ARTS ENTERTAINMECJT Matilda: Big on Broadway piaybook praise or. who: bbc Hit Juiia Ross, contributing writer On a recent field trip to New York City, the Interior Design faculty and students had the opportunity to pre view the new Broadway show Matilda. Matilda, based on the novel by Brit ish author Rhold Dahl, is a Broadway performance filled with energetic and exciting theatrics. The performance is produced by the Royal Shakespeare Theatre Company and is currently on preview at the Shubert Theatre in New York City. While the acting itself is spectacu lar, the overall performance is filled with lively music, catchy song lyrics and fantastic choreography. The set design is mesmerizing with a collec tion of oversized scrabble tiles, cre ative graphics and fluorescent lights. Matilda is a children’s story about a girl who is forced to overcome rude, destructive parents and a horrible headmistress in order to live up to her true potential. Many of the main characters are played by children, who fill the stage with incredible voices and amazing talents. The role of the title character Matilda is played by four different girls who take turns mesmer izing the audience with their singing and acting abilities. Each of the four actresses does an incredible job creat ing a mature, creative and distinctive title character. The most surprising part of Matilda is the despicable Miss. Trunchbull is performed by a man. WTiile this is one of the few differences between the original novel and the stage perfor mance, the actor does an outstanding job creating such a wickedly despicable Cover art via blogspot.com villain. Wliile the original stage perfor mance of Matilda was a huge success on the London stage, the Broadway performance seems to be on its way to being a hit. Cameron Lambert, contributing writer “Silver Linings Piaybook,” released on December 25, 2012, was not ex pected to be a huge hit in the box of fice, but according to Box Office Mojo, “Silver Lininds Piaybook” grossed ap proximately $128,112,000 as of March 29, 2013—just in the United States. The film tells the story of Pat, played by Bradley Cooper, and Tif fany, played by Jennifer Lawrence. Pat has just been released from a mental institution when he beats his wife’s lover. From this incident, however, it is realized that he has bipolar disorder. Tiffany, a hot-headed young woman who doesn’t care about anyone or anything, is dealing with the recent tragic loss of her husband. As both Pat and Tiffany have moved back in with their parents to readjust to life, they find each other in the midst of their unfortunate circumstances. Wfiiat begins as a friendship based on com pletely different motives, turns out to be a funny, passionate, and sometimes tense romantic relationship. Pat and Titfany, who both have so much anger inside of themselves, are able to find true happiness in each other. As seen in “The Hunger Games,” Jenifer Law rence’s ability to envelope herself into her character is also evident in “Silver Linings Piaybook.” She is volatile, pas sionate, and a little bit intimidating. Lawrence’s acting makes it impossible for the audience to remain indifferent from her every emotion. “Silver Lin ings Piaybook” is set to release on DVD on April 30, 2013. With its big name actors and unpredictable love story— it is a must see! Terrence Malick, Back in Motion? Directing only six feature films in the last four decades, Terrence Malick has separated himself from many film makers of his time who seem to em brace a ‘you win some, you lose some’ mentality when it comes to quality verses quantity. Impressively educated at Harvard and Magdalen College at Oxford, Malick’s pursuits have not always been film. He worked as a journalist for publications including Newsweek and The New Yorker, and later taught philosophy at M.I.T. It wasn’t until he enrolled in one of his colleague’s film classes that his interest in the subject was ignited. In 1969, he enrolled in the first graduating class of the American Film Institute’s Center for Advanced Stud ies. Malick received his first feature screen writing credit on Stuart Rosen berg’s Pocket Money and in the same year went on to direct his first film Badlands which was released in 1973. Although the film was low-budget (Malick rejected all studio offers) it was widely praised as a masterpiece, especially as a directoral debut. Regard less of the highly positive reception of his first movie, Malick would not emerge with a new film for another five years. Days of Heaven marked his resurrection in 1978, and with it, an applaud ing critical response. After j winning a Cannes Best Director award for the film Malick relocated to Paris and retreated into silence once again - this time for longer. Nearly two decades passed before he announced his return to directing, introduc ing an adaption of the James Jones novel The Thin Red Line. While the film (released in 1998) may not have been a Terrence Malick via masterpiece worthy of twenty years anticipation, it none theless earned Malick Best Adapted Helen Kenney, staff writer Screenplay and Best Director Academy Award nominations and was a com mendable addition to his filmography. The New World came seven years later, which told the story of Pocahontas in its own way, employing the stunning im agery notable in Malick’s revious work, n 2011 Malick ended his >ix year hiatus wdth The 'ree of Life. The film - hich was largely a love etter to his philosophical ■oots - was a narration )f life, religion and love :hrough cinematic poetry. ith the regular throngs if critical anticipation. The ’ree of Life lived up to its sxpectations, winning the :oveted Palme d’Or at the lannes along with Oscar lominations including www.lmdb.com Best Picture, Best Director and Best Cinematography. After a long career of deliberate Kaylee Dyson, contributing writer Do you have friends who are ob sessed with British television shows? You might understand that weeping angel statues or blue police boxes carry special significance to them. Perhaps the words TARDIS, dalek and sonic screwdriver all sound vaguely familiar to you, but you can’t quite place them. All of these things have to do with a television show Doctor Who. Doctor Who is a British television show that has recently been gaining popularity in the United States. The show is not new by any means, though. The BBC began airing the show in 1963 and has been very popular with children and adults alike. The longevi ty of the show can partially be attribut ed to the nature of the main character. The Doctor is a time-traveling alien (though he looks like a human) who “regenerates” every so often, gaining a new body (and therefore, a new actor to portray him). Though he is a time lord from the planet Gallifrey, the Doctor has an affinity for humans and often brings them along as companions. Together they travel all across the universe and time to save the world. The show is whimsical, exciting, clever and a bit scary at times. Ask a friend about the show or tune in to ^ee for yourself. It’s never too late to start a quality televi sion show such as this one. In fact, now would be a lovely time to start, considering the 50th anniversary spe cial occurs later this year. Season 7 of Doctor Who airs on BBC America Saturday nights at 8pm EST. undertakings, it could be that Malick is becoming restless. Having just re leased his latest film. To the Wonder, at an uncharacteristically hastened pace (only two years stand between his most recent works) Malick is back on the radar with less critical empower ment. Although some might argue a bad Terrence Malick movie is still a good Anyone Else movie - it should be noted that To The Wonder will not be the triumph that Days of Heaven was only three films its senior. In a 40-year career that has boasted six handsome films, Terrence Malick has solidified himself as a significant contributor to contemporary filmmak ing and has distinguished himself from the Hollywood style of production. Regardless of his future endeavors, Malick will remain an icon of patience - or maybe indecisiveness - among a film industry full of impulsive career moves and compromised creative processes.

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