November 16, 1951 THE SALEMITE Education By Joanne Bell You want to know our connotation Of the word called education. Most of us have never thought Why we’re here or why we’re taught. Why do we go to school at all ? Who wants to be a “billiard ball?” We’re here, we’ll either fail or pass. Marks says we’re only “under glass.” That glass is slowly getting thin And all of us are near the end. In this greenhouse my “botanic” brain Can scarcely bend; my roots are lame. Where are the blossoms of this knowledge Which we came to find at college? We realize now we aren’t so smart— Our English themes are torn apart; Our history dates are never right; Our test papers are an awful sight! Teachers sigh and often wonder If we’ll always fail and blunder! They see all our blank expressions And know we haven’t read ,pur lessons. Maybe when we’re old and emaci ated We’ll know what it meant to “be educated.” Engle States (Continued from page one) had been lecturing since 1936, he has not become used to being away from his daughters and wife. In short he was “homesick” on Mon day and didn’t see how he could stand to be away two more weeks. He first began lecturing after his return from his studies at Oxford University 15 years ago. For the next few years he “rode the rails from Maine to Florida and New York to California”. Engle is now professor of creative writing at the State_ University of Iowa. “We can’t teach anyone to write, but we can certainly speed up and mature writing.” Ele finds that his students improve faster under harsh critism. “People who want to write need to read better,” he said. He began writing very early and “found it easy and pleasant even in the fifth and sixth grades.” He began to write poetry in junior high school after the librarian had given him a collection of modern poems. “I should like to begin teaching poetry with the contemporary authors and work backwards,” he said. He demonstrated his theory when he visited the Romantic Era class Monday morning. After dismissing Keats briefly, he turned to T. S., Elliot and Scott Fitzgerald. “Shakespeare teaches us”, he said, “but modern literature teaches us to respect and understand our own age.” Flora MacDonald College was the next stop on his lecture tour. He left Salem intending to request Dr. Vardell, former head of the music school here and now dean of music at Flora MacDonald, to play “Cookie Jar”. He had found Salem girls “alert, pleasant, enthusiastic and interest ing without being stuffy.” Page Five Weekly Speech Clinics Find Eleanor Walking In Circles By Eleanor McGregor I’m dizzy! I’m walking around the room on my toes—rRound and round, talking to myself. I slow down for a moment to get my bal ance, and from somewhere in the room a voice says, “Don’t stop— just keep on walking and talking, walking, talking. And *open your mouth!” I realize the voice is Miss Reigner’s. Finally I recognize what must be a chair and fall on it. Now I’m sitting still, and the room is going around me. As the furniture be gins to slow down, I remember that, besides Miss Reigner, there are three people in the room with me. Everybody is talking, but not to each other. Over to my right beside the win dows Marilyn has her hands NewsBriefs Mrs. Amy Heidbreder reminds students to sign out for Thanks giving holidays in the dean of stu dents’ office on Nov. 15 through Nov. 20. The hours for signing out are 9:00 a.m. to 4:30 p.m., week days, and 9:00 a.m. to 12:00 noon, Saturday. Students who wish to spend the holidays away from home must have permission on file in the of fice before signing out. Students who plan to remain on campus must sign in the Dean of Students Office on Nov. 16. ♦ ♦ * ♦ * The Rev. Edwin A. Sawyer, col lege chaplain, was the guest speaker at the Granville School P. T. A. meeting yesterday morn ing. His topic was Religion in the Home. In observation of National Edu cation Week, Dr. Ralph Brimley spoke in chapel yesterday. Dr. Brimley is the county superinten dent of schools in this area. ;(c 4c « Guiseppe Verdi’s “La Traviata” will be the third production on the present Civic Music series. The Charles Wagner Opera Company will present this opera based on Dumas’ novel, Camille, on Monday, Nov. 26 at 8:30 p.m. at Reynolds Auditorium. against the back of a long sofa. She is chanting to herself, “One, two, three, FOUR!” On “four” she gives a terrific heave, and the sofa sails down the side of the room. Taking a deep breath, she pulls it back to her and repeats the absurd proceedure. After observing three such pushes, I look toward the other side of the room where Ann leans languidly against the wall, her head drooping to one side. She is talk ing, too—she says poetry to the wall. All I can hear of what she is saying is, “Howl, oh wind, howl, howl, howl—.” Gad, I’m tired of that poem! Now I hear some unintelligible sounds coming from in front of me. Peggy sits in a straight-back chair; she is trying to talk, but she finds it difficult since her mouth is propped open with a long wooden match stick. If I look carefully, I can see her tonsils far back in her throat. Reigner Practices, Too In the midst of it all. Miss Reig ner wanders about the studio prac ticing with each of us. I’m cer tainly glad this is a small class. I couldn’t stand having to watch many more such contortions. I’m glad, too, that I know that this ij a speech clinic and not a room where they send those whose six weeks’ tests have been too great a strain. You see, there is a special reason for each of the things we do. Marilyn doesn’t pro ject her voice, and pushing furni ture helps her put force behind what she says. Ann leans her head against the wall to relax her tight throat muscles. The match stick keeps Peggy’s mouth open so that her words come out clearly instead of mumbled. And with Miss feigner’s help, I discovered that walking on my toes gives my voice the bo’dy it usually lacks. It all sounds ridiculous to me until I see how well it really works. The sounds mingle into one loud drone. “Howl, howl, how are you ? DOBY’S BAKERY 640 W. 4th St. Dial 2-4126 We specialize in Wedding, Birthday, and Party Cakes also Bread sliced any thick- aess. TWIN CITV ID&Y CUAN1M6 COl Phone Dial 7106 612 West 4th St. Winston-Salem, N. C. Take the esculator to our new JUNIOR CENTER 2nd Floor ANCHOR Dial 4-3611 4th at Trade CAREFUL AND COURTEOUS DRIVERS DIAL 7121 DAY & NIGHT SERVICE BAGGAGE TRANSFER FOR BETTER DINING CHALET’S At the Airport Phone 6106 .Fried Filet of Flounder $1.00 Fried Shrimp or Scallops 1.25 Broiled Lobster Tail 2.00 Chicken Tettrazini 1.00 Italian Spaghetti 90 Breaded Veal Cutlet 1.25 Fried or Broiled Chicken 1.65 Breast of Capon under Glass Bell 2.25 Broiled Pork Chops 1.25 Country Ham Steak 1.75 Chopped Sirloin Steak 1.25 Broiled Club Steak 2.25 (Above Items include two vegetables, rolls and beverage) French Cuisine CLOSED EVERY TUESDAY Methodists Have D inner A dinner meeting for Methodist students will be held at Centenary Methodist Church on Monday, Nov. 19 at 6:00 p.m. Kitty Burrus, president of the organization will preside. Following a short devotional led by Dr. Mark Depp, pastor of Cen tenary, a program of Winston- Salem talent will be presented. Those who plan to attend are asked to sign on the poster in the din ing hall by Friday night and to meet in the reception room of Clewell at 5:30 p.m. Monday. Little Theatre Plans Light Up The Sky” The Little Theater of Winston- Salem will give “Light Up the Sky” Tuesday evening, Nov. 20, at 8:15 p.m. at Reynolds Auditorium. A sparkling adult comedy, “Light Up the Sky tells of a young author, Peter Sloan, whose first play is put on by a band of hard ened Broadwayites. In the role of the neophyte author will be Ernest Troxler. Edna Earl Moosebreger will play the part of The Star, and the har ried director will be Bryan Balfour. Tickets for the play may be bought at the door. FOUR! ‘Howl, howl, howl.” The bell! We stroll toward the iloor; one by one, Ann and Peggy with permanent cricks in their neck and jaws. In the exodus Marilyn runs into a chair and unconsciously shrieks, FOUR.” One pirouette on the tips of my toes, a wave to the teacher, and I follow the others out the door. Campus Shurts Preparing for Thanksgiving holi days . . . six weeks’ tests ending . . . Paul Engle, the poet compet ing with popping radiators in Mem orial Hall . . . smiling face of Martha Fitchett . . . Louise Fike saying “the Confederacy will rise again” . . . permeating smell of paint in Clewell . . . Carolyn Harris still wearing her maroon coat and red skirt . . . Mr. Campbell wear ing his shirt half tucked in and half out . . . Monie always knitting for someone . . . Peggy Britt’s way of swinging her golf clubs . . . Natural gas being installed on cam pus . . . lingering memories of “The Innocents” . . . Mary Camp bell Craig preparing her lesson for “child lit.” at the last moment . . . winter coats, scarfs, and mittens . . . the leaves falling quickly . . . Grace Wilson Troutman having new baby . . . Grace Woodson get ting pinned . . . Birthday party for Nancy Arnott . . . Infirmary crowded as a result of six weeks’ tests. “Reznick’s For Records” REZNICK’S ★ MUSICAL INSTRUMENTS ★ SHEET MUSIC ★ RECORDS Complete Jewelry Dept. Across From State Theatre 440 N. Liberty Dial 2-1443 Victor, Columbia and Decca Records Fourth at Spruce St. LAST “CLOSE TO MY HEART” 2 DAYS with RAY MILLAND - GENE TIERNEY AiTi earfiil...an armful •oooooooo^ of the GREAT WHITE WAY/ starring' TONY MARTIN - JANET LEIGH GLORIA DeHAVEN-EDDIE BRACKEN ANN MILLER BARBARA UWRENCE • BOB CROSBY • featuring THE CHARLIVELS Starts SUNDAY at the WINSTON

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