State Libmiy-
THE
3
FOR THE
PUBLIC LIBRARY.
-,::a"s edition
w
oFTHE
TTfiTm.H:
26.
HICKORY, NORTH CAROLINA, THURSDAY, MARCH 21, 1895.
NUHBEH12
iiiu
maxL
III
V I ill 111 lit III ill ill
MICHAEL ANGELO.
j b (or- the Traveler' Cluh by Mr.
F k xvhitlng-Th career i a urea.
Artist.
turn "
u. si
at th
w
im.n
Ull
in ru;
SOlne
Tain ' y. "there are four luen in
, 1 f ,. onfl literature, exalted
tUe wouoi .. ,
all other-, Aud to such a degree
lt thrv seem to oeiong lo "muhjci
" 1 '. .' Dante. Shakespeare.
a 1 - 1 11 mi
,e(.th v, Hi and Alicnaewmgoio. j. no
1 nliilrl ff Florence.
Jajt i "' '
thfIiii,rof all Italy, and the aduiira-
ilia whole civiuzeu. wunu, is
sculptor, painter, architect,
anu i
Angelo Buonarroti was born
... r io.ii 117a fA. DA
on tiiv siAiii ui v---
,.stlo of Caprese. me rums 01
,i,.h .hi ill remain, overlooking me
wild and rugged hills about the sources
oftl. i ii'eniiiu mcaiiiw. .v..w. ,
Ludovuo Buonarroti, who at thai
till' w;ls uveniui v.f",
des'a .i from the noble family of
Caiit.'t. ;
Vding to u custom which yet
..t- i.rf ff the World.
prevail :u "Hi" i'" i,j
1 ,i i-. -
the ijiti-.iir was sent 10 ue nuneu
.. . , 1 ti 1 ri r -v
tin win-ot a mason ifsmu
tiiia;. from whom he declared he
derived h'-5 iovu 01 uie cmsct.
thus iu id.-, infancy surrounded jy the
nts of sculpture and the
ai rTT I ! ilocks from the neighboring
; ; ijray fcand ttone; and his
(,r design found expression
t !ianjo:U sketches on the walls,
; 'which liavebeen preserved to
, i.i 1.:.-,
this u; . W Ihmi lie grev. oiut-r iu
fatlu-r !.'. nt him to Florence to attend
th.- k r .-i f Francesco D'Urhano,
wl.i ir ;::uch of the time which should
have t -n devoted to study was occu
lie.l.in i'i.(!eavoringto express his
ideas ;,!h1 fuaeies by the medium of 'a
pencil, iiis life at nchool was made
endiin.'rilo by ajcomrade named ijra-
nacci, hiiuself having a taste for
irawij.-, who passed his hoiiaays
in the '.studio of Master Domenico
(jhiiia:i:.s.jo, (0110 of the renowned
painter ot the day) and who, perceiv
inr that uj!g Angelo preferred a
pencil, a brush or a chfsel to his books,
bn. w..-:. him drawings and provided
him v.'ii'hvuiors with which he might
amuse hmiselt trom tune to tune.
One cay this comrade took Michael
Aiig-lo with iim to Ghirlandajo s
studio, and., after introducing him,
showed .the master an "engraving
ilium',; :-.ud with great care bv Angelo
who, satisfied'' with the simple
work f a eolorist, had added to or
taken fium the work of tho engraver,
with taste ;iud discernment far beyond
his us . '..eii.-- ;1f rlia time but twelve
ears ohl-
Th-
eihile
upon t
pUpiis
voun'
: ; -ter Tfiis 50 pleased with this
u f genius that he ins-istetl
ie outh becounng one of his
Tliiv w:k JT;ictlv vli.'it tlie
arti-vt- wished to do. In com
pany with the master he sought of his
father ennvent to lpa v school
a,lil enter t he studio Of ronrse the
fatl
n;d hi-h hopes for this son. Indeed
tilt' It.ll.':ils liM.l ii'iin.i.1 Mm Af iVi'itl
Aiifc'i-i ,-. ' iaiagining they porceived
'isu;!:,! - divine in him. After reas-wuu-
with his son to no purpose, the
father -avo jiim as an apprentice to
j ' w it iui unci; jt tr4 1 ,
snni of twenty four florins.
pride revolted at being a
; ant. tut he wiselv accepted
uun as. a means to a great
ffive it an antique look. Neither the
master nor friend noticed the deeep
tion, and Angelo was obliged to tell
them in order to get back his copy.
At this time Lorenio De Medici, an
enlightened protector of art, estab
lished a museum of painting and
sculpture in the gardens of St. Mark
at Florence. Ghirlandajo obtained
permission for his pupils to vint and
coPy the precious works of art col
lected there. "While Michael Angelo's
fellow 'pupils were in the halls of the
palace admiring the beautiful paint
ings, h was in the garden examining
the ancient pieaes of sculpture, and
watching the workmen, who in great
numbers, were preparing the stone
and marble for artists to transform
into statues. Some of the workmen
who had known Angelo from hi? in
fancy, authorized him to make use of
a block of marble, and gave him some
tools. He chose for his model the
head of a fawn, and immediately set
about copying it. He returned for
several successie days, working faith
fully, and with difficulty; for the head
had been injured so by time that the
mouth and ncse were wanting. He
however, furnished the fawn a nose
and a mouth, which he made half
epen, showing the teeth. When putting
on the finishing touches he noticed a
man watching him with great interest.
The stranger, after receiving Angelo's
permission to criticise his work, ob
served that the fawn, which apparent
ly was an old favn.-had all his teeth.
The criticism seeming just to the
young sculptor, he immediately broke
olT two teeth, .and hollowed out the
gum a little before he left the garden.
On his return the following morning
he found his fawn h d disappeared.
Perceiving his critic of the day before
standing near, he enquired of him con
cerning it. The stranger told him if
he would follow him, he would show
it to him. He led him into the palace,
and into the apartments of the Duke.
Here, Angelo was horrified to find his
fawn, and enquired of the-stranger, in
an exceeding angry manner, what
right any one had to put that simple
'work of his among the masterpieces
there. The Prince (for such the
stranger was) then and there promised
him his protection and friendship, and
insisted upon his dwelling there in the
Palace, where he would be treated as
one of his sons.
At the death of his benefactor, An
gelo, for whom Piero De Medici did
not inherit his father's affection, left
the palace and retired to the convent
of the HoIySpint. The Prior, in ad
miration of his talents, offered him
accommodations where he could de
vote himself to the study of anatomy,
a study absolutely necessary to a
sculptor. He studied the muscles,
fibres and frames of the dead bodies
placed at his disposal, till they no
longer were secrets to him.
When the revolution against the
Medici broke out in 1402 Angelo (al
though not in full sympathy with the
revolutionists), out of respect to the
memory of Lorenzo, would not declare
against Piero. He went to Venice,
and from there to Bologna seeking
work. At the latter place he was
lor ft
liir, d .
the
lt XN .
the,.-;
turns'::-
that
U - 1 ,
Poljl,.:,..
th;iIl
l";p.;.
and i.r
!,- th. :
lien:.,;
1:; v
tUor,-
vd.-d
years ,
'tie T.
u: long ere 'he surpassed all
" p'ipils and even the master
H quite frequently happened
rrectt d the model yiven him
!'dajo, being a thoroughly
nman. was proud rather
'':-s of his pupil. The other
101 look at this uncommon
;iio saiae manner; they were
- shade, and Angelo's proud
e:al manner was disagreeable
They humiliated and tor
011 all occasions, and his
t!'r their insulting treat
liim exasperated them still
!'t:; .'U'liAi on... .1 J
"""irtiiiTs ine pru-
ot-s. YVI
: he
was nearly killed bv
luV . r unani uho- with a blow of
1 1
ethe lone axul cartila
,J..!,,,:!rt"Iyfolirtoe "avingcoph
'hu v VvUyti longing toafriei
. 1 Asters, he cnnLfltvi 1. .-j
ed
friend
lie conceived the iripn
feU tle ori-inal a"l returning
mcii he smoked a little to
of
f 1.
"4 eet, n
duced his famous "Delia Pieta." This
magnificent rou p, so marvelous in
finish that artists despair of of ever
equaling it, so pure in design, so alto
gether beautiful, is still to be seen in
St. Peter's.
During his stay in Rome, his father's
family affairs were going badly at
Florence.
It was only through the artist's self
denial, rigid economy, neglect of com
fort and health, that the family was
kept from starvation. Critics who at
tempt to compare the disposition of
the telf-denying, much-abused Michael
Angelo with the sweet, amiable,
ideas u re-seeking, self-gratifying Ra
phael, make a great mistake. No ju?t
comparison can be made.
After a stay of four years in Rome,
he returned to Florence, and shortly
after completed his colossal statue
'David.;' This statue was made from
a block of marble, 18 feet long, and
requiring forty men four days to drag
it to its place a distance of a quarter
of a mile. About this time he, with
Leonardo da Vinci, was commissioned
to fresco the walls of the council hall.
Although twenty three years younger
than da Vinci, who had devoted his
life to painting, a department of art
in which Angelo had done almost
nothing, he accepted the commission.
For an artist, whose knowledge of
anatomy surpassed that of any other
painter of the" day, to be condemned
to represent soldiers encased in armor
(He was to paint an episode of the
Pisan war) meant certain defeat, but
his genius did not desert him. He
took for his subject a circumstance
which he remembered in the history
of the Pisan war. The soldiers being
greatly fatigued had gone into the
river to bathe and refresh themselves,
when the alarm was given of the ap
proach of the enemy. He put so much
streegth and purity in his drawing
of the army thus surprised, that the
day when he presented his cartoon to
the judges was one of great triumph.
- The artists were not able at tho
time to do the frescoing, and before
they could commence the cartoons
were destroyed by a jealous artist
When Julius II came to the throne he
sent for Angelo and ordered him to
make a colossal statue, which he did,
and which so pleased the Pope, that
he ordered another, which, if it had
been carried out, as the artist project
ed, w ould have been a most gigantic
structure.
Jealousy again interfered. Before
Angelo could but get the marble to
Rome, the Pope was persuaded to de
ny him admittance to the palace.
Of course the sculptor was furiously
angry, and took his departure vowing
never to return to Rome. Two hours
after his departure, the Pope repented
and sent after Angelo but he would
not return notwithstanding threats
of violence.
The Pope findingthat coaxing would
not do, at the head of an army, ad
vanced towards Florence, having
threatened to ruin the city if the au
thorities did not force the artist to re
turn. Hearingof the army's approach
t10 t.-irt.Ml mt alone to meet it. The
11V " s
! Pope being so surprised at, and pleased
arrested because lie went through the ! v.ith such audacity, greeted him very
streots without wearing red wax on ' affectionately
hU thumb nail, in compliance with an 1 No sooner had Angeto returned to
order imposed on strangers. He would ; Rome, and commenced on his projected
have languished in prison hadnota work, than jealous people adopted
gentleman named Aldobrandi inter- another plan whereby to ruin him.
posed. This gentleman took him to , Thev boasted of his glinting, and so
his home, and through him, the artist ; esciUd the curiosity or me i ope, mat
was able to obtain work. He re- j the latter bade him decorate the arched
mainod with this friend a vear. but at roof of the Sistine chapel. All protc-
the end of that time he was obliged to I tat tons on the part of the sculptor.
leave the city on account of the jeal
ousy of the Bolognese artists, one of
whom threatened to stab him if he did
not depart at once.
When ieace was restored Angel.- re
turned to his own country and made
his celebrated statue of Love. Some
ay that when he had finished this
statue he broke otX one of its arms,
buried the statue; after a while dug it
up, and then had it sold as an antique.
Others think that he would not haw
mutilated his own work, but that the
dealer, who bought it for thirty
crowns, practiced the trick, and re
sold it for two hundred ducats. This
statue was considered a fine piece of
antiquity .until the arm being found,
the deception was discovered,.
By this time Angelo's reputation
had reached Rome. The Cardinal de
St. George invited him to make his
home with him. The invitation was
accepted, and not long after he pro
be sp. red to find the engineer. When
he finally wan arrested and brought
before the Duke, he fearlessly ac
knowledged his work.
The Duke, to the surprise of all, led
him to, and seated him upon the
throne, saying: "Behold how I recom
pense the greatest artist that ever
lived." He soon returned to Rome,
and completed the colossal statue,
"Mose," on the Julian monument
Nothing can equal this, either as an
inspiration or as a work of art. "It is
grand, proud and terrible as the gen
ius which created it." During Clem
ent VI Fs reign he was ordered to dec
orate the two ends of the Sistine Chap
el; on one end the Fallen Angels, on
the other the Last Judgment.
This fresco cost the artist eight years
of hard labor, but oh what pictures!
Old age came upou him without im
pairing his faculties.
'lie had hoped to spend the rest of
his days quietly in his studio, but it
was not to be.
The reconstructing of the church of
St. Peter's did not advance rapidly,
notwithstanding the amount of mon
ey spent upon it. -
Paul III begged Michael Angelo,
who had distinguished himself as an
architect, to accept the title of Archi
tect of St. Peter's.
For seventeen years he worked
faithfully upon the structure, but be
it to his credit, nothing but the dome
of the building as it now appears, is
essentially his. This grand dome
rises above all other buildings iu its
grandeur; it greets us kindly from afar,
whether we approach the "Eternal
City" by land or by sea.
A slow fever took hold upon Michael
Angelo to which he succumbed on the
17th of February, 15G3. He died as he
had lived an honest man and a good
Christian.
His will as dictated was: "I leave
my soul to God, my body to the earth,
and my property to my nearest rela
tives." Into the late years of the lonely life
of this great man, a new element of
joy and elevation entered in the noble
friendship of Vittoria Colonna, widow
of an Italian nobleman. Between
these two existed that oxquisite and
delicate friendship which is as distinct
from the commonly so-called love, as
night is from day.
To her he wrote most beautiful son
nets. He delighted in Dante and Pe
trarch. He composed quite a number
of sonnets full of the nobleness and
generosity of his soul, but tinged with
bitterness, caused by the injuries of
others.
He never married. He was wedded
from his birth, he said, to his art, and
he loved it dearly. He disliked to be
patronized, but always remembered
benefits and loved the tribute of re
spect and admiration.
His temper was stern, but very af
fectionate. He had no mercy on a
fool or dunce, despised the flatterer of
fashion, and was disgusted with those
whoMooied to lie.
He led a pure, moral life, as one who
believes there is a God to whom he is
personally responsible. His marbles
may crumble down, in spite of all that
we can do to presere them aiut',i!.,!f
of hopeless imitation; iul the eiai-cd
ideas which hosoug if l inpr-se t b
them, arc imp-ri.-h i'"e and :. im
and will be subjects of contemplation
when
'S-a shall waste, thi-skie- to smoke
decav;
Rocks fall to dust, and mountains
melt awav."
that he wiis.no painter tc. were of no
avail.
It was an uncle of Raphael who had
taken the chief iirt in the plot. He
was greatly afraid that Angelo's influ
ence with the Pope, might injure hi
nephew. He little knew the eh iracter
of Michael Angelo who could suppose
him capable of deprecating the merits
of an artist like Raphael. He was too
sure of his own talent to be jealous of
others..
When undisciplined hordes from all.
parts of Europe were directed against
Florence, at the instigation of the Med
ici, our art ist, a'ready M-tilptor. int
er and architect. SHvaiue engineer.
With twelve thou -and combatants he
fortified the city for eleven months,
against thirty-five thousand. During
these months he performed prodigies
of audacity ami valor. When the be
$:eers finallv took the city, he lied.
Alex De Medici ordered that no means
ti
A Chance to JIake Honey.
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M. FRANCIS.
Aphorisms.
"If a loves a woman for her
l'-knks. In "will love her five vetrs. If
he loves her mind, he will love her ten
vear.-. If he loves her v. ays, he will
love her forever.
And every woman believes when the
mart ies that her lover love her ways
New is the Time.
The benefit to be derived from a
irttu nutlieino in earlv snrinir i un
doubted, but many iople neglect
taking any until the approach of
warmer w'eather, when they wilt like
a tender flower in a hot tun. Some
thing must be done to purify the
blood, overcome than tired feeling
ami give necessary htn ngth. Vaca
tion is earnestly longrd for, but many
week, perhaps months, mufct elapse
before rest can be indulged in. To
impart strength, aud to give a feeling
of health and vigor throughout tho
M-steui. there is nothing equal to
llood's SarsaparilLa. It seems per
fectly adapted to overaome that pros
tration caused by change of season,
climate or life, aud while it tones and
sustains the system it purifies and re
novates the blood. 7-it
Hickory Library.
Any one who has not made a visit to
the Hickory Library recently will be
repaid by going there now. I Although ,
small, everything has been done to
make it as attractive and comfortable
as possible.
The latest addition in the way of
funitur- is a broad shelf just at the
door on which may be found tho new
typewritten Catalogue, the constitu
tion and by-laws, and "the enquiry"
books, all of which are open for in
spection by members and visitors.
The Library is the constant recipient
cf books from friends in and put of
town and also buys as often as its
limited funds will permit.
Some of the books given and secured
through the influence of the President
are of so much value that newer and
safer quarters are an almost immedi
ate necessity.
It will no doubt be a matter of grati
fying surprise to many to know that
the .additions made to the shelves from
time to time are not all "trashy" nov
els but works of sterling merit and
standard reputation. -
On of the latest gifts was a Diction
ary quite indispensable at any time,
which although not of fine binding
nor recent reputation will be of value
and service until the Library is able to
buy a Century or a Standard.
And who has not heard far and near
of the kindness of our popular friend
of "White Front" fame who helped us
buy books that will be read from cover
to cover with fresh interest each year.
And, last but not least is a present of
tht much talked of book "Trilby"
which will no doubt le quite as popu
lar as it is elsewhere over the country.
One phnt-ant feature is the unfailing
courtesy and intention of the librar
an. '.riio have from month to month
volunteered their services in keeping
theloirary open every day foran hour.
This kindness, on the part of the
ladies ha aided "us as murdi as any
thing and is deeply appreciated by the
Association.
Th increase of current literature,
magazines unit jmpers, impresses upoa
many of those in feres ted that the neces
sity t a leading room connected with
the I.. nrjfry is most urgent
It t- be ho j km 1 the day is not far
di.Mino" when pleasant and more com
ino :i us i!-trtrrs can be found, there
by ! t;-i- all needs.
A New Ccr for Appendicitis.
Of late years so great a dreaol has
gone abroad that one may die of ap
pendicitis that thousands of persons
have stricken from their bill of fare all
small fruits whoe seeds have to be
eaten with them.
The fact h that appendicitis occurs
very rarely, an. I the percentage of peo-
pV who cat fruits containing small
seeds and are cauxbt, insignificantly
small. It not necessary to resort to
an oeration except in severe cases, nor
is it absolutely necessary that one
should die. The latest and most suc-
ce.sful cure is to administer internally
from one to two ounces of sweet oil
every three hours until the fiain is re
lie ved.
The seed which causes the trouble
irritates the muscular tissue so that
congestion follows, and this may soon
cause inflammation of a very serious
character. Sweet oil administered in
time, and faithfully, allays the inflam
matory condition, reduces tempera
ture and relaxes the tension of tUe
muscular coating of the intestines and
appendix. Besides it takes seed or all
foreign substances with it and effects
a complete cure.
The patient should le kept iu bed
and poultices should 1 applied very
hot to the seat of the pain. Grape
pulps are too acrid and pits should
not be s wallowed. Waverly Magazine.