Page two THE TWIG Mays, 1961 CAMPAIGNS-GOOD OR BAD? The recently manifest concern of the nominating committee for determin ing tlic feelings of this student body about elections is gratifying, and the questionnaire issued in assembly contained a number of pertinent ideas. One question, that of whether or not to have campaigns for elections, is a basic and important decision in any election; there is more to be considered than whether campaigns are “fair.” One factor to be noted is the simple fact that any kind of campaign lets the students know that there is an election going on and who is running. Especially in a school such as Meredith, contacts are made among students mostly within the framework of classroom, separate organizational activities, and dormitory halls. It is, therefore, easy for even highly qualified po tential leaders to be unknown even by name, and certainly as to ability and character. Advertising proves daily that people will find out whose a name is if they see it often enough. On the other hand, the best products are not always most advertised and most bought, and the advertisements do not always give a true picture of the product. Still, some picture of two persons running in an election is better than none at all; and usually the person who is original, discriminating, and elficient in the campaign will be so in filling her office. Competition, the life-stuff of many an American project and program, would definitely keep up interest in campaign-preceded elections. The ques tion is whether or not competition is good. Certainly, as the president of our college pointed out in the Student Government installation service, voting for leaders in carefully thought out concern for who is best for the position is a far better way than voting to gratify the urge for victory of a group or Individual. However, without campaigns, is there enough interest in elections to insure that votes as a whole have been carefully thought out, or does the final issue, after all, become a matter of whom we know or like best? The issues are not clear-cut. One thing is: elections demand candidates, and they demand voters. The method in which both should be approached is a matter which all of us should consider. H. M. WHO HAS RESPONSIBILITY? To assume responsibility is no easy task. Each newly elected campus officer is quickly realizing the challenges she will encounter during the following year. Old plans must be carried out, but new ones must be made. What is adequate one year will not suffice the next. Advancement is neces sary for keeping up with the world about us, but the pushing forward cannot be achieved by merely the few leaders on campus. The President of the United States would be powerless without the backing of the people. Like wise, our officials mean nothing if they are left to stand alone. Each year when our leaders assume their positions, they make ardent pleas for student support. How much do we give them? Once we have elected them we seem to feel our responsibility has been completed. Now they are on the stand, and we sit back in our arm chairs to watch them squirm. “Sure am glad I’m not in her shoes,” we say; but we are the ones who arc responsible for placing her in such a position. Yet, we feel that whatever she does is her worry, not our own. To be a good follower is a much greater task than to be a good leader. A leader is expccted to meet the demands placed before her with diligence, while today a follower is expected to do nothing. The major officials on campus take on oath of office during their installation. We do not realize that by being made members of the A.A., B.S.U., and S.G. upon our arrival at Meredith we are also installed as supporters of these organizations. It seems that the time has come for us to realize and assume our re sponsibilities if we expect to malce any advancement in the coming year. L. K. MEMBER Associated Collegiate Press EDITORIAI, STAFr Linda Kirby Associate Editor i-jjitja Mancss Managing Editor Dianne Simmons Feature Editor Joaii McGranahan Music Editor ; Susan Leathers Sports Editor Peggy Leonard Columnists Rachel Dailey Velma McGcc Photographer Kappic Weedc Reporters—Sandra Walker, Jean Hege, Judy Grayson. Marcia Davis. Mar garet McGuin, Kay Burns, Niclcey Childrcy, Carol Wood, Frieda Farmer Faculty Sponsor Dr. Noima Rose BUSINESS STAFF Business Manager judy Purcelle Advertising Manager Patsy Bryant Circulation Managers Brenda Payne and Sylvia Nash Mailing Editor. Owen Picklcsimcr Chief Typist .Linda Hales Typists—Joyce Collie. Harriet Rivers, Seleda Camp, Judy Voung, Kilty Pruitt, Jean Burrell, Billie Jean Jones Advertising Staff—Carolyn Nicholds, Pal Taylor, Lou Perry. Jane Lawrence. Pal Leggett, Patty Steen Faculty Sponsor Miss Lois Frazier Entered as second-class matter October 11. 1923. at post office at Rnlcioh, N. C., under Aci of Marcl) 8, 1879. Published semi-monthly clurins the months of Ociohcr. November, end April; montlily during tlic months of December, January. Febriwry. March, and May. Tub Twio is the college newspaper of Meredith Collesse, Raleigh. North CarollnB, and as such is one of (he tlirec major piiblicniions of tlie institution—the other two beinu The Acorn, the literary magazine, and The Oiik Leives, the college annual. Meredith College is an accrcdited senior liberal arts coHcee (or women located In the capital city of North Carolina, Ic confcrs the Bachclor of Arts and the I^nchclor of Music degrees. The college offers majors in twenty-one fields including music, art, business and home economics. Since 1921 the institution has been a member of the Southern Association of Colleses and Secondary Schools. The eollegc holds memhership in the Association of American Colleees and the North Carolina College Conference. Graduates of Meredith College are eligible for membership in the American Association of University Women. The institution U a liberal arts member of the National Association of Schools of Music. Suliserlptlon Rates; $2.9S per year Thb Twio is served by National Advertising Scrvice, Inc., 420 Madison Ave.. New York 17, Now York. AS A REALIST HARDY CLAIMS HIGH REGARD By SANDRA WALKER Written in 1891, Tess of the D'VrberviUes stands at the peak of Thomas Hardy’s achievement. The novel adopts as its theme the popu lar story of a young girl forccd to make her own way in the world, then exploited by her employer’s son. In his earlier works, Hardy’s female characters have been rather superficial, but in Tess he creates as the heroine of the tale a “pure woman” victimized. ^ As a novelist, Hardy takes his place with the philosophic realists of his age. Making no attempt to hide the ugliness of the world, he presents his characters in real life situations. None of the misery of Tess’s plight or of Angel Clare’s tormented mind is minimized. Com bining this realism with a certain amount of sensationalism. Hardy moves the reader into what Forster calls a “willing suspension of dis belief.” Although 'the reader knows that the blood of Tess’s murdered lover cannot pass through a ceiling in only a few minutes, he yet ac cepts the fact that Mrs. Brooks ob serves the stain a short time after the murder. The scientific upsurge of the nine teenth century influenced Hardy in his concept of nature. Throughout Tess of the D'Urbervilles, Hardy presents a personalized, malignant Nature, a fate from which there is no cscape. Tess is seen finally re signed to this power as she willingly gives up her life, contented after her few days of bliss as Angel’s wife. Angel, himself, echoes this feeling when he revises Browning’s original statement to read, “God’s not in his. heaven; all’s wrong with the world.” This pessimism under lies the entire novel with its con- fuscd mixture of Greek paganism and distorted Christianity. Into a setting of natural beauty and ugliness. Hardy inserts his characters; pure, simple Tess, suf fering because of others’ guilt; im pulsive Alec D’Urberville, relent lessly seeking personal gain; and idealistic Angel Clare, constantly searching for intellectual peace. Hardy takes his readers into the minds of his characters and divulges their thoughts. Perhaps it is this ability to project one into his characters’ roles that gives Hardy his universal appeal. MacLeish^s J.B. Falls Short of Its Source By HILDA MANESS The current heightened interest among us at Meredith in Archibald MacLeish’s play J.B., occasioned especially by the “Friends of the College” presentation some time ago and by various discussions of church and other groups, offers one a chance to hear the opinions of religious and literary thinkers of the city -and to form ideas of one’s own concerning the new version of the oldest drama. The tendency today seems to be to read all the “modem” religious writings but to never have time nor patience to read the oldest, the Bible itself, where Job first made the soul-filled questions of our exist ence that arV part of J.B. One may profit by comparing J.B. with his earlier counterpart. Job, like J.B., “blamele5s and upright,” was pros perous in such material blessings as goods and family until he was stripped of all possessions, prestige, and almost his very body, by a series of disasters. Likewise, in each account Job and J.B. are restored to prosperity. TTie differences in the two dramas come then not in the events but in the question and answers of the two plays. J.B.’s great question seems to be the old agony, “Why do the righteous suffer?” Through all his torture and despair it seems that he would be comforted if only he could find justice in it all; there fore, his prayer throughout is, “Show me my guilt.” His wish is to be found guilty of sin in order to prove God just. Finally, he realizes, however, that God’s justicc cannot be understood in human terms. J.B. and his wife, symbolizing all human loves, are left at the end of the play, questions unanswered, to rebuild life, to take whatever bless ings comes, and to endure any disasters with the heroic courage that belongs to them as human beings. It is in the final emphasis on the courage of man that MacLeish most radically leaves the book of Job, even though he himself does not seem to realize his departure, for he states in his introduction to J.B. that the end of the play be longs, “as in the Book of Job it self, to the courage of a woman and a man.” Job, however, asks a bigger ques tion than “Why do I suffer?” Granted, with great courage, man can endure all disaster even with out knowing why it has come. How ever, men do not have great cour age of their own making, no matter how much they may wish it. Great courage comes only from great dedication to a vital purpose. Job’s question is not just “Why must I live and endure suffering?” but, “Why must I live at all?” The fail ure to give any kind of answer to the question makes J.B. the less profound of the two stories. Like J.B., Job comes to know that the justice of God cannot be searched out by man. The two men come to such an awareness in different ways; for J.B. comes to it by his own limitation, while Job is told of it in a gloriously colorful and majestic picturc of God’s height, which shows him not only his own limitation but also the splendor of God. Therefore, he acknowledges his smallness and his dependence on God. When he sees himself in his proper relation to God, he is overwhelmed and sub dued by the glory of God and sees a purpose in living as part of the glory. Then only does he gain cour age for living, courage from God, not of himself; and only then are his goods restored. J.B. does not really accept his dependence on God at any time; and in the end his greatest comfort is his fellow sufferer, the rest of humanity. Together they will find a better life. As the 1961-1962 Twig staff as sumes the duties so magnificently handled by the 1960-1961 staff, we realize the vast amount of work and responsibility that faces us. Al though words seem quite inade quate, we would like to express our sincere thanks to Suzanne Lcath and her staff for a job well done. We hope that we can carry on the high standards that have been maintained during the year and show advancement equal to that of the 1960-1961 staff. WHAT’S NU IN STU-GU By VELMA McGEE The new President of Student Government in her Installation football season when lunch is being served at the houses and at any time when girls are invited to watch I speech reminded us that changing television, such an addition to the ‘‘ ‘ *■ ■ rules concerning fraternity houses would be particularly helpful. Al though all details have not yet been worked out, the Council hopes that an agreeable solution can be reached, Appointed at the Council meet ing on May 1 was a committee to study the set-up of S. G. There is a need for the Council to have inore time to work on student legis lation, but first the body must be relieved of some of its judicial re sponsibilities. The new committee, (Continued on page four) times call for a change in policies and rules. Many members of the student body are well aware of this fact and, more important, have ideas which would be welcomed. The S. G. Council invites everyone to attend its meetings and hopes that people will take advantage of this opportunity. A measure is being worked on at the present time by the Council. It will allow Meredith girls to go to a fraternity house on Saturday after noons, provided there is another Meredith student there. During Mere Dither By RACHEL DAILEY I sat by the window in the li brary and watched a maternal pigeon settle herself upon her pre cious eggs. I listened to her purr and gurgle, and I thrilled that, had there not been a window pane, I could have smoothed the iridescent feathers and touched the delicate warm eggs. Suddenly, I knew it was Spring! I walked quickly through the mud and water, and I held my head down against the wet little bullets of the wind, and wondered when my umbrella would prove a traitor and turn itself inside out to the wind. 1 glanced up enough to see if there were other umbrellas coming, and saw — a lovely purple iris, vibrant, royal, graceful, and I remembered that it was Spring! Now I feel the warmth of shade, the searing heat of sun, the sure and sultry humidity of rain, the color of flowers and the fertility of endless green, and there is no doubt in me that it is Spring! But now I feel something else, for there are dancers practicing in the court, and there is music coming from somewhere, and near the gym an ugly duckling pole is being miraculously transformed into a bouquet of rainbow colors, tipped (Continued on page four)