8 WAGNER AND SHAKESPEARE. The Opra And The Drm in New York Pasiopate Playing of Tb Belgian Violinist More Than Tea Thousand Person in The Metropolitan. Your Editress has asked ine "to send a criticism on Ysaye, or a letter giving an account of some opera or ply, " lor this issue of the Prks.s and Carolin ian, and 1 am glad to do the very lit tle I can for a work m which I am o much hiTrested. If jou knew how often 1 have thought of you all when I was enjoying these rare treats and wished ytu conld he with me to share them, 1 am-Mire you will pardon the personal note in my accounts. When hall I begin? Well, my lat est pltutMire was "Lohengrin." 1 do not exactly agree with the police man who was found asleep in the Opera Hue. although I think of his reply to t he Mirprfee expressed at his not .listening to the music: And phwat do I be wanting to listen to them Daotch singers for after hearing Milby and the DeUooshkies." Gadski was a good Elsa, but Brema's Ortrud was Hirer. Here Uothmuhrs Lohen lHin was very well vocally, but he a most substantial middle aged "Knight of the fcjwau," sadly lacking in knight ly elegance. The chorus, especially the men, were like caricatures in Puck of "The Great Unwashed." The music is wonderful,-for the richness and breadth f the Vagnerian ' Drama is unrivaled in Lohengrin. - 1 shut my eyes ai 1 listened to . the ravishing music, an 1 from the beginning of Act III, whioli'.o peris with tha famous Brid al chorus until the scene changes, there was not a break in the dre am of beauty (with eyes closed!). When i recall being transported in to the heaven of sweet sounds, I think . pre-eimnently of . Y. save ''and of The Huguenots with the ideal cast: Mel ha. the-Do Ues.kes, fcjcalchi, Plancon and Ancona.. every role taken by a star. -Never have I seen The Metropolitan so elosely packed, with not an inch of standing room left on all the six floors. You can imagine the auoienee wheu it seats ten thousand. Very rarely has such wild enthusiasm been displayed, even in the days ot A I vary 's Seigfried. You could feel the electric tension, the holding of the breath, the excited glances of '- ecstatic delight, Pefore, when hearing Les Huguenots, I must confess, over lour hours of it dragged; but this time, such was the mighty way of transcendent art, only the next day's uttor exhaustion made me realize its length. How can I give you an id-aof Ysaye? By the way, that curious looking name isjironounced as the French and Hebrew pronounce Isaiah, Ee-sah-yea. He is a Belgian and is tire llrst profes sor of violin playing in the Conserva tory of Brussels, as Yieuxtemps and Wieniawski, his teachers, were bv fore hiui. Ysaye was also a pupil of Massart in Paris and is a disciple of the French school which attained the supremacy after the death of Pagan ini, rivalling the German of which David and' Joachim -were masters, 4jut from the Polish he has gained breadth, warmth and romantic sentiment. He is thirty-six years old and has a wife and four children His personality is commanding, for he is east in a large mould, large features, very mobile, that suggest Beethoven and Rubenstein, straight hair, cut square and rather long with one large lock that falls ov er his cheek as he plays. Then as he stands, dignified, abstracted, impress ive, swaying to and fro in his playing, his violin nestletFunder his chin seems a part of his very inmost soul, a part of himself just as the voice is of the singer, beating with every pulse, tak ing changing color and pitch and form from every variation of fueling. He made his first appearance in America here in New York at the Philharmonic Society Concert under Anton SeidI, Nov. 10, 1804. It has been my good fortune to hear him several times, to delight in the enthusiastic ovations he has received, to join in the recalls up on recalls even to eight and nine times. It was interesting to see the violin stu dents following him with their scores and noting down his renderings. As I look over my programs, I despair of particularizing. There was that "Fant asia Appassionata" of Yieuxtemps which made tears come to all eyes, the Mendelssohn Concerts, the Kreutzer Sonata and some of his own composi tions, and oh, the Bach Sonata, for voi lin alone when he gave the quartet effect with such a singing tone, melt ing into tenderness, ringing out with gladness, all variations. Poetry, vital ity, life is in every tone a human voico that tells us ail we have felt or thought or known. That is his great power. He feels much and expresses every phase of emotion in his violin. He is a popular player, because he ap peals to the feelings which are univer sal and the great throbbing human heart responds. Have you had enough of music? It Takes Strong Nerves and Clear 1 Brain These Days. The Rev. I. P. Quimby of the Broadway Church, Bo:ton, Says It Is His duty to Recommend Paine's Celery Compound It , Makes People Well. ::m:mM wmlmFf m- KF.V. !. P. Clergyman today need big hearts and sound nerves to accomplish all the good they intend. It isen't merely the fact of preach ing once a weak that makes the life of the minister of today wearing en nerves and brain. Their every-day labor is a round of exacting duties that tax heavily their nervous strength. The modern minister must keep up his enthusiasm, his hopefulness and his genuine love of his work. He must feel strongly, think deeply and have confidence in his labor and in him self. But all this taxes heart and brain to their uttermost. It calls for a tre mendous outlay of nervous energy seven dsys in the week and ?C5 every year. Many clergymen break down utterly vnder the nervous strain. Rev. I. P. Quimcy, the well-known Boston preacher, has been saved from nervotls prostration. In a publication of his Sunday School he has recently published the following open letter: Boston, Nov, 1894. Never in my life have I commended any proprietary medicine, but I would be derelict in duty if I failed to let the public known what a great boon to humanity I believe Paine's celery compound to be. With a family of seven, I have not paid a dollar for a doctor in ten years, and I owe to the fact that I always keep Paine's celery compouud on hand, and when any of us are "out of sorts,v administer it. You know me of old. I would like to tell you of the wonderful boy "Cellist Gerardy, about Gounod's Romeo and Juliet with that ideal cast, and about Rob-Roy, too. You wouldn't care for Falstaff, Verdi's latest and worst opera, for several timee, when a part begins to be interesting, it stops. I went to see "Two Gentlemen of Verona" at Daly's because it is Shake speare. It has not been played her for nearly fifty years. With all the wealth of stage setting, the scenery of a dream, historical costumes, dance8 and music, it was rather tame for it lacks human interest. In a literary point of view, it is worth seeing, for it suggests other and stronger plays; and then one likes for once, at least, to see Shakespeare, as it were, illustrated. Ada Re ban as Julia is Ada Rehan still. Sylvia is beautiful, the two sets of con trasted lovers mildly interesting. Your sense of the fitness of things is out raged when Julia accepts Proteus af ter all his faithlessness and his mean ness, too, she so delicate, refined and HICKORY PRESS: MARCH Mill! Ill QUIMBY. Both wife and I, in our arduous church work, are often, bV anxiety and overwork, reduced tbe verge of nervous prostration, and as often, by the use of Paine's celery compound, restored to our wonted energy of mind and rigor of body. Our sons, who are young pharma cists, tell us they sell more of Paine's celery compound than any two pro prietary medicines, not excepting the sarsaparillas. Yours for Paine's celery compouud, REV. I. P. QUIMBY. Pastor of Broadway Church , Jioston, Jfa.su. When the nervous strength has be come from any cause impoverished, Paine's celery compound, the great modern nerve and blood remedy that make? people well. And with the strengthening and regulating of the nerves the? disorders that depend on the faulty nutrition of these tissues dissape-xr. Such are rheumatism, neuralgia, heart weakness, headaches, low spirits, lack of strength, and that general poor health that is so impossi ble to define. Sonnd nerves, healthy blood ;:nd an all round, vigorous constitution of the body is the invariable elfect of taking Paine's celery compound. This great modern restorative corrects derange ment of the nervoui system, and averts prostration when protracted, strain has reduced it to an exhausted, poorly fed, devitalizetL condition. Try it. high-minded. You exclaim it is un natural until you remember in your life's experience, you have seen just such women love just such men. Un like the person who said he didn't like Hamlet because it was so full of quota tions, one greAt charm of this play is the peeping forth of familiar lines. Anyway we must be grateful for "Two Gentlemen of Verona" as it contains that exquisite sonnet: "Who is Syl via' Launce and his dog live in the same world as Saneho and Dopple. This play, though not -so beautiful, suggests in its setting, "Twelfth Night." played earlier in the season. But best of all was "Taming of the Shrew," where Ada Rehan is the his torical Katharine. I wish 1 could tell you about Boer holm Tree and Madame Sans Gene; but w ith much else I would like to say, unsaid, I must say farewell, since art is long and time is short. I am yours sincerely, ElJWlNA CHADWICK. 21, 1895. OF Wo have two very special things in U That we want yon to see. One is koeo-pnnt suits, sizes 5 to 15 years, all wool black or blue che viot. Coat double breasted, pants have double knees and full r-in-foreed (not a patch) seats. Price 2.50 per suit. 1 Oiler : Boys' louff pants suits in sizes 14 to20 years. The larger sizes will fit mon who wear 35 and 36 coats. All wool, black or dark gray che viot, at $5.00 a suit. These are our m i0 a And ar better than any wo have ever offered at the price. MAIL ORDERS Get prompt attention. We pay expenses one way. no i 0 U CHARLOTTE. N. C. THE BOY FATHER IS (Paradoxical but PcrtlacatJ HAN TO THE, Teacta Yoor Boy the value of ad toe. Ht will then know whai to do with his dollars later. 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