was totally believable. He seemed a little nervous at first, but this soon ceased to be a problem for him. Johnson was quite amus ing as the supposedly man- hating, practical police woman. I knew right from the beginning that her coldness was merely a fa cade to cover her insecur ities and that underneath her harshness was a woman who had been deeply hurt in the past. The New York apartment setting was appropriate, and the actors related to their environment quite well. The next scheduled pro duction for Theatre UNGA is John Pielmeier's Agnes of .God, slated for Febru ary. ONE OF THE VOCyUlSIS for The Mazx slngS with eantion at the ChrlsfHS dance Friday ni^t. Staff photo by Sylvia Hawkins Maxx music uack siamns Vince Umy and Joe Ktdn pl^ pin^-pong ^ of Scott Ummy*s wmtni In the Hi^KBith ttoiversity Center game zoom. (See nnral story on page 5.) Staff photo by Sylvia Hawkins By Alana Jones What gets you most in the mood for Christmas? Is it hearing carolers in the street on Christmas Eve? Or is it seeing tin sel-wrapped presents under the tree. Or perhaps it is watching the snowfall on Christmas Day? Well, if dancing to the sounds of Top 40 rock-n- roll laisic in a Christmasy atmosphere reminds you of mistletoe and holly, then the annual Christmas dance sponsored by the Universi ty Program Board Friday night was for you. THE MAXX, a popular band from Atlanta, performed a wide variety of hit tunes by such groups as Journey, Prince, and Hall and Oates in the second big dance at UNCA. In spite of an hour's delay in opening. The Mg«x put on a smashing show in the Highsmith University Center Cafeteria. The band opened with the disco hit No Parking On The iknro. Floor, and every song they performed, from Adult Kducation to Hhen Doves Cry was, in opinion, almost as good as the original artists * versions. Charismatic and enter taining, The Maxx related to their audience well. During a few nimibers, it seemed like the whole crowd was dancing and clapping. With Prince's recent rise to stardom, it cer tainly didn't hurt The Maxx to have a drumner who bore a haunting resem blance to thi& sei^ super- star. The cafeteria took on a romantic image with can dles and red tablecloths adorning every table. Ron Greenfield, assist ant director of food ser vice, was impressed with the evening* "Besides the fact that they were late, they were very good, and the atmos phere was very festive," he said* "They compensated for their lateness*" Speaking for the people who attended the Christmas dance, I would have to say that this special evening was one to be remembered*

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