fill WEDNESDIIY NOVEMBERe. 2017 FALL DANCE CONClin FAlLiNg into DAnCE 2017 Fall Dance Concert features six original numbers by faculty, guest artist and students The. DIEGO PINEDA | Contributor | @Diego_Pine[la19 ~i^^^cTivE^— process of a dance concert mirrors the structure of a—-SDld^r The I NOUN center is the concept of the ShOVV . Each stmnd NOUN NOU^ m- INOUN attached is a different contributing — from the director to the danc ers, choreographers, crew and costume designers. As the performance approaches, the different strands to connect. VEE Sophomore- jMosx NOUN - Meg Boericke did not have much connection to other strands when she was cast in this year’s fall during the first SA/ML ° NOUN ADJECTIVE concert of school. She soon became more aware of the many parts that all lead up to the final product — when the lights go on and she is StiXndin^ in full makeup and costume, ready to perform. This year’s fall dance concert will be running from Nov. 9-12 in in Robert's \yo. PLACE Scott Studios at Arts West. It will be featuring num- . hers, ranging from contemporary NUMBER ballet to a piece inspired by “Mad Libs,” and a guest artist piece by Kira Blazek inspired by the 80s, 90s, and early 2000s. It will also two student choreographed numbers. VERB J EN GUY METCALF, ASSISTANT professor of dance and artistic director of the show, begins thinking of concepts or ideas for the show about a year in advance. She does a lot of research through websites, books, movies, music and photography to find a concept for her piece and the show itself. “I gather all that and start to generate movement in spired by my research,” Met calf said. “I teach that to the dancers not in a linear way. I just teach the movement, and I start to edit and shape the dance.” While directing the path Planning for rmr.Dx\ of the concert, Metcalf, along with faculty in the dance department, also selected student choreography in De cember 2016 during a salon showcase. From that salon, they decided what pieces of students taking the choreog raphy course would go to na tional conferences and which will be in the fall dance con cert. “We encourage our stu dents to explore,” Metcalf said. “We place emphasis on craft ing choreography and devel oping movement.” The opportunity for stu dents to showcase their chore ography onstage allows them to have professional experi ence outside the classroom. The works in this years fall concert are mainly con temporary in dance style and music. The piece Metcalf cho reographed is a contemporary pointe piece. Aside from cho reographing her piece, Met calf also mentors the student choreographers and offers feedback so they can improve certain parts of the dance. “We have helped them to improve their choreograph ic work and encourage them to coach their dancers in the performance of the piece,” Metcalf said. “Not only do the choreographers improve, but the dancers also develop as artists as a part of this pro cess.” One of the dances Metcalf is most excited about is called, Dont stop (verb ending in -ing),” which is part of the Mad Limbs course. This course was inspired by a conference presentation ^d is a play on the words Mad Libs,” the word game. Renay Aumiller, assistant pro fessor of dance, and Metcalf helped develop and teach this course, which was open to all university students and con sists of students with a variety of academic interests, such as dance majors, dance minors, communications majors and business majors. There was no casting for this piece because -O Its classroom,” the cast includes everyone en rolled in the course. “Its an example of our scholarship finding way into the Metcalf said. The performance of this dance will be different ev ery night of the show since it has a focus on improvisation through verbal communica tion and physical movements. “I find such great pleasure m the rehearsal process, but what is really exciting is when the students take everything they have learned ffom class onstage, and you can see ev idence that they are truly learning and developing as artists,” Metcalf said. u WE HAVE HELPED#! CHOREOGRAPHIC WtJJ COACH THEIR DApr THE PIECE. NOTONLP IMPROVE, BUTTHEDI,R ARTISTS AS A PARTY'S JEN GUY METCALF ASSISTANT PROFESSOR

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