October 15,1987 THE LANCE page II Brass Quintet Disc Spin Plays Friday The Tower Brass Quin tet from Bowling Green, Ohio, will perform a re cital tomorrow night at Vardell Hall at 8 p.m. Popular jazz. Renais sance madrigals and other adaptations of European and American brass music will be among the musical selections performed by the group. The works of Johannes Brahms, Charles Ives, Johann Sebastian Bach, as well as Tchai kovsky are also in the repertoire of the Quin tet. The performance is sponsored by the Arts and Humanities Department. The Quintet, which has performed together since 1979, tours the Midwest and some eastern states as well as giving frequent concerts in Ohio. The group also plays annually at the Inter national Brass Quintet Festival in Maryland and has been featured with the Baltimore Symphony, on National Public Ra dio's "All Things Con sidered," and on WNCN Radio in New York City. Critic Boris Nelson of the "Toledo Blade" praised the group as, "among the best of such ensembles now in the con cert field." The four men and one woman group also teach at Bowling Green State Uni versity, Findlay College, Blissfield High School and E.L. Bowsher High School. Two members, Martin Porter, tr\jnpet, and Ber nice Schwartz, horn, are founding members of the Tower Brass Quintet. Quill and Ink continued from page 3 stage well lit for energ etic effects, and a video screen in beat with the music, REM was set for one after another and the track stream seemed endless. The concert was well "documented" loaded with cuts from their new release. The only disappointment came in the end when one real ized they left out a cut called "Strange." The rest was there. From "Worksong", to "Welcome to the Occupation", to "Exhuming McCarthy", the band rocked on in a crazed roll of frenzy. "It's the End of the World as We Know It", was a highlight as Stripe strung off a list of world events rapped all In one (just like a live newscast taped, then spun in fast-forward). On several numbers, he amused the crowd with thoughtless and vdiimsical preludes (on "End of the World" for example, he referred to California, the earthquake, and 6.1, 6.1, the Richter Scale). On the break side of the concert, the band featured their new ballad, "The One I Love," a song called "Fireplace," and the "Oddfellows Local 151". In between all of these they placed the cuts they've become well-known for: from "Reckoning" it was the final encore, "Time After Time"; from "Fables" it was "Driver 8"; and from "Murmur", care of a few requests from the crowd, it was "Radio Free Europe." Lack of old favorites from "Chronic Town" and "Reckoning" bothered a few, but the show indica tes the band's still on the right track - 6 years rimning. Four encores sets later, the show at a close, fans still wanted more. Tape Thoughts of you, rewinding the etching of your face playing over the heads of my mind like a vintage Dead tape from a show long since past maybe a little blurry around the edges from such repetition...but OhI What a memoryl Jill Stricklin Time I love life! Even though Sometimes I can't stand the (hours minutes seconds) Involved. I love life! But I hate Time. Beth Russo handover Shows I dreamed you cried out into the moonlight, ribboned with fog. Tie-dyes and bells ambled past, jingli'r.^ good love and box of rain. Drizzling rain, cold and dense, filled your lungs as you screamed and yet the bells jingled by, filling their wearer's ears ®til nothing else could be heard not your cries, or even their own. ^ut I ask you, I ask you true, "sre's my box of rain, what can I do for you? Windows Look into any pair of eyes, at any given moment, in any given guise. Gaze into the meaningful stare and see the messages vrtiich are written there. Hopes, losses, joy, and yet pain, which are cleverly hidden in the words we sustain. For the eyes can't begin to hide the epitome of all that we feel inside. My fondest wish came true Last night in a dream I had. When I awoke And looked for you, You were gone. Are dreams all in the mind? Directly related to REM sleep? Or are they visits. From the soul of one to another? I want to believe you wanted to see me Last night. Jill Stricklin Jill Stricklin Beth Russo

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