^hiddenWavs Pd wemkfflk'iwm** freoeric f. van de watea ?smttrawr'.. ' ?? BWAPftia m | David Mallory. la search a( newspaper work tn New Tort, la toned to accept a lob aa awltcb-board operator In a iwank apart ment house, managed bp officious Timothy H logins. There David meets Miss Agatha Paget a crippled eld lady, and her aharm lng niece, Allegra. One day. talking with Hlgglns In the lobby, David la alarmed by a piercing scream. David flnda the scream came tram the rentier apartment not tar traso the Pa gets'. The Ferrtters Include Lyon and Everett and their slater, lone. Everett a genealogist is helping Agatha Paget srrlte a book about bar blue-blooded ancestors. Inside the apartment they And a black-bearded man?dead. No weapon can be found. The polios arrive. Hlgglns. who actively dislikes Ifevld. Informs him that he la fired. David la called to the Paget apart ment Agatha Paget offers him a Job help tog write bar family history?which will un earth a few family skeletons Be accepts the offer. Meanwhile, police suspect Lyon Fcrrtter of the murder. Jerry Cochrane of the Press offers David a lob helping solve the murder. David accepts. He Is to keep on working for Miss Paget Later David 32? WS8S prowl through the Ferriter apartment Da vid confronts Grosvenor with the story. Be Is told to mind his own business. A CHAPTER VI?Con tinned Grosvenor watched me aa I took my tankard. I thought he expected me to reach a foot for a brass rail or blow froth on the floor. Perhaps it was another doubt that bothered him. I forgot to wonder about it in admiration of Miss Agatha. She plunged her patrician nose into the foam and, after a brief in stant, set down the vessel empty with a contented sigh. She caught my eye. "Beer," she said with authority, "is a mass beverage, David. Its virtue lies in volume. People who sip their beer also like afternoon tea or Wagner on a fiddle. No beer, Allegra?" The girl sat close beside her broth er. He peered into his tankard. One of her hands lay on his bowed shoul der. "No," she said and smiled, "I'm too sleepy." "Always," Miss Agatha told me, nodding toward Ipr niece, "the soul of courtesy. How much of that ma terial did you get through?" "All of it," I said. It pleased her. "Excellent," she exclaimed, with a tiny click of her teeth. "Then tomorrow we can get to work, burn ing the scandal at both ends." "Isn't it nice," the girl asked, and I thought her jauntiness was forced, "that after all the family skeletons, Mr. Mallory will drink with you, Agatha?" "Bah!" said Miss Agatha and reached for the untouched tankard, "David is-" "Jtlst," I said as she paused, "an elevator man coming up in the world." The wrinkles came about her eye lids. She chuckled. "That isn't what I was going to say. Since you are in New York and your people are in Nebraska, you may have more use for fami ? lies as institutions than I have. Dis tance makes relations more endura ble to one another. Of courae the republic is founded on the American home?" "There she goes," Allegra said in a loud aside to her brother. "The family is the foundation of the nation," the old lady went on, "and I wonder if that isn't the trou ble with things. I believe?" The peal of the doorbell cut her short. Grosvenor rose to answer it. "Damn," said Miss Agatha. "If it's that man Shannon again?" It was Lyon Ferriter. I admired Miss Paget's balance. "Weill" she said warmly, as though a wish had been answered. "Come in and revel. Grove, an other tankard." L.yon cnecseo me tea ana smiiea. His eyes, moving easily from face to face, rested on mine an instant and once more seemed puzzled. "Thanks,"'he said-and'bowed to Miss Agatha. "I shouldn't have in truded but they said downstairs that you had just returned. I came, with Captain Shannon's permission, to get some things from my flat and I wanted to thank you?all of you? for your neighborliness. There's an odd word to use in New York, but I can think of no better. You were very good to my sister, Miss Pag et," he added more softly; "I shan't forget it You've kept your head better than any of us, during this? unpleasantness." "My dear man," Miss Agatha said crisply, "When you've lived as long as I have, a mere murder can't terrify you. And lone?" "Better," Lyon, replied in the ten der tone that always accompanied his mention of her. "We're coming back tomorrow. The Babylon is hardly a refuge. Newspaper men have found out where we were hid ing. A policed man's life is not a happy one." He stood in the doorway, a brown, worn and pleasant figure, and spread his hands. I said to Miss Agatha: "It's time I went?or several hours after time." * "If," she answered and her eyes were merry, "you can stir that? that decoration there"?aha nodded toward Grosvenor?"to an interest >n fencing or any exercise, stay longer." ? kuow you now. Your face has both ered me for days. I saw you in Chicago. "If you did," I told him, "you saw me get trimmed." "By D'Armhaillac," he said as if that excused anything. "You know," he told the others, "this lad really is good." "Was good," I corrected. "That was two years ago." I was glad he fortified the hasty lie I had told to cover Grosvenor. Lyon ran on like a boy: "I use the sword a little myself. Sometime, I'd like to show you my collection of blades. Some of them are rather good." I almost told him I had seen them. Then I remembered the dead man who had lain before them, and didn't. I gave Miss Agatha my new address and left them talking as easily as though the last thirty-odd hours never had happened. The events of the final sixty min utes had scrambled my mind. They had kicked over what theories I had built and now memory of Allegra, loyal and valiant and fearful, fought against the erection of new. I was half-way to the comer before ?! re membered my suitcase still in Hig gins' basement flat. Here was some thing definite to do, an anodyne to I Hi, M l got to my knees, die outer door open sad s dim Of ore that fled. bewilderment. I faced about and went back to the Morello. The lifht was out before the base ment door and the hallway beyond eras dark. I thought that Higgina might be asleep. That stopped me for a moment. Asleep or awake, I decided, there would be a squab ble and I might as well face it now. I closed the door, felt for a match and, finding none, went along the black hall. Uy fingers touched the white washed stone, once, twice. They reached out a third time and re coiled. They bad brushed rough cloth and underneath that was a body, pressed tight and still against the wall. For a second, neither of us moved, or breathed. Then I lurched forward, arms spread wide. My hands grazed the harsh fabric but found no hold. Something tripped me. I went down. A foot stamped on my knuck les. I grabbed for it and missed, but its owner fell too, with a thud and a gasp and a flat chime of metal on stone. I leaped up to stum ble once more over the thing that first had tripped me. I fell again, this time upon it. An angle smote me in the midriff, driving out my breath. I heard the quick sound of retreating feet. I saw, as I got to my knees, the outer door open and a dim figure that fled. Then I squat ted, blinking in ? blaze of light CHAPTER VII I could tee nothing but that glare. It hurt my eyes. I knew dimly that ray knees and my trampled hand ached. I squatted, half up, half down, for a long instant The daz zling haze thinned and Higgins' red face came through. "What," he asked and I thought he gloated, "is all this, hey?" "I fell. I was tripped," I said stupidly. Higgins chuckled. "So gre was tripped," he Jeered. "Now ain't that too bad? The some one that tripped ye lays beside ye, me lad." I looked down. The obstacle over which I had twice fallen was my own suitcase. Higgins, in a last flare of spite, had left it in the hall. I got up slowly and brushed dust from my sore knees. "Who else," I asked, "was in here?" The superintendent chuck led and anger helped me get hold of myself. "Who else?" he echoed. "Nobody, ye tool, but yourself and your clum sy feet." Hlggme' locked the door behind me. I stumbled up the steps. The wind stung my face. Its blast seemed to scatter my mind. Some one had been in that basement hall way when I had entered?someone who feared to be found there, who had fought off my clumsy effort at capture. I had touched, I had heard the intruder. He had left his heel- j mark 011 a bleeding knuckle. Sus picion that had pointed first to Lyon Ferriter, that had centered on Gros venor Paget, swung wildly about now like a weathervane in a whirl wind. I bad left both men upstairs. The dim figure I had seen dart through the doorway had seemed ?lighter than either. It could not have been the buxom Everett. Why had it been lurking in a basement hallway of all places? What had dropped to the floor with a clink of metal and then had vanished? Suddenly, I wanted to confide in someone. It was the lonely wretch edness of the overburdened. I thought, as I slapped at my dusty overcoat and trousers, of Shannon, of Miss Agatha, of Allegra, and each time found at once good reason why I could not go to them. As I picked up my suitcase, an amused voice asked behind me: "Ever try a whiskbroom, accom plice? You can buy them at all the better stores." Jerry Cochrane'! coat collar was turned up about his ears. His round face had been spanked red by cold and wind had watered his canny eyes. He was sane flesh and blood. I was glad to see him, "What's this?" he asked, nodding at my suitcase. "The body?" He was medicine for the jitters. At my question he gave a ges ture, half shrug, half shiver. "I trailed Lyon Ferriter from the Babylon," he said. "Your hall force wouldn't let me wait in the vesti bule. I was across the street when I saw you go down the cellar. So when you came out, I?" I grabbed his arm so hard that he stopped and stared. I had trouble -getting hold of words. "Who came out ahead of you?" he repeated, wide-eyed. "Out of the cellar? Nobody." "I groaned. "If you'd only watched," I began, but he cut me short. "Listen," he bade. "I didn't have anything else to do, except freeze. No one came out of the basement ! except you. What's all the heat?" i "Save it," I told him and ran to- ' ward the Moretlo. My suitcase bat tered my legs. I swore at it and myself. If Cochrane were not mis taken, if the intruder who fled had not gone up to the street, he had lurked in the area by the stairs un til after I had left. He might still be hiding in that black pit. Beyond the Morello, a taxi swung < into the curb. Someone entered it. ' The door slammed and it slid away. We were too far off to see the li cense number or even the passenger clearly. "Sometime," Cochrane asked po litely, "when you're not quite so ac tive, you'll let me in on this?" I told him, as well as I could, for I was winded, what had happened. "Who was it?" Cochrane queried. "I think," I answered, "it was Mr. Addison Sims of Seattle." The wind boomed in the area while we talked in hushed voices. It struck my sweating face like the gush of a cold shower bath. Coch rane was panting, yet he shivered. "Lyon?" he asked. I wondered why it should have been his first thought, as well as mine. "Lyon Ferriter," I answered, "is upstairs ? in Miss Paget's apart ment. He couldn't have got down here ahead of me." "Unless he took the hidden way the murderer traveled," Cochrane pointed out stubbornly, and his teeth chattered. "I'd like to know where he is, this minute." I turned toward the steps and ,.u ? "I can go back and find out it he's still upstairs." "I'd like to know," Cochrane re peated in a cold-shaken voice, as he followed me upward. "It I'm going to live to understand all this, I've got to get a taxi and a drink fast. Find out if Ferritcr is still upstairs and then?" But we bad no need for search. As I came out of the area, a lean figure left the Morello vestibule. Shoulders hunched against the wind, Lyon Ferriter strode past us. I thought he recognized me, for he looked hard and seemed about to check his pace and then pressed on. We watched him to the corner.. "Anyone," Cochrane gasped through his rattling teeth, "who can go without an overcoat on a night lika this is a murderer or a sui cide. Hi, taxi!" As we bounced along toward the address he gave, his questions prod ded me once again through the story of my struggle in the basement "It doesn't make sense," he com plained. "Maybe it.wee someone colder than me, even?some Forgot ten Man ducking in out Of the wind." I "He wasn't too numb to move fast," I reminded him. "And why should he hang out in the area after I'd flushed him, unless there still was something in the basement that he needed?" . "True," Cochrane said. "Perhaps he wanted to get his watch, or what ever you heard drop." "I heard it drop," I told him, "but it wasn't there. I looked." "It was, but it waa't," ha said bitterly. "And there you have the case in a few words, accomplice. I'm sorry we hired you. Ton keep messing up the puzzle. I owe you one, though, for your tip en the Babylon. 1 don't know who was sorer?Shannon or the Ferritera? when I ran 'em down." (TO BK CONTUWKDJ - ? THE DOWN-AND OUTER 88 Br JOAN SLOCUM (McClurt Syndicate?WNU Service.) IF DOUGLAS WALTON had aaked Kay Bergen to marry him the afternoon she had told him she was going to New York to make good, Kay would have set tled down happily with him at For est Station. She'd more than half expected he would?and a good deal more than half hoped he would. But he didn't. On a business trjp from New York to the city where he lived he had stopped off at the small town where Kay lived to see her. "Oh, I see," said Douglas, at first a bit banteringly, then more and more seriously, "The small town cramps your style. Well, if that's the way you feel?only?I thought last summer?" "What did you think last sum mer, Douglas?" asked Kay softly. "Oh?" Douglas' voice was a lit tle hard?"just that you weren't the kind of girl who'd think that kind of thing necessary to happiness. I thought you'd like?oh, last sum mer in the mountains I thought you'd like different things. But if you like New York and think you'll make good there, why that's that and there's nothing more to do about it. I don't think you're right." He was irritatingly practical now, accepting her, not as a woman, but as a co worker, another struggler in the fight to make a living. "I think I have a better chance of success right home in Forest Station than you have in New York." He left a little later, after talking trivialities, and there was no ap proach to anything like sentimei^ between them. So, decided Kay, if that was the way he felt about it, she would show him. She'd be as good a business woman as she could. She'd beat him at his'own game. Weeks passed. An occasional let ter from Douglas. He was getting along slowly but surely, he wrote, in the law office where he held a junior partnership. Not big money in these times in a small town? but not bad, either, when you com pared expenses and income. He was glad to hear of her success. She seemed to have struck a great piece of luck, working her way right up to the top. Hard work, of course, but if you like that kind of thing, of course it was great. Kay had, indeed, done unexpect edly well, though she hated to have Douglas give luck all the credit. In spite of depression, she had got into one of the big stores. Kbd, because of a real genius for using words vividly, she had obtained a place in the advertising department, and had been promised a speedy rise to a really goad job. But when the first novelty of suc cess and accomplishment had worn off, Kay found other visions min gling with those of her progress to tame. And, being an honest sort of a girl, she faced the facta and ad mitted to herself, after six months in New York, that she would give up everything she had gained or could look forward to for the sake of life beside Douglas in quiet little Foiest Station. She liked her work. She found her new friends interest ing. She thrilled to New York, with its vivid life and fast tempo. She enjoyed the few gay parties she found time for. But her heart was with Douglas. ? nis wners inieiy naa Deen lew and far between. Perhaps he didn't care (or her aa much as she had once hoped he did. Perhaps be cared for someone else. She knew nothing, really, of his friends and life. She'd never been in Forest Station, and in the mountains where she had met him at a resort hotel the summer befbre they were both, of course, among strangers. She kept reminding herself that he had never told her anything to make her know he really cared. Perhaps her belief that he did was only the nat ural reaction to what, she now ac knowledged, was her love for him. So Kay worked out a scheme to And out if Douglas cared. "Dear Douglas"?she wrote. "This isn't a very cheerful letter, for I think I'm going to lose my job. Isn't that too awful? After I've bad such fun and done so well. But the cruel, big city seems to be too big and cruel for me." She waited for a sympathetic an swer. None came. She wrote: "The blow has fallen. I'm lust not a big-city sort of person. I've lost my Job. And in this unfriendly place I don't know where to turn for another." No answer. In her next letter: "New York is pretty dreary when you're down and out. I've been walking the streets today looking for work And there isn't any. Of course, I'm all right, for my father will be only too glad to have me beck home again. But I'm ready to admit that New York's too much for me?too big, too impersonal, too cruel." "And if that doesn't bring some sort of answer," thought Kay, "I'll give up, and stick to my work and try to enjoy it" No letter came, and as she dressed for a party one evening a week lat er ? she had been really thrilled when Courtney Brown, brilliant young advertising manager for the store, had asked her to go to dinner and the theater with him?she de cided that her tactics with Douglas bad been all wrong. He's lost what interest ha might hava had in her last summer; was married, for all she knew. Her stupid letters must seem to him the most blatant bids for sympathy. Oh, well, she'd go with Mr. Brawn and have a good time and when she'd made good in her Job she'd forget all about Doug las. * She pulled a black velvet dress over her shoulders and let it settle softly to the slender curves of her body, patted her hair in shape, and sat down to wait for Courtney Brown. When, in answer to the bell, she opened the door of her small apartment and found, not Courtney, but Douglas, standing there, the only thing she could think of to say was: "Oh!" But Douglas said enough for two. "I've come to take you back to Forest City," he began. And that started things. Half an hour later, said Kay: "Oh ?I forgot. Where's Courtney Brown? He's my boss?and I was going to dinner with him. And, Douglas, I'll have to explain, I'm not really down and out?I Just wrote that so I could And out how you felt about me." She watched his face anxiously for signs of disapproval. He beamed. *1 know. Courtney Brown is an old friend of the family ?he's taking my sister to dinner and the show in your place. You don't think I didn't know how you were getting on, do you? Courtney kept me posted. And I realized that if I didn't come to rescue you soon you'd get away from me for ever? poor little Down-and-Outer." ' Cupid's Code By DOROTHY G. WAYMAN iHcdun Syndicate? WNU Service.) TP HE lighthouse stands on the A point where the great ships steam past to enter the canal, and there lived Mary Ann and her father, who was the keeper at the light. Mary Ann had kept bouse for her \ father for the Ave years since her mother died, in spite of the constant | urging of Billy Bo wen that she marry him. It was hard, hard for both of them. Billy wanted Mary Ann, and Mary Ann loved Billy, and yet she could not forget the promise she had made to her mother that she would look after her father for her. x rim ipanuins August morning her father had rowed acroas to toe mainland for auppliea, and just after he had gone Billy Bow en had come to see her. He looked ao handsome with his thick black hair, bronzed face and white teeth, as he pas sionately urged her to marry him! "I've waited for you two years, Mary Ann, and I need you!" he de clared, and when she replied that her father needed her still, he lost his temper, and bitterly asserted that he did not believe she loved him at all. He vowed that unless she would promise to marry him soon he would take the boat for New York that night and she would never see him again. "When the boat goes by the light tonight, I'll be on it," he said, his boyish voic^ rough with feeling; "and I'll be thinking. There's where the girl lives who doesn't love mel" And poor Mary Ann, loyal to her dead mother's trust, could only watch his lithe figure striding away without one backward look, and cry and cry and cry. Then she must bathe her face and brush her hair to hide her sorrow, for father must not know of her sacrifice. She heard the sound of her fa ther's oars, and soon he entered the little kitchen. ? "Mary Ann," he said happily, "you've been a good daughter to me, and it has been hard on you here all alone with an old fellow like me . . . but it's over now. Jane Hatch said today that she'd marry me. and I guess I know what you 11 do next! I've been watching that Billy Bowen making eyes at you Maybe we can have a double wedding, girl!" After supper she crept into her own little room to sob her heart out in the twilight of the summer eve ning. Zoom-m-m-m! sounded toe whistle of the New York boat?Bil ly's boat He was standing on the deck, looking at the light Mary Ann sprang from the bed, slipped off her shoes, and softly, breathlessly climbed the iron stairs to the light. She could see across ths water the lights of the great ahlp like a string of Jewels on a square of black velvet, and she knew that Billy Bowen's eyes must be turned towards the light She placed her little brown hand firmly on the black-handled copper frwife switch that controlled the light, and the great beacon's rays, playing across the water like wun mer lightning, took on a strange sig ni flea nee. Dot dash, dot, dot dash. In In ternational code she flashed her me* sage into the dark. "B-I-L-L-Y Y-E-S!" Over and over she spelled it out. But Billy Bowen, once a sailor m the navy, read it only once ashe stood on the deck of the boat. Then hastily stripping off his cost and shoes, he climbed upon ths rail and dived far out into the warm waters. . "Where'n thunder are you going? shouted a deck hand as Billy came up, shook the water out of his eyes and struck out for the point where winked the light. He turned his head long enough to shout back: "Going to get married!" [?"FIRST-AID* AILING HOUSE By KOGCt?. WWTMAN ^ (? Bo?n B. Whitman? WNU Service.) Cooling ? House ia Summer. INDOWS on the sunny side of *' the house should be protected against the heat of the sun. Awn ings do not always help, for some kinds confine heated air against the windows. Air under an awning will be heated and should be permitted to escape before the heat can pass through to the room. Outside Vene tian blinds are an advantage over canvas awnings in this regard, for while they cut off the direct heat of the sun, they permit the free escape pf air from underneath. For ventilation in a room, win dows should be opened both at the top and at the -bottom. Heated air under the ceiling of a room can then pass out through the upper part of the window opening and will be re placed by outdoor air drawn in through the lower part. Neither opening should be covered by cur tains or shades, for these impede the flow of air. Still air is more stilling and is ! more difficult to stand than air at the ; same temperature that is in mo- j tion. For comfort, air should be in ' circulation. An electric fan arranged to blow | out through the open upper part of a window will draw in outdoor air through the lower part. The circula- I tion that is thus established will add greatly to comfort. Slippery Floors. Question: We have an old farm house with oak flooring. When we , wax it, the Boor is too slippery, as we use hooked rugs. Can you tell us how to treat it, so that it will not be too oily or slippery? Answer: Too many coats of wax and heavy applications of wax most frequently cause extreme slipperi ness. Wax should be applied in thin coats, each coat being very well pol ished. Waxing of Boors two or three times a year should be sufficient. Frequent rubbings with a soft cloth will keep the floors well polished. Excessive wax can be removed by wiping with turpentine. As a pre caution against slipping at rugs, you can get a powder to be sprinkled on the backs of rugs. This is sold in department stores. Whitewashed Stone. Question: The old cellar stone walls hi our house have been white washed. We should like to cement the cellar walls, but are told that the cement will not stick to the whitewashed walls. Is this true? What can be done to remove the whitewash? Answer: Whitewash Is apt to peel taking the cement off with it. Re move the whitewash by scrubbing with a strong solution of household ammonia and water. Rinse the sur face with clear water. For good results, be sure the surface of the stone is well roughened before put ting on the new cement. Raking out the mortar points will give the new cement a better bond on the wall. Question: What can be done to preserve book bindings of leather and cloth? The books are about SO years old. and suffer from the ef fects at time, drying and disintegra tion rather than wear and tear. Answer: For the leather bindings you can get preservatives especia:.y made for the job. Any public li brary will tell you of them. This can also be used on leather backs and comers of cloth bindings. Cloth bindings can usually be cleaned by wiping with a doth dampened with soapy water, after going over them ' with a stiff brush. Some bindings will not stand moisture: you should make a test on each one before go ing ahead. Paiatlac a Metal Bed. Question: We have a metal bed, mahogany color, from which the paint has become rubbed off in vari ous parts, and I would appreciate it if you would advise me what kind of paint to use to repaint it It has a Itee (rain running through it Answer: Any good brand of quick drying enamel can be used, but the wood graining, if desired, will have to be done by a professiohal. Be fore applying the enamel make sure the surfaces are free of any grease ' or dust. The old finish is made dull by rubbing lightly with fine sand paper. Desilveriag a Miner. Question: How can I remove the silvering from a mirror? The mir ror is to be resilvered. Answer: Remove the protective coating with a paint remover. The minor is then placed horizontally, covered with a layer of salt and moistened with a mixture of 1 port water and 3 parts cider vinegar. After several hours, the silvering can usually be wiped off clean. The ! shop doing the resilvering can re move the old silvering for very little extrs cost. Whitewash far Bricks. Question: Please tell me how to whitewash my brick bouse. I want to be sure to use something that will not peel or flake off in any way. I understand the government uses some special mixture on light houses, and am wondering if you could give me the formula. Answer: The government white wash formula is rather messy and' complicated to make up. A cement composition paint or outside ossein paint will make a more satisfactory finish for the brick wall, and will be much easier to apply. naJh. ^ ...^ ?^-^Bih.. /jj J Making a Frame For Rug Hooking By RUTH WYETH SPEARS 'TWO of the nicest hook rugs I A have were made without a frame. Many rug makers like to work this way so that they may turn the work as they do different parts of the design. Then, too, whenever rug bookers meet there is sure to be an exchange ai treas ured bits of colored fabrics. In no time at all a rug making group is meeting and it is difficult to carry a frame when ooe goes visit ITOLO ?-STK*>? OF CAMVAi AMO TACK TO ALL 1 |T FOUR^MXA ormw*L-|j i? i ?= ?WFM? 1 / U On EDGE I WORKS \J OA TX. BACK 'J COMPLTTO " OrA?M? : t ing. It is often difficult to find space to put a frame away in a small bouse or apartment, too. You can see by this that I rather favor working without a frame though I know perfectly well that it is more efficient to work with one. Almost all professionals have frames that rest on a permanent base. I have sketched base the type of frame that most amateurs use. You can buy the corner clamps at the hardware store and put the frame together quickly. It may be the size of your rag or smaller. If it is smaller, just part of the rug m stretched on the frame at one time. ? ? ? SEWCfG BookStcfliTMaxQrtovti prepare tike bwrlap J a Jig >t Mut ia*. Ttot m stffl Mooter hooted*^" de n*n I* Book fr oio? a MM aod a oo cteled rat. Scad order to. ni trra ?uis ?erne ..... Addrooo Skip's Tonnage The term tonnage may mean one of several things. In osing fr to designate the size of a uaitoap it means the total weight af water displaced by the vesaei- As ap plied to American merchant it may be gross, net. ar dead weight tonnage. Gross tonnage in the space?an the basis af 1M ra the hull and the rlnenl in spaces above the deck for the carrying of cargoes, stores, etc. Ret. or regis tered. tonnage, the moot fre quent designation, is the space that remains after room for machinery, crew quarters, etc., has been de ducted. Dead-weight tiainagt a weight of cargo and wippftrs that will depress the boat from its light water line to the load hae. or. in other words, the weight of ton total cargo that the vessel can car ry safety. COLDS QUick/y Mil DDD?r, The moat manifest sign at srin dom is a continual cheerfulness: her state is tike that at things in the regions above the moan, ai taigno. GSS3EE&ESS9 Mkmno ? nenaMkan /?\ APVERTISIKC ? ADVERTISING wpwaaats tba lasilai ship ol ? nation. B points (hi way. Ws marely follow?fallow to us haighls of comfort, of cooTaniaoca, of As tima goaa on adssstia ing is used mora and mora, and as it is osad mora wa an profit men. Ifs tha sray adrarhsing has? of bthgmg a pn* to ?vsrykofy coscsrs#^ rim commr kM