Published Each Thursday Since January 18, 1973 I ^ co AmoDiLasfiA asriDHixsf wnccsiE I I Pembroke, N.C. "Building Coiimiimici/livc Hrid^cs m a /'ri-Racial Selling " Robeson County | DeLora Cummings, SATW Guest Artist Art Auction To Be Held June 26 by Barbara Braveboy- Lockle&r SPECIAL TO THE CAROLINA INDIAN VOICE Come next Tuesday night some lucky bidder will claim a masterpiece of art and a husband and his five children will reclaim the artist mother and wife they gave up six ' months ago to paint it "I promised by family that after June 261 wouldn't pick up another artist brush far the remainder of this summer," says DeLore Cummings, this year's guest artist of "Strike atjhe Wind!" The 41-year-old Lumbee Indian was commissioned by Robeson Historical Drama earlier this year to create on canvas a painting which is being offeredlbr auction at the fifth annual SATW auction dinner next Tuesday at 7:80 p.m. at the new Holiday Inn in Lumberton. The event is the largest fund-raising project for Robeson Historical Drama, the sponsor of the outdoor drama which depicts the times and life of Henry Berry Lowrie, an hdian leader whose leadership brought social and economic change to Robeson County during the post-Civil War era. Cummings promises that her 4x5 foot painting of " finest oils and Belgium linen" is one in which all peoples of Robeson County can identify with. "I didn't want the painting to focus exclusively on 'Strike at the - Wind! So I made it 'Strike at the Wind!' and so much more." She says her task became one of a brooder focus encompassing people, history and education. The petite native Robeonian says while she'd always wanted to create a commissioned piece for SATW, the actual contract to do so was frightening. "The demand on me to create something so big for so many people and for it to raise so much money really did frighten me." The demand became a labor of love for the artist who says she personally sees the finished product as a token and contribution to her beloved Indian people, "ft also becomes that little something I can leave here for my children, grandchildren and all my Indian people to enjoy and appreciate." The artist/educator assures a lot of research went into the making of her commissioned work. "I talked with numerous people, consulted books and even researched fabric materials because I wanted the work to show texture and color...a lot at color." 1 ..."As an artist, what I paint, why / paint and how I paint are the results of everything I am, everything I've experienced, every person I've known, and everything I have seen, felt, smelted, heard and touched." . DeLora Cummings She saysherfamily becameaninegrsipartcHthe project "My family is very supportive of my interest in art and accepted estra responsibility during the past half year." Working from a studio in her home, she donated a minimum of two hours each evening to the painting. As the work progressed she says the hourly commitment increased. "Td never before gotten so involved in a piece of work as with the SATW assignment Sometimes I would paint until 3 a.m. and not tire at all. Td go to bed, get up and go to my regular teaching job and couldn't wait until my two-hour painting time in the evening." She says as the work took focus, the painting became the Cummings family secret Hie artist adds that she often employed the ideas and services of her children. ' 'I worked with still-life, and when I needed something special to incorporate into my work they were eager to go outside among nature and find the particular items I needed. I feel my artistic contribution to today's society is sharing my love for mankind, nature and all the beauty around me." She continues, "As an artist what I paint why I paint and bow I paint are the results of everything I am, everything I've experienced, every person I have known, and everything I have seen, felt, smelled, beard and touched." Since giving up the painting to the SATW committee six weeks ago, Cummings says she has been busy putting the final touches on 20 other works of art which will be shown at the June 26th auction dinner reception. The Pembroke State University graduate says she originally worked in oils, which later expended to a verify at mediums. In the early 1980's she began to focus on watercobr and has worked exclusively in that medium; except for commissions requiring differently. Cummings is a member of dosens of organisations, including the National Art Educators, Robe son Co mm unity Art Guild and Lumber River Art Guild in which she is president She has received many awards, most recently, the Dick Bliek Artist Award. Her artwork was selected by the Rising Star Publishers to be printed into a collection at greeting cards. Much of her artwork has appeared in various books and brochures, most notably in Nortk Carolina'* MO yean: Sign* Along the Way. She teaches art in the Public Schools of Robeson County at Purnell Swett Senior High and has given private lessons to gifted and talented children. She has worked as a commercial artist for several years and served as judge in Art contests. I Tickets to the Art Auction are still available. For more information, call the Strike at the Wind office, (919)521-3112. Cultural Center Receives Grant by Ben Jacobs Hie North Carolina Indian Cultural Center is pleased to announce that it has received a $90,000 grant from the Z. Smith Reynolds Foundation of Winston-Salem, North Carolina. According to Dr. Helen Sebeobeck Development Director of the Cultural Center, the giant is lor general operational support for the Center and will be used to help the Center in meeting its match of a $200,000 grant from the Administration for Native Americana. Department of Health and Human Services. The federal grant is effective July 1, 1990. Dr. Helen M. Scheirbeck express ed the thanks of both the board and staff of the Indian Cultural Center to Torn Lambeth, Executive Director of the Z. Smith Reynolds Foundation. She stated despite the "poUtkaT and related setbacks, the Center's course has been chartered and remains fairly well on schedule. It is through support of foundations like Z. Smith Reynolds and our friends, Indians and oon-fedians, and the public at large that the North Caorlina Indian Cultural Center becomes a reality in North Carolina. CO LU UJ OQ | UJ 2 ii O X UJ 2 O o UJ jj LittU Mitt Lambaa PkyUitia DanUOa LockUar uM V. rtknqwitk her croum on Wtdnatdag, Mna 97 at the W annual LittU Miat Lambaa PagaanL The pageant wM ba jk hold at the PSU Performing Art* Cantor. Seventeen girl* jy uMby vying forth* title Admit ton it 95 prrton and tk* avant begin* at 7:90 p.m. The LittU MU* Lambaa JA Pageant it only ona of the many aethntU* pimntd during jfr the 1990 Lamb** Homecoming Mna 99-90. ^ Tba eauUatamU an tkoum below. TWHif^n I it'it fit Hunt Mr. d Mr*. Mm? Hunt Mr. mmdMrt. Gcorg* Lovxy jslmJL' ^['^IIy/ij Afflun nsw Tkric* Brook* Lawurt Mi.WmukA.Lvu*rg 4 ?Mr. m4 Mr*. Victor Rag botmn ??Ml MMMMMHMMU LMmMmAnMMJaeobi Mr. mtdMn. W&mmJbcob? Mr. tmd Mr*. Qm i y OmwUmt ? JWXyt?i Mtmkt ?fj Mr. mmditrt. Qrtgofy Jhc?li ,1 M Ehca Xoy Cmmmmgi J**nc* Nmktuk Cmmnmmg* Mr. mi Mn. Ktnwm Cummimgt IC-.I J UjiAgBJ ( rylHli /WCOM LAImmTjf Mt DoOU Lmurry <# Ronald Dullard Mr. tmd Mr*. EklockUmr Mr.mdZrt. OmmUmMmt ^ 5 ^1, flimt Little Miss Lumbee Pageant 4 June 27 | Vil

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