Page 8 4, „ f " Portrait of Jonathan Thie/en 'POSTCARDS FROM LONDON By Marjorie Hall NEWS EDITOR "What can you contribute or give to the other students and to the experience overall while studying abroad?" That is the question the application form for the London Study Abroad Pro gram poses to each student. Jessica Robertson thought seriously about the answer. "Of course the first thing ev eryone thinks is 'people like me,' 'l'm a good person to travel with,' and those kind of things—how they can contribute emotionally and mentally," Robertson said. "But the more I thought about it, the more I wanted to be able to really contribute something last- ing." That contribu tion took the form of a the photo show entitled Postcards from London. The show contains 23 framed images, each including both a portrait of one of the individu als on the Fall "98 London trip and a headshot, as well as a short written piece by the subject of the por trait. Postcards, Robertson's first solo show, was a major turning point in her college career. Robertson, now a senior, entered Guilford as a biology major, plan ning on going into medicine. Dur ing her sophomore year, she be gan to become more interested in photography. "Suzie [Clark, art professor] begged me to finish my biology major," Robertson said. "But I had found something I really loved doing." Unsure what she wanted to do, Robertson decided to impose a deadline on herself. "During my time in Lon don, I was going to de- cide whether or not to continue with biology and the medical field or do a major change-up and come back as an art major," Robertson said. While in London, Robertson did an internship with a photo journalist, working for Reuters' international news service and the Daily Mail, a London news paper. She realized that she had m " A JtSL The artist herself. favorite spots in London; one was photographed running naked down a London street early one Sunday morning. "It is important for portrai ture to be collaborative," Robertson said. "These portraits were not just by me, but are a cre ation of the individuals in the group. The images represent each student's individuality." Lauren Fortuna, a member The Guilfordian Features I N; f, I""™ 11 7' flk. i i^Hfl X 'J *£/ 1 S wmm Portrait of Tanya Evans JESSICA ROBERTSON no choice; she needed to go into photography. She began to work on Postcards. She talked with each person about what they wanted his or her portrait to be and worked with them on the idea. Some people were photographed at their intern ships, some in their COURTESY OF THE ARTIST of the fall '9B London group and Robertson's flat-mate, feels the portraits capture the group. "Jessica's such an accepting per son that anyone can feel comfort able with her," Fortuna said. "That's how she gets such genu ine shots." "The level of professionalism in this show, in addition to won derful creative insight, is just in credible," said Clark. Robertson worked on the portraits for an entire semester after she re- "She realized that she had no choice; she needed to go into photography." turned from London, dedi cating her en tire spring break to finish the show, learning how to use the school's digital lab, which was donated by the Mimms three years ago. She did not do the project as an independent study and re ceived no credit. "It is very rare for a student to take on an independent project of this magnitude," said Clark. "It required her to learn a whole new set of skills, since she did it digitally, and she obviously mas tered them." The show finally went up in Boren lounge last December. February 18, 2000 This month the show was moved to the Walnut room, where it is still hanging. Robertson initially planned to collect the portraits in a book. "I wanted it to all be together so we could look back on it in 30 years and be able to remember our experience," said Robertson. She was not able to make the book, but she does hope that the show can have a permanent place at Guilford. "It's portraits of students, by students," cided to go into portraiture for professional publications, either editorial or advertising, is now working on her thesis, a series on the women in her life. "It was hard to make the transition to my thesis after working on this show for a year and a half," Robertson said. "This show is the project I feel most passionate about. We were such a close-knit group." The show will be in the Wal nut room indefinitely. JESSICA ROBERTSON Robertson said. "I don't see how any thing else can portray Guilford so completely." Robertson, who has de-

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