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WeA^s
A-ftctr p/dri^tn^ Tthe. Sc&ds
of'd Jazz zx/McitcL
»a ^h&sJiSSotaf tJhe. ScJiei
^^A^aZZ ^and »S /je^^deti "to
JciZZ ptc>2pa/»f
^/tOsUass^c^ j Sodid t^d fyoiS
'^^-0. ■Sd^/fxiatAtd^c^
ptofcSS»yna/JaZ^ »*i ^^hee/^S-*
Aoto.
tujo ofvi a years Tf
^^»>d^»fc^es (arty 'd/ac^!iu>^mi
B&* CJejTSerij aad JP lS/>AtJt
h(^e. /lasted ajozz party at
t/f^ /lo£iSe eatery Monday
ra/n or s/pne. 'The
P^^ty CjzrterS on a pro/es—
^^^>*>a/ Jazz Session that
^^^S ate /hee to Jt^in^ OS
as tJi&y i^nouj t/ie Stan—
Moitin^ Tron^ the Jozz
SC^ne in (JreensAoro to t/iat
oT Sortie/o*kX e*ji// proride a
/t^^ C-han^ Tor So/id tjoJd,
X Aoart to Satrroaind ny-
Se/T eJit/l peop/e oj/}o are
interc^^sd in the Same tJpn^.
X a^ant to he immersed in
ity Said t/aih/eman-
tftiih/eman s prodi^or/s
saxophone tetzhni^JZeS Home
thp^a^/j in /pS toor/Ci tuj/pch
^S a heay inTuende
Trr*t Char/ie Mincyts^. hat
trying to t/pn/c
7> Sna>£dTS
ahoiit Cso/trane he Sad,
Xhpnadsin^ euhat you re
jai^ to p/ty eatih time re-
TesCtS hotnj yo€t re dc/n^ So
aihat you re p/yij^ hcpe—
Tiu/^ is a/tacys ^aHn^ to he
Somet/^n^ dKTfiyePit^ Sad
'^tscJc/eman. *'T^S a rePed-
t*o3n oT P/e^ ta/pdh »S difTia—
erit eatery day,
Soiid tjo/d h&^pn a tradi—
tion in ^reenshoto thct eJi//
dcatinUe in their ohsende.
TTieJazz house tJil/ sti/i
heJd patties eafery Momdy
h>^tt hoSted hy Hp/Clth J^SHZ
students,
* Mondays are sacred on
dompus^ sad tJui/Tcrd
PTth-yeor CharPe (zi^a^
they ho/d the pronpSe oT a
eaonderTu/nii^hth
'fhou^ the musidiatxs at
Jazz are lttC/5 stu
dents and i^aduoteS^ tJuU-
/ord students /m(e irte^ftot-
ed »*to tJ^ Sdene,
i^round tJhte hme oT the
Jazz pmty S inception^
'i^adh^etman started dat
ing a (Jlh/Tord Stude^^ and
thi'ors^ ./ser Triends^ .the
■ hey^iy .oTjaZZ ni^t stmted- .
to.permeate, the. tzoA/Totd
Soc/it Sdene, hehore /on^^
t/pe. ^ea/Tcrd dS^:^ad hedame
an irpPspenSaSie pmt oTthe
Jazz h>qht dcmmuni'>
d^iz on
has hedome Sudh a pinn^h
students opii desi^ thdr
aia/emid schedu/es to heSt^
acdommodate the TeStiiPtieS
that take: piade Just a Teao
mieS Tram dampuS)^ Smd
(S^a.
The retention rate Tar
re^uiars is stti^ip^. Xt s
/psrd to Pnd peo^e taho
/p9(e jone on/y onde,
(Sfetyone is toe/dome^
Sa/d Gferyone iS
greeted eJith a /mnds/vhh
hu^f and Just about ereryone
hnotaS your name,
Xn Tact^ Jazz n^ht has
hedome a ritua/ Tor many.
a//ien the eoeehend hoS prcsT-
en tirie^f oTerindu/epnt^ and
uepreaductire^ and the *oeA:
oT the taePt hedomin^
ypm-entTtJazz can prcaAde
deiterir^ inPueme, Many
See the musUd OS On oral/*
oT SortS) a dommuhdatiean
oT dirine truths or atePen-
tion cTthe Synpt oTthoSe
. Xt S reTres '/pn^ to See ■ ■
peop/e oT a// iPTTerent mu^
S^.Cih tastes 'Oni^ inPuendeS..
dome toi^ether in Such an
intimate enPronmentf'-'^^^T
■Prstiyear-