The Pendulum A & E Thursday, February 13, 2003 •Page 17 Predictable ‘Knights’ scores at box office Touchstone Pictures / KRT Campus Jackie Chan and Owen Wilson pair up in “Shanghai Knights,” where they try to stop an evil British lord from making China a British colony The action takes place in London, and the film is the sequel to 2000's “Shanghai Noon." mainstream films, is just the right blend of cunning and evil to make the villain slight- Andi Petrini A&E Editor Jackie Chan and Ow'en Wilson move from the Wild, Wild West to Victorian London to retrieve the imperial seal of China in the 1880s in the No. 2 movie at the box office this weekend, “Shanghai Knights.” In the sequel to the 2000 flick “Shanghai Noon,” the daring duo team up against mul tiple bad guys armed with little more than Chan’s stunt work and Wilson’s quick tongue. “Knights” pulled in $19.8 million at the box office in its opening weekend. The movie begins with the murder of Chon Wang’s (Chan) father, as a British Lord Rathbone (Aidan Gillen) steals the imperial seal to use in a treacherous plot to become king of England and make China a British colony. Chan’s sister Chon Linn (Fann Wong) follows Rathbone to London to avenge her father’s death. Chan leaves his post as sheriff of Carson City, Nev., to aid his sister in killing Rathbone. He recruits his tall-tale-telling friend Roy O’Bannon (Wilson) to accom pany him to London, where Linn is sitting in jail, having been arrested for attempted murder. What follows is a string of Chan stunts that lead to a predictable ending. O’Bannon falls in love with Linn, much to the disappointment of Wong, affectionately nicknamed John Wayne by O’Bannon. Two action sequences will stand out to audiences. The first is 10 minutes into the movie, when Chan fights five police offi cers in a revolving door. The second comes during the climax, where Chan and Wilson take on Gillen inside Big Ben. Of course, no Chan movie is complete without a reel of outtakes before the credits roll, and “Knights” is no different. While “Shanghai Noon” was the nght combination of comedy and action, “Knights” falls comedically short. The opening murder scene of Chan’s father sheds a depressing light on the film, and many of the jokes and Wilson’s one-liners are lost on audiences still recovering from witnessing the grisly murder. The saving comedic grace of “Knights” is the play on characters in film and litera ture that, during the time period of the movie, do not exist. For example, Wilson’s nickname for Chan is John Wayne. A kid (Aaron Johnson) that helps the pair on their escapades is Charlie Chaplin, and inspector Arthur Conan Doyle (Tom Fisher) believes he is more of writer than a sleuth, and sets out to write tales about Sherlock Holmes. Chan’s performance is on par with any other action-comedy duet he has starred in, with the exception of “The Tuxedo.” Wilson resumes his role as the lying sidekick with the same wit as in “Noon.” The most refreshing performance is by Fann Wong. While the movie takes place in 1887 when women are not equals, Wong’s character is just as good of a mar tial artist as Chan. Gillen, who has not been seen in many ly flawed. Director David Dobkin gave “Knights” a novel turned movie appearance, as the sets look contrived on a studio back lot. The camera work manages to capture the fight sequences so the viewer doesn’t get lost in the action. Rating: “Shanghai Knights” makes a better rental than theater experience. Contact Andi Petrini at pendulum@elon.edu or 278-7247. ‘Chicago’ loads in Academy Award nominations witli 13 bids The nominees for the 75th Academy Awards were announced Tuesday morn ing, and the anticipation to the broadcast on March 23 mounts. “Chicago” received 13 nominations. including best picture. Martin Scorcese’s f M>w York” recieved 10 nomi- “Gangs of New YorK followrf by “The Hours wh,ch recieved nine nods. , , f Zdlwcger was non..n. ccl ror b«ac.,cs, in .IK musical, and Catherm Zcla-Joncs ami Q"“" ‘-at.rah both reccwcd suppollihS for their roles in “Chicago.” John C. Reilly received a nomination for best supporting actor. Left off the list was “Chicago” star Richard Gere, who learned to tap dance for the role as lawyer Billy Flynn. Another major contender in most Oscar categories was “The Hours,” an adaptation of Michael Cunningham’s Pulitzer Prize- winning novel. Nicole Kidman was nomi nated for best actress and Julianne Moore was nominated for best supporting actress. “The Hours” and “Chicago” were both nominated for best adapted screenplay. Best Picture Chicago Gangs of New York The Hours Lord of the Rings: Two Towers The Pianist Actor Adrien Brody Nicolas Cage Michael Caine Daniel Day-Lewis Jack Nicholson Actress Salma Hayek Nicole Kidman ' Diane Lane Julianne Moore Renee Zellweger Supporting Actor Chris Cooper Ed Harris Paul Newman John C. Reilly Christopher Walken Supporting Actress Kathy Bates Julianne Moore Queen Latifah Meryl Streep Catherine Zeta-Jones Director Ron Marshall Martin Scorsese Stephen Daldry Roman Polanski Pedro Almodovar