I f i ■ j CATHOLIC WORLD BISHOP LOUIS FRANCIS KELLEHER, 57 year old aux iliary to Archbishop Richard J. Cushing of Boston, was stricken suddenly with a heart attack and died shortly after in the rectory of St. Catherine of Genoa Church, Sommerville, Mass., where he was pastor. . . An unknown Japanese Catholic saved the sacred relics of a mission church in Bhamo, Burma. The Japanese burn ed and pillaged churches everywhere but after this mission had been burned the pastor found a note, written by a Japanese soldier. He said he had taken charge of the sacred relics and the chalice and that he would give them to the first priest he met. Three years later, the pastor of Lashio, qn the Burma road be tween Burma and China, told that a Japanese soldier had'many months before turned the relics and chalice over to him. He said the soldier told him that he was a student of the Society of Mary. . . Mexican newspapers have denounced moves within the United Nations to intervene in Spain. . . Catholic and Protestant clergy men joined together in a rally of opposition against the totali tarian rule in Hungary. PROTESTANT MINISTERS Protested against inclusion of the Catholic Youth Organization in the Baton Rouge, La., Com munity Chest campaign. As a result Catholics held a separate drive for this fund, raised $20,000 morp than their $35,000 goal. Catholics also contributed heavily to the city chest drive. . . Card inal Stritch, speaking before 200,000 members of the Chicago Holy Name Societies, declared that there never was in the his tory of the world such an organized,effort against God as there is today. He said communism undermined the basic principles of our government while masquerading as lovers of democracy. . . British Catholics are continuing a full force fight for justice for Archbishop Sjepinac . . . Cardinal Pierre Petit de Julleville, Archbishop of Rouen, has been awarded the Coss of the Legion of Honor by the French government in recognition of his courage during the occupation of his diocese. . . The summer camp of the Catholic Girl Scouts of Slovakia has been taken over by com munists. GENERAL GEORGE C. MARSHALL and Chinese commun ists joined to do a favor(for a nun in China. Mother Marie Fran cois-Michel, provincial superior of the Franciscan Missionaries of Mary, wrote a letter to General Marshall, asking him to help her remove a group of Chinese novices from the communist zone. General Marshall passed on the request to the Chinese commun ists who granted it. . . The Thomas More Book Club is pressing the other Catholic book clubs for leadership as the best of the book clubs. John Tully, who operates the club, does it not for profit but because he believes it is important to read Catholic books. Latest of the dual selections features Father William J. Smith’s “Spotlight on Labor Unions.” According to Mr. Tully, this book is worth as much as all the novels in the last 50 years. Father Smith contributed an article on labor to the first issue of this paper. . . Yhere are 30 boys and 29 girls at the orphanage at Nazareth now. Monsignor Dennis Lynch is in charge of the in stitution. AQ&Omatkinm&lhaktio bis!has jurisdiction oiler WESTMINSTER. Afc&EY LONDON, or persons connected therewith, is $Ktl observed. When. Me ton# is crowned Mere, Me Earl Marshall - THE CATHOLIC PUKE Of MofifOLK tcJees~conirol ofihe Abbey^ '£0* 3&**^ SJHwN ST PITER n ihe VATICAN CRYPT is thought to be cut ANCIENT' roman statue •fo which, a . halo & hands, one bearing the syMBouc Keys, hade been added. Every Country in EUROPE has CHURCHES dedicated SJPANCRAS. MeMn/Sri*t martt/redft -» Pome, 304- AD. LONDON EVEN HAS A MAIN RAILROAD imiliMrgfig&AS f William Mooring’s Hollywood ] V - Sam Goldwyn confronts his fel low producers with the blunt charge, that Hollywood is “out of touch.” “People have been asking me what’s the,. matter with Holly wood,” says Goldwyn. “They want to know why the pictures have been so poor this year.” He suggests that Hollywood has run out of ideas; that there are not enough good writers to turn out 400 or 500 screenplays a year. Without intending to be cynical I’d say Hollywood does not make too many pictures, but makes the same one too many times over. If there are not enough good writers > in Hollywood, then pro ducers such as Sam Goldwyn should look further afield till they find some. The great writers whose names endure were not necessarily suc cessful as promoters. Few of them made fhe kind of money that is a requisite before a fellow is con sidered worthy to rub shoulders, professionally or socially, with the creative functionaries of Hol lywood, where to get a writing contract these days, one needs to be either a slick salesman or a cousin. Mr. Goldwyn is at least partly right when he says that “Holly wood is dry of things to say be cause it has gotten too far from the average person” and it may well prove true that competition from foreign film industries will “provide the tlireat that Hollywood needs to stir itself out of its fat cat complacency.” For the purpose of fair argu ment, however, Mr. Goldwyn might have been more specific as to what he means by “things to say.” He insists that what the public desires in its movie entertainment is “some reflection of its own emotional turmoil” and that for eign film producers, notably the British, have “made great prog ress” because they “have applied a viewpoint that is broader and more international” than Holly wood’s and are thus getting “closer to the people by reflecting the intimate universality of every day living.” To this porducer Darryl Zanuck replies with a list of recent mo tion pictures, including “The Yearling,” “Duel in The Sun,” “It’s a Wonderful Life,” “Lifb with Father,” “The Razor’s Edge,” “The Lost Weekend,” “The Beilis of St. Mary’s,” “Anna and the King of Siam,” “The Spiral Staircase” and Mr. Goldwyn’s own latest super film, “The Best Years of Our Lives,” all of which he implies have something to say. Mr. Zan uck points out that “Hollywood must supply the requirement of a world-wide market” and that “certain films which may not be palatable to sophisticated metro politan audiences frequently prove most acceptable to theatregoers in rural communities and foreign areas.” Between Goldwyn and Zanuch we have a wide gap of reasoning but both have touched upon per tinent facts. “The Best Years of Our Lives,” now drawing vast crowds, and sending the critics into ecstasies, presumably offers a key to Mr. Goldwyn’s evaluation of a motion picture that has “things to say.” This powerful screenplay pun gently written by Robert Sher wood, is based on MacKinlay Kan tor’s novel, “Glory for Me,” and deals with the alleged experiences and reactions of three returning war veterans. It is directed by William Wyler, an Academy win ner who did .service during the war and it is vigorous, though not FOR THE FAMILY Abbott and Costello In Hollywood. Ambush Trail. ANCHORS AWEI6H ANNA AND THE KING OF SIAM. 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Pillow to Poet. Port of 40 Thievee Portrait of a Woman Postman Always Ringe Twice. Lainbow Island. , Roughly Speaking. Royal Scandal. The Sailor Takes a Wits Salty O’Rourke Salome—Where She Danced. Saratoga Trunk. Scarlet Street. Screaching Wind. The Shanghai Drama. Sign of the Cross. The Seventh Veil. She Wouldn’t Say Tea She Wrote the Blok. Song of the Sarong. The Story of G. I. Joa Strange Dove of Martha Ivers. Temptation The Sultan’s Daughter. Summer Storm. Suspense. Take It or Leave It. Tangier. rPppri A era> That Night With Ton. Three Strangers. Thunder, Rock. Together Again. Tonight ajid Every Night. Uncertain Glory. Uninvited. The Up In Mabel’s Room. The Vampire’s Ghost. Welldigger’s Daughter Whistle Stop. Without Love. Wicked Lady, The CONDEMNED The Outlaw Pepe Le Moko. __ < entirely reliable, documentation. Like many other Hollywood screen stories with “Something to Say,’’ it looks into the minds^ of everyday' people as through the rippled off-focus of a Beverly Hills swimming pool and, instead of re porting roundly upon the problems of the returning veterans, tears from the so^al story written by the war, only the ugliest of facts. It patronizes millions of men who fought and suffered for a way of life in which they believe, but which few Hollywood writers ' (Continued on Page 12) ‘1 a1 ■ ■' ,