f If World 1 jj Books | THE SKY'S THE LIMIT By Dr. Wayne Dyer (Simon and Schuster, 3S3 p., $11.95) The Sky's the Limit by Dr. Wayne Dyer expands the thoughts and philosophies of his earlier two books? Your Erroneous Zones and Pu/liny Your Own Strings. Here, in addition to reinforcing the concept of eliminating erroneous /ones and self-deprecating behavior, Dyer ae? tivatcs the theory of no-limit behasior or mastery of life? I believe anyone can refuse to accept immobilizing rMi'lirtni. irt ?-11?.? J? . iv/ ? ucsiiwi in Ul problems. And that they, not some mystical force of heredity, astrological sunsign or personal psychology, are in charge of how they think, and consequently how TheyTeetTQuoiing from Deuteronomy 30:19 he writes, "I have set1 before you life and death, blessing and curse; therefore choose life..." Dyer's belief is that by looking I within we can live more fully and creatively. By using our internal indicators more than external limitations we are more prone toward happfness and therefore more readily appreeiativc of the beauty of nature, of ourselves and of others. We can only recognize our inner signals through' self-trust and -honesty. He asks nine questions for helping one get at self-honesty. How would you change your life if you knew you had only six months to live? Those who answer honestly and act accordingly vyill realize that "given the perspective of eternity, you have only a few months left anyhow and the "wait until later" people are gambling on^hcre being a future." All nine questions create food for thought. They help us to release our inhibitions and self-limitations thereby expanding our potential for total growth. By employing religion, philosophy, psychology, sociology and mother wit to explain his theory of no-limit living, Dyer presents another prospectus on positive attitudes and motivation. The Sky's the Limit is dedicated to the memory of philosopher Abraham Maslow who believed in humanity's greatness, who devoted a large portion of his life to the study of "self-actualization," or the very highest levels of being. Dyer offers this book as a practical philosophy course in being fully human. "At the core of my philosophy is the belief that you can motivate yourself and choose greatness even if you've never n -the - complex rhythms of his AfroAmerican heritage.? He combined these rhythms with lilting melodies and keyboard rags ? using shifting rhythmic accents over a steady beat. The pianist's i name was Scott Joplin. , Late 19th century Euro- ; pean? music was har- I monically rich, but I rhythmically bland. For ! Europeans, ragtime music ' with its vital and syn- ( copated rhythms was a < breath of fresh air. Ragtime ' and its dances, such as the I Cakewalk, swept Europe, t Debussy, in his "Golliwog's 1 Cakewalk" was the first 1 classical composer to draw r upon ragtime rhythms and p tnelodic structures and many others soon followed f his lead. $ Named' after E.B. 1 Bowman's famous ragtime f composition, The 12th r Street Rag is a combination ^ of commentary, interviews, ^ classical and ragtime music. 1 The musical segments in- d elude ragtime arrangements to for orchestra, chamber DENTURE WEARERS! I?H ll advancement .11 CUSHION GRIP I DENTURE ADHESIVE l one application holds j | I comfortably up \q 4 days I lat Iwr work b? ywir . r I ptasaral ' 1 w I 2--BEYOND I FULFILLMENT J I 3..HOT LUNCH I Come Late Stay Early I Breakfast specials V I Fri and Sat 12 til 2 a m j I ACHILTSOWLV LATE SHOWS i ? Wonde if in an happy experience s (I'm sure it is) but posses a the displine and necessary r |T > c vvfien working wltTTa Hind s genious. v By now it was 4:45 and the V entire band is in place s including Rhythm, Horns, h Vocalists and finally the f master himself. \ As Stevie was ushered in * by Motown road manager I and personal assistant t Keith Harris, many person- v nel of the large crew begin c to make post final adjust- s ments. Light men, sounsl men hollaring back and e forth and five or six people c ; f Debussy ; By Center b ? c groups and band. Turn of the century photographs of v Kansas City and Central s Park in New York set the t scene during many of the t musical selections. An i original Scott Joplin \ "piano roll" of "Maple y Leaf Rag" played on an antique player piano also is featured. In interviews,> ragtime musician Eubie Blake, Kansas City jazz and ragtime clarinetist Lawrence Denton and composer-music critic Virgil Thomson talk about ragtime ? its times, ' its people, its style and its influences. While a major portion of the program was taped in Kansas City, The 12th Street Rag also includes onlocation footage from New York City, Sedalia, Missouri and along the Missouri River. In addition to Bowman's "12th Street Rag<* -and Joplin's "Maple Leaf Rag," -the program's musical selections combine traditional rags such as James Scott's "Ophelia Rag" with other compositions that show the influence of ragtime themes and rhythms upon 20th century classical composers. Included are: Igor Stravinsky's ragtime dance from"L'Histoire du Soldat" i'The Soldiers's Tale"), Claude Debussy's ^Golliwog's Cakewalk," Darius Milhaud's "Creaion of the World," Charles tves' "Central Park in the Dark," and the last move- _ nent of Thomson's "Sym)hony on a Hymn Tune." The 12th Street Rag is the irst of several public televi rv/u pi i/gi am* auuui music, rhree programs on jazz eaturing live concert naterial of Count Basic, dary Lou Williams, Jay IcShann and Big Joe rurner are currently under levelopment. MALL CINKMA 748 Olds Open II 00 Sun I 30 &*-?s!NTIMATB DSS,RBS 'Mm) \ A hampaqnel ^br^akI + \ f rs of Sti urrounding Stevie, rerranging microphones, noving his piano, etc. On enurt ure it all has becom somewhat routine. /FMY's (Channel 2-Greenboro) Glenda Suber was on land to interview and do ilm for the 11:00 news. Vhile in the middle of 'Ain't Gonna Stand For t", one of the tunes from he Master Blaster LP that was not performed at the oncert, he stopped the ong, stood^Tp~aiTd blurted" 'these are the wrong glasses. Bring me the other >nes." The "other ones" le spoke of were the spari? ? ~-i -i *- - tc?liauieuglasses ne vears during his perfor-nances, After about a ninute, the glasses were wrought and they proceeled taplay again^Steveland also worked vith the horns on one of his ongs that was made up wo days prior in Washingon. Also in D.C. it was ioted that Bob Marley who vas to do the tour with /Vonder accompanied him from Paris/London * New York over 150. magnificent color ph< the latest collections leading designers, inr Yves St. Laurent. Osc Renta. Calvin Klein. C Armani. Ralph Laurei dozens more. \ At la<;t thi>ro ic n olonarit .. . W. . V,V3WI. I. diary for the fashion conscious women on you Chnstmas gift list A diary that is ablaze with over 15 exciting color photograph from the latest collections the world s leading designers More than iust diary' it is a cfoy by-day to through the designer's showings in Pans. Milan a New York An indispensib aide to her for choosing a new wardrobe, selecting color silhouette and fabn< Over 200 7 V 9'?" pages Features a conveni week at a glance format f notes and appointments Bound in handsome dark leatherette Almost every woman has a deep interes fashion This year give th*< woman in your life the gift she II thank you for every c of the year The Internatio Fashion Designer s Diary 19*1 >15,90 evie to the Capitol Center gig and did "Master Blaster" w ith hint. The reggae King i nl *?- mokt- t' iWtos of by V luding ar De La V jiorgio r and V Y > Laurent Vv*?s Sf oi f" Ni I j iur 1 , ~ r'ii ? >K tin T r r The Chronicle. Saiurda>. l\\cmbci 6. 1981) Kige 9 The Music Shapers t- 1 "--w.-1 nm , || ) ir.n I mm imiiKiimin ' ^|% Ella Fitzgerald - SOUNDSTAGE. Dec 5 mr '. '''^^^^Hmi^^v ipp j^n* ^ >sy JoanArmatrading - SOUNDSTAGE. 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