SALEMITE Published every Thursday of the College year by the Student Body of Salem College OFFICES: Basement of Lehman Hall 414 Bank St., S. W. Printed by tbe Sun Printing Company Subscription Price $4.50 a year Editor-in-Chief Robbin Causey Business Manager Bitsie Richheimer Associate Editor Jan Norman Managing Editor Anne Kendrick News Editor Cara Lynne Johnson Feature Editor Linda Lyon Copy Editors Marianne Wilson Baird Brown Assistant Business Manager ... Ann Dozier Executive Editor Ann Wilson Advertising Manager ^tipp Tate Photography Editor _..Betsy King Headline Staff Betsy Patterson Beth Prevost, Ann Jennings, Linda Bowling Managing Staff - Boodle Crow Ginger Kinnalrd, Jan Norman. Circulation Manager ...Kathryn Wilson Typists .. .... Betty Gardner Carol Weidner, Betty Morrison Adviser Miss Jess Byrd Editor Gives Analysis Of Faculty-Student Relations The new semester officially began with screams of surprise and ecstasy, sighs of relief, and a few occasional moans of agony, when 495 Salem students walked out of the Registrar’s office on Monday, February 1, and opened the white envelopes whose contents summar ized five months of pleasure and pain, success and failure. The second semester signifies many things to various students. For the freshmen, it means that they have completed one semester of college work and face seven more; they have been away from home and have proven that they can manage on their own. To the sophomores, the comple tion of the next four months marks the half-way point of their college career and means the choosing of a probable major, husband, or an other college. The performance of the juniors this semester deter mines one main goal, that of being a senior next year. This period of time for many of the seniors means the last lap of sixteen years of books, classes, tests, and report cards—the end of their formal education. The se mester will be characterized by job and graduate school applications; acceptances and rejections, com prehensive e.xams and field work, and repeated cries of “I can’t wait to get out of this place!” But more often, it brings the realiza tion that the time is drawing near when most likely, they will never again be with all their friends, and they will have to assume the re sponsibilities of mature, indepen dent adults. Second semester at Salem Col lege began with “The Spoon River Anthology,” Religious Emphasis Week, and continues with intra mural basketball, a candidate for Glamour’s Best Dressed Girl on Campus contest, new courses and professors, a broken television in Sisters’ Dorm and hope that a Valentine will come our way. Playmaker’s From Pfeiffer Presenl Masters’ "Spoon River Anthology Faculty-student relations play an important role in any col lege community. They vary, of course, from student to student and teacher to teacher. But when one looks at the relations between the two groups, one looks at the general, not the parti cular. Faculty-student relations, as a whole, may he classified into three categories: very good, mediocre, and very poor. The level of the relations may make all the difference in the world in the campus atmosphere. In the lowest level, one sees two distinct camps, faculty and students, at hidden or open odds, battling for supremacy. The middle group has some good, some bad relations, but mostly it is characterized by a “live and let live” attitude, by a “what they do doesn’t concern me” feeling. The highest level is characterized by a conscious effort on the part of both groups to be interested in the affairs of the other, by a co-operation between the two, and by a respect for each other. It is marked by a cheerful atmosphere, never strained or tense. If differences should arise, a solution agree able to both factions is sought. It is obvious which category we should strive for. But the problem is two-fold; both groups must work toward its solution. Neither is to blame for its failure. At Salem we hear complaints from both sides. The faculty are too busy to help us. They don’t care. They can never be found. . . . The students don’t ever come by when I have office hours, so why should I stay in here when I’ve got so many other things to do? . . . The faculty all give tests at the same time. . . . The students don’t keep up with their daily assign ments. . . . The faculty wonT even help us in our projects. They aren’t interested. They don’t participate. . . . The students go around looking ragged with dirty hair, wrinkled blouses, no make up. ... It goes on and on. Definitely there is a problem. It can be boiled down to one word—communication. Recognizing the problem is half the battle. Then it is easy enough to solve. All it takes is a conscious effort—100% sup port from faculty and students. By Mary Lucy Hudgens Thursday, February 4, the Play- makers of Pfeiffer College spon sored by the Pierrettes presented Edgar Lee Masters’ Spoon River Anthology to a full and enthusias tic house in Old Chapel. The director, Mr. Robert Grubbs, and his technical crew arrived Feb ruary 3, bringing much of their equipment to set and to rehearse the lighting which was important for the staging of the show. As the audience filled Old Chapel, John Garrison, a versatile soloist and junior from Albemarle, North Carolina, played the guitar and sang folksongs to break the procenium barrier and to set the mood for the Anthology. The cast consisted of five women and six men who skillfully handled the difficult task of portraying sixty characters of Spoon River who spoke from their graves to tell their stories. The Anthology, which is essentially a reading, was produced unconventionally by em ploying music, dancing, and playing to each other as well as to the audience. Costumes were worn to Salem Proposes Billboard Ban Salem’s SSL committee has finally decided on a bill to submit. It is entitled “A Bill for the Regulation of Outdoor Advertising Along High ways and Roads in North Carolina.” The bill will attack outdoor ad vertising from two main directions. First, such bills are dangerous in that they distract the driver’s eye and his thought. Second, such mon strosities destroy the natural beauty of the countryside. The girls are most excited by the idea of using visual aids as proof that this bill is necessary and desir able. They hope to take pictures of once-scenic routes that have been destroyed by huge billboards or signs of the Burma-Shave type. These pictures will be enlarged and displayed as concrete evidence. This procedure should have a positive psychological effect on the mem bers at the legislature. All members are extremely ex cited about this subject. Chairman Pat Hankins wrote the U. S. De partment of Commerce for infor mation and received what turned out to be a possible bill itself, with sug gestions for treatment and hints as to what to consider and how to go about putting it into shape. Any bill, to be effective, must be covered from every angle. There fore, the members of the committee are writing to different sources for more information. Pat has written the Department of Commerce again for lists of any states which have such bills. Wendy McGlinn is writ ing to Pennsylvania for anything which that state might have on this topic. Beth Taylor is writing to the North Carolina Highway Commis sion to find out if there is any leg islation on the use of billboards along our highways. Mary Dameron is writing to various local beauti fication committees within the state for any assistance they can give. The committee asks that anyone who is interested in this bill, who can suggest further helpful sources, or who knows of a particular area which is cluttered with signs, please contact Pat Hankins. depict the era leading up to the Civil War. Notable performances were given by Mrs. Marie Stock, wife of the assistant director at Pfeiffer, who displayed both dramatic and musi cal ability in “I Gave My Love a Cherry” and “House of the Rising Sun.” Among the men, Robert Byrd, whose hair was grayed to portray the older characters of Spoon River, captured the audience as the revivalist and as the spirited fiddler who died with “no regrets.” For the most part, the actresses overshadowed the male performers. However, the entire cast play, and sang together with an imprti sive spirit of enjoyment and fresi ness in spite of this being eleventh and final performance this production. This spirit and enthusiasm ca ried over to the audience, whir the Playmakers later disclosed hj been one of the most responsh appreciative, and most disconcei ing groups to which they h played. Several of the more i mantic scenes provoked unexpectj response from a “middle-of-th week” female audience. Churchill’s Spirit Remains In Memories Or People Winston Churchill’s death brought an end to the life of statesman who lived through the reigns of English monarc from Queen Victoria to Queen Elizabeth. His life encompasst many and varied subjects ranging from brick laying and wrii ing poems to guiding Britain through two world wars. Churchill’s first fame came as a result of his vivid corresponi ance and his mastery of the English language while reportini on the Boer War. While Victoria was Queen, Churchill m elected to Parliament and was appointed First Lord of the At mirality. The years that followed tested to the full those Churchillij qualities—daring, prescience, determination—that were to prw to be the source of his nation’s deliverance in two world war Churchill built a massive new fleet and promoted a new vehic —now known as the tank. The years of peace were never Churchill’s happiest. Betwei the two world wars he was out of Parliament, but rarely out the public eye. He traveled widely and wrote an average of million words a year. Later he returned to the House of Coi mons and foretold the dangers of Hitler and Mussolini. However, when Britain finally declared war in 1939, the goi ernment turned once more to Churchill. King George VI ask him to form the new government and act as Prime Ministij In this role Churchill displayed greater personal power thi any other Prime Mmister in Britain. In dealing with the United States, Churchill knew the impi tance of a strong firiendship and the danger of Hitler. He m eessfully persuaded President Franklin Roosevelt to halt Unitf States isolation and to enter on Britain’s side. After the war, again Churchill failed. He lost the electit for Prime Minister, but again his powerful influence was fel especially in America. It was here that Churchill first spok of the iron curtain and strongly urged cooperation in NAT( Thus because of his strong personal attraction and magnificei eloquency, Churchill continued as the Man of the Hour, ai now he is a man of the ages. Sources: Time, January 9, 1965 U. S. News and World Report, February 1, 1965 Culture Corner Friday Feb. 12 MUSIC Salem College Lecture Series; Piano Concert by RICHARD GOODE of New York City; public will be seated after 7:45 p.m. (Me morial Hall, 8 p.m.) Tuesday MUSIC Feb. 16 Civic Music Asso: DON PASQUALE in English, Goldovsky Opera Com pany (Reynolds Auditorium, 8:30 p.m., members only). Wednesday- FILM Thursday Feb. 17-18 Thursday- THEATRE Friday Feb. 18-19 Film Friends: Experimental Pro gram: Lead Shoes, The Mirage, Good-Night Nurse, House of Cards (Community Center Theatre, 8 p.m., members only.) Wake Forest Theatre: The Readers' Theater will read poetry by A. E* HOUSMAN and EMILY DICKINSON (Wake Forest College, Library Theatre, Room M-301, 8:15 p.m.) The perfection oP Condensation!.. An What's entire book reduced this to a concise, one- ¥«riting? tine non-sentencel I won't tell anyone if you won't. Tut,tut,Sort! Just think! Spkd Beading is now fully expedited! Whereas the best previous teading time was two minutes... Local MARxep For CoAfiWNiry ■piSTirKTiofJ-

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