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THE DAILY TAR HEEL
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5T() e Daily
Ths official newfcp.-ipcr of. the Publication Board ot the University of North
Carulinu, Cti.-ipt-i Hill, wuic it is l.ssued daily during the regular sessions tit
the Univermty hy the Colonial l'ress. Inc.. except Monday, examination and
vacation priods, arid tlie summer terms. Entered as second-class mater at
the post office of Ch.'ipt'l Hill. N. C. under the art of March 3. J87U. Sub
scription price: $8 00 per year, t3.00 per rf4uarter. Member of The Associated
I'rt-K. The Associated Press and AP features are exclusively entitled to the
U'-e for republication of all news features published herein. -, .
FditoT . ...
Hu'.-ine Mti'UKjvr
Milium i no f.'Uitor
Slorit t. liilur .
Weui'tianvr
Urik Editor
Sonet y Editor
tUUorial Stafj: Cr uilie Gibxoti, Torn Wharton. Wink Locklair, Bill Kellam,
Don S r i ro -t h 1 1 J I mrny fti i therford . John Stump . Vestal Taylor.
HYw$'siat!; Roll'-" NeiU. Don Alavriard, Glenn Hardun, Bill Johnson.' WufT
Newell, f.am M.Keel. Murk Sumner, Art XanthoB, Graham Jones, Charlie
Gibfon. Chatbe ttrwcr, Ginnv Jones. M. K. Jones. '
liiw.-in'i MujV Oliver Vwatkms, lx Willi.-imfi. Neal Cadieu. June Crockett, Don
Stanford, Bootv Tavlor, Hill Hrain, Frank Daniels, Ruth Dennis, valyn
Harrison, Dan Hob'on. Rutli Sanders, Pepffy Sheridan, Rodney Taylor. Mane
Withers, Margaret CarrettHoward Tickje
Sports Mall: Xai ry" Fox. Funk Aliston, Jr., Joe Cherry, Lew Chapman.
Andy Taylor, Art Greenbaum. Rid Roberts. Ronald Tilley, Billy Peacock.
Ken Barton. .
.Stuff f fiof onrouher
Society StajT PegKy Wood, Marie "withers. Betty Ann Yowell. Judy Sanford.
Mnrrerv Storey. .
Tribute to SEC and Playmakers
We feel that a tribute is due the Student Entertainment
Committee for their work in bringing the Don Cossack
Chorus back for their third appearance in as many years,
and to the Playmakers for their sponsorship of the second
local appearance of the Margaret Webster Company, with
a program of two Shakespearean plays.
Any effort to preserve and to carry ' the talents of the
great Bard to the general public are to be commended, but
the Playmakers are responsible for an especially fine project
in making it possible for hundreds of public school students
to enjoy a, professional interpretation of Shakespeare's im-
mortal work. This is particularly important since the ex
perience of seeing a production unfold on the stage is much
more impressive than repeated reading of the same subject,
no matter how interesting the subject matter may be.
' These children are, at an impressionable age, being shown
the magnificance of a true master. It is to be hoped that
the impression and an appreciation of Shakespeare formed
here will become a lasting joy and inspiration that will re
main with these children for the rest of their lives.
. VCT
A Boring Task?
Shakespearean Productions
' By Margaret Webster ' '
j (Margaret Webster, producer
"enfectdr of the Shakespearean
Company appearing: here on
January vf, with productions of
"Julius Caesar" and "The Tam
ing of The Shrew" presents a
article written especially for the
Daily Tar Heel, explaining why
her company is touring the
)work of Shakespeare. ED.)
. Is Shakespeare a boring task,
Hn imposed classic to be studied
with reluctance for the satis- ;
faction of the examiners and
then forgotten as rapidly as
possible? Why this emphasis
on Shakespeare? What has he
to say to us? . And why should
a professional company, the
first of its calibre in the school
and college field, select Shake
speare as their voice and lead
er in their second consecutive
30,000 mile trek across the cam
puses of America?
It is to be feared that some
such thoughts as these may run
through the minds of skepticaJ
sections of the student body
when confronted with the forth
Coming performances of "The
Taming of the Shrew" and "Ju
lius Caesar." Yet Shakespeare
has more adherents among their
number than they know, and
the reason we Tiring them
Shakespeare, the reason we
bring them these two particular
plays, is quite literally "by pop
ular demand."
There are a few rare and pre
cious things which are the com
mon heritage of man. Differ
ences of language are overcome,
antitheses of races and history
are annulled; wars do not bring
these things within the range
of conflict, and in defeat they
are not destroyed. They stand
for unity, for the universal bind
ing force whjch underlines hu
manity, and they do so because
they bear in them a reflection
of humanity itself with all its
glories) miseries, common little
things of everyday necessity,
heights of joy and laughter, and
dreadful capacities , for terror
8nd for tragedy.
It is our contention, and we
shall hops to prove it in ac
tion, that Shakespeare belongs
not only to the past, but to
, the present and future also.
We are playing JULIUS
CAESAR in modern dress;
this is not done as a "stunt."
nor with the intention of
drawing any specific paral
lel with a particular dictator
. ship. Least of alL-do we wish
. to impose on Shakespeare's
magnificent play a pattern or
a way of thought which does
not belong to it. We shall try
.'honestly to interpret what
seems to us Shakespeare's
thinking in terms which bring
mat Keel
DICK JENRETTE
C. B. MEN DEN HALL.
CHUCK HA USER
TAYLOR VABEN
hoy parkf.r. Jr.
.... ZANK KOBB1NS
CAROLINE BRUNEK
James A. Mills
it closest to our own minds ;
and our own society. '
For Shakespeare ' is dealing
with problems which are very
acute and immediate to the
world today. His Rome under'
Julius Caesar has reached the
moment of decisive choice ;
choice between the old sturdy
individualism of the Roman Re
public, with its political system
of "checks' and balances," and
the surrender, under the spell
of a great leader, to a .dictator
ship. One step more, of formal
ratification, and Casear will be
invested with absolute power,
complete and irrevocable. He is
a man hardening as he grows
older, arrogant, demanding flat
tery and submission, a prey to
superstitution, but he is also
the greatest general the world
has ever known, a ruler of un
equalled ability and force. 4
There seems to be nothing
whatever to stop the course of
events nothing but murder.'
The story of the play is, of
course, the story of the men
" who murdered a would-be Dic
tator and of the consequence of
their action upon society and
upon themselves. Yet Shake
speare's theme is perhaps this:
' no human being is capable of
wielding absolute power over
his fellows; and as in another of
the Bard's plays: "There is no
sure foundation built on blcl,
no certain life achieved by
other' death."
The subject-matter and the
story of THE TAMING OF
THE SHREW are stated very
simply and completely in 'its
title. The essentials of the plot
were used countless limes be
fore Shakespeare and have
been repeated myriads of
times since, in plays, books,
pictures and stories. A shrew
gets lamed in Hollywood reg
ularly every few seasons, and
at the present moment Ihe
same plot is delighting audi
ences all over America -with
direct credit to Mr. Shake
speare loo in the' form of the
Spewack-Cole Porter musical
'Kiss Me Kate."
Shakespeare's immediate pre
decessor i
the field was the
unknown author or authors
of a contemporary play entitled
"The Taming of A Shrew."
From it Shakespeare borrowed
the characters of the drunken
- tinker, Christopher Sly, and the
Lord who plays the practical
joke upon him and arranges for
the Strolling Players to per-
fcrm their comedy for Sly's ben
efit. In our production we have
retained a little more of- the
earlier "Sly" scenes than Shak
speare did, including a tiny
Epilogue which orgihally formed
what we today should call a
Pitching
Horseshoe
s
by-'
Billy Rose
Remember my recent piece on
the subject of educated f dogs
the' one in which I reported the
testimony of several scientists
, who had examined a group of
. ' - - .
pooches in Germany and found
they could add, subtract and
even 'carry 'on a' simple conver
sation via alphabet. Jblocks?- " -Well,
shortly after, the column
appeared, my office, was bom
barded with letters calling me
a cocker-eyed liar, and insisting
that no hound in the history, of
this bilious green earth' had ever
done the things the professors
attested to.
Okay. The, objections are
hereby acknowleged and duly
noted. And now. with your
permission, I would like to
lake up the question of talk
ing horses. . .
, In 1900, a Berlin misanthrope
named Wilhelm von Osten de
cided he preferred the company
of hayburners to that of hum
ans, and so he moved to Elber
feld where he bought and pro
ceeded to train a Russian stal
lion which he called Clever
Hans.
By means of a numeral code
system, he taught the animal to
answer questions by tapping its
hoof on a sounding-board and,
according to the. record, in a
matter of months it could
"read, do arithemtic, and dis
tingish between dissonant and
harmonious chords."
Shortly before von Osten
died, he willed Clever Hans
,to a Herr Krall who added
several other horses to the
school, including Hafischen, a
Shetland pony. Berlo, a near-
lyblind black stallion, and
Muhamed, an Arabian colt
which turned out lp be the
Quiz Kid of the class.
Two years later, we are asked
to believe that the entire stable
was adding, subtracting and
multiplying, and Muhamed'
could even . solve problems in
volving fractions, square roots
and cub roots. is' ;
Naturally, the scientists in
Berlin heard cf these horsey
high-jinks, - and. a committee
headed by a Professor Stumpf
and a Dr. Pfungst (beautiful
names, those) hotfooted it to
Elberfeld and put horses and
owner through their respective
paces.
When satisfied that the edu
cated equines could handle the
simpler forms of mathematics,
a Dr. Hartman of Cologne po
litely asked Muhamea for -the
cube roots of 13,824, 29,791 and
103,823. The Arabian, wiout
batting tail or mane, tapped out
the answers 21, 31 and 47, re-
spectively. What, a Professor'
Sarasin of Bale then wanted to j
know, was the fifth root of
147,008,443? Muhamed gave a
contemptuous snort, the mean
' ing of which was plainly. "Ask
me something hard," and gave
him - the answer. (Anyone - with
horse sense knows it's 43.)
What's that, dear reader- You
say the professors were full of :
schnapps? Could'. yery well he:
But Maurice Maeterlinck, of
"Bluebird"' Jame, was a tern- "
1 perate gent, and in a two-part '
article in the Metropolitan of '
May and June, 1914, he told of
his experiences with the talking
horses of Elberfeld. I quote:
"They are not, only first
class calculators, for whom the
most repellent fractions and
"Pay-off" for Christopher.
Any playwright on the print
ed page is only half alive. He
wrote to be played. He needs
. the instrument of the living ac
tor and the receiving apparatus
of the living audience. ' He
: counted on those things and his
use of them is a part of his
craftsmanship and .his". genius.
We hope that later on we may
bring you other great , dramatists
who are all too seldom seen in
the form for which they wrote:
, Ibsen, whose astounding inten
sity and compression of power
( is almost totally " disguised ,iin'
the stuffy Victorian translation
with which we are familiar;
Chekhov, the tender and prob
ing humanist of little things, of
laughter and compassion; the
glittering satirists of comedy,
Sheridan or Moliere; the gi
, gantic and irrespressible George
Bernard Shaw; perhaps the
more recent dominant figures of
our own American Theatre. In
fact we shall again be guided
' by "popular demands." For us
i this ' is an adventure, we are
I pioneering; that too is a part
of the American inheritance.
New
yfl V ' fc EVERYTHING BKAtf-' p- ; rT- .
' I'M" 5?AH NEW HERE J:"
gj'
Distributed by Kine Features Syndicate
by arrangement with The Washington Star
Those dour dignitaries gracing
the walls of GM's main lounge
are scowling more'n ever these
days. Our worthy forefathers,
who appear to have been the
personaifications of tradition and
conservatism, are blinking in
pained amazement. Never have
they seen the likes of it! Any
day,-' now, ' in 1 ; self -protection,
they'll be" breaking out the
dark glasses.
Why? Why just take a gan-?
der at the lounge's new furni-"
ture. No wonder the old boys'
eyes are aching. The place
looks like somebody got.holdled "hit" are finding their
of Joseph's coat and used it Wd 111 lu wiups, anu
to cover the torrid new chairs Promise to have the Chapel HiU
and couches now gracing the air Tir m the near future
formerly sober confines of ihe .with some of the ne year's toP
lounge Not that the furniture ifs- ' r
isn't nice and comfy. 0ne of the finest records we
But, wow, the place looks Mve heard recently Js Jimmy
like the color spectrum. The Drsey s waxing of Charley. My
furnishings look like an interior Bo and Jh The doub
decorators' conception of the le-barreled hit marks J. D.'s debut
coming Congressional discord ?n a Columbia label,
over lil ole Harry's. Fair Deal Both .sides feature the Origi
Program. There hasn't been such "Dorseyland" Band. Charley
an overwhelming jumble of a tune with a lot of
colors in these parts since last llfe and some fine instrumental
fall's modern-art exhibit in Per- work by the old master Ray Ba
son Hall. And pity our esthetic duc on th;e drums and Charlie
student interior- decorators. 'Teagftrden on trumpet. Teagar
They just can't stand, or sit, in den teams with Claire "Shanty"
the lounge any more.. It's just Hogan on a top-notch vocal job.
(pained sigh) too much' for one Hogan has a refreshing voice that
to bear. satisfies r-and should go places
The raibow room has now in- alon wih J- D. who, if he con
corporated about avery imagi- tmues the good Work will land
nable,' and some unimaginable, - riSht back on top .of f the"pile.
extreme of color and design into Rag is an old-time Dixieland
its ornate trappings. Tudor favorite and Dorsey does it up
paneling and ceiling, 19th cen- in fin0 style. Claire Hogan sings
tury chandeliers, and 20th ceh- with the chorus and turns out
tury three-piece corner sets of what is probably the best revival
table and adjacent chairs. Not of the old-time hit.
to mention the motley-colored One of the top' new bands is
leather-c o v e r e d overstuffed that of Ralph Flannagan, a form
square roots possess hardly
any secrets, but they disting
uish sounds, colors and scents,
read the lime on the face of
a - watch, and recognize cer
tain geometrical figures, like
nesses and photographs." 1
The playwright went on to tjon js the smoothest we've heard
fsay that he came away from mi a long time,. .The band as a
Elberfeld "magnificently, dumb- whoie . Eeems to : be better than
founded at , the . facility, the Tex .Beneke's crew which no
quickness, and the almost joy.-. iongej follows the Miller style,
ous carlessness with which the Flannagan's. brass section is easi
horses gave the answer." ly as good as Beneke's and the
What ever became of these arranging is vastly superior.
MnoqdVid. nagsYf have a p . features Harry Prime
'. way- orknowmg.rA few weeks 0ne ivlarry has "Been
after Maetelmcks articles" ap- arQund a long time " and knows
peared, World War I began, and thfi voc'ilists' f ropeff pretty well
; for all I know they may have fe now.-He turns in a good job
concluded that humans were no on the vocal Harry has been
longer worth talking to. -. .Fnagari arrangement is some
Incidentally, if you think - y n hat slower than most People
you think I've been lacing my waxings on the market,
and want io check on ihe ialk 'Jrankie Laine seems to have
ing horses of Elberfeld, go other smash tune on his hands
ahead. The story can be found th Waihng At The End Qf The
on the shelves of any fair- ' ii6ad. The ditty is sung in typical
sized library. ' .. Laine style, is "solid", from start
Of course, another way -of-inish.and will have sa-hZard
checking is to associate with a time staying6ff?the,4atLpn's hit
better type of horse. parades. ...
Quarters Old Problems
Carolina Seen'
GAA Color Story
By Bill Kellam
suites. - -
As for the colors, well, just
yellow, and wine furniture.
There're yellow drapes; light
: tan couches; even lighter tan
table and radio cabinet; dark
brown tables; chandeliers of
tarnished gold; and green
lampshades.
Record Shop
By Gordon Woolfe
A batch of brand new records
er Glenn Miller arranger, Flan-
nagan's latest release pairs a Miller-style
"instrumental version of
the old standard Where or When
with the new rave Dear Hearts
and Gentle- People. When is
greatly reminiscent ,of . the old
Miller crew. The trombone sec-
name it. and they got it.
There're gold lampshades and
pictures frames; green, red
and yellow-stripped, just plain
The most spectacular articles
are the corner tables and four
,red, white, green, red, and sev
eral - other - indistinguishable -colors
chairs. This' galaxy of
colors is secondary,, though, to
the turkey-like critters woven
into the fabric. You're almost'
afraid to sit in the chairs, for
fear the fowls aren't house-
broken.
" The tables to the three-piece
suites are quite attractive, but
one fears the worst for the per
manahce of their beautiful nat
ural finish. A few months of
carelessly discarded cigarettes
and hard knocks will find them
looking like the furniture in
the DTII office.
The lounge is in its present
techincolored condition be
cause GM Director Jim Rath
burn tried to brighten up the
drab lounge with indequate
funds. He's done the best he
could and the new furniture
is fine, if a little gaudy.
But we still need some kind
hearted philanthropist to come
through with a big enough wad
to really fix us up with a large,
more adequate student union.
A Y court with a roof, maybe.
Rathburn's doing a fine job op
erating the present outgrown
building with a limited . appro
priation, but the student body
sure does need a considerably
enlarged building.
To .The Editor
MORE F. E. P. C.
Whenever I hear a strong
defense of the F. E. P. C. idea,
I stop and wonder if f the writer
; is, a; lawyer or law student, be
cause if the' bill is ; passed, it
would plunge all' industries in
to legal tangles that would re
quire a full time staff of lawyers,
v I am a great believer in ra
cial tolerance, but I recognize
: the fact thai if ihe F e: p- C.
; -bill were tQ.be eri&'rcedVj with
..ihe,' possible consequence thai
Negroes twouldi be hired vas '-.
S (foreman-'. in ' some industries, ?
mosi of the white workers un
der them would .quit work,
especially here in the south.
Like pure communism, the
F. E. P. C. idea is ideal in prin
ciple, but also like pure com
munism, it would not work. All
the laws in the world can be
passed to try to make people
be tolerant of minority races
and colors,- but the only way
tolerance will ever be accom
: plished is l5jr.;.a mixture, t'cam
' mn eriselknd Christianity. -!
-f; l. i U; ,U --k- .'-J? f-
MERRY-GO-ROUND
WASHINGTON This column
recently exposed the manner in
which mid-continent petroleum
had fixed' a $6,000,000 income
tax evasion case for only $3,
000,000, after Internal Revenue
Agents Triad recommended crim
inal prosecution.
Here is another fraud case,
this one' envolving a Labor
Union. The chief difference
between the two cases is ihat
ihe Truman Administration,
despite iis great and avowed
friendship for Labor, has not
yet lei the union gei away
with it. Although ihe union
iax fraud has been delayed
for one year, it may still be
prosecuted. The big oil, com
pany case ,on ihe oiher hand.
was quietly fixed on ihe in
side and was never allowed
io gei io ihe Justice Depart-
meni for Criminal prosecution. '
The labor case involves three
organizers of the United Textile
Workers (CIO) Toby Mendes,
Frank Bartholomew, and J. H.
Turner, who are charged - with
encouraging workers to falsify
their tax returns at the Simmons
Mattress Company, Roanoke
Rapids, N. C.
The Simmons Company was
in the middle of a fight over
whether the plant should or
should not be organized by the
United Textile Workers, and as
one inducement to join the un
ion, the three organizers offered
to show workers how to save
money on their income taxes.
The saved money all right, but
largely by swearing out false
church contributions, travel ex
penses, gaimbling losses, etc;
Gifts to churches in Roanoke
Rapids, according to the income
tax returns, were so high that
one preacher remarked: ;
"If we had received air ihe
. coniribulions thai have been
deducted from the income lax
returns around here, we
wouldn't have io pass ihe col lection
plate again." -
Treasury . investigators secur
ed scores of sworn affidavits
from millworkers telling how
the union organizers encourag
ed them to fill out fradulent
tax returns. Here is one example '
of a conversation between Toby
Mendes and a millworker.
Mendes: "How much do you
donate to church?"
Millworker: "I don't go to
church.
Mendes: "Do you pass by a
church on your way to work?"
Worker: "Yes."
Q: "What church?"
A: "The Methodist Church."
Q: "Fine. You gave a $300 do
nation to the Methodist Church
last year." '
Q: "Do you ever gamble?"
A: "No." ." '.' ,
Q: "Do you ever play ' cards
for fun?"
, "Yes." : ; ,
Q: "Fine. You lost $300 in.
gambling debts last year."
In pervious years, the Sim-"
mons Company had supplied ac
; countants to help workers make
ACROSS
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Kutis
liit.li mountain
Orit-ntHl
dwelling
Kkix product
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ii
34.
35.
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38.
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41
44.
ViRui
Paint lilies
Preceding
nights
Festival
Kind ot cloth
Wearies with
aull-ness
Thing : law
Asiatic country
Hurled
Ntw ISnuland s
state
Rfteri-f
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M.
Hasten
Inspect
Make suitable
tteiair
Catch slsht ot
Ck-ver
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2i. Head
2S. Skin
23 Old musical
. note
3" rropical bird
51 l.arse strr-am
47.
48. Large hunting
dog: archaic
Fish fegps
Up to the
50.
51
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DREW PEARSON
ON
WASHINGTON
out their taxes, but chief r:r. i ;
ganizer Mendes told v.-cakt ,-rs
that the company did not have l
their interest at heart and that ,
the union would save thtm I
money.. ' !$
. . Mendes also claimed ihat he I
and ihe two other union ot- f
ganizers were former Internal l
Revenue Agenis, knew the in
side ropes on how to save .
money. Later it turned out l
ihat only one of ihe organii- i
ers ever had been connected t
with Internal Revenue, and !
then only as a file clerk in
Washington.
After T-Men unearthed the
phony tax returns and in the
course of their investigation, i
Mendes and Bartholomew burst !
into the Tax Collector's office
in the basement of the Post
Office Building at Roanoke !
Rapids. Four T-Men were in
the room: James White, Wood- i
row Blue, both Deputy Collec- I
tors, and agents Arthur Selby j
and Joseph A. Taglieri of the i
Intelligence Unit.
"I understand you are looking
for me," said Mtfcides. "You
don't have to look for me. Here
I am."
There being no comment,
Mendes continued: "I understand
'you are investigating the re
turns we made out."
Agent Selby admitted this was
a possibility.''
"Well, I wouldn't if I were
you," Mendes warned ."You may
get into trouble."
The fradulent tax reutrris were
for the year 1947, and the
Treasury Department concluded
its investigation in 1948. More
than a year elapsed after that,
during which Mendes apparent
ly tried to carry out his threat.
For no prosecution was ordered
in Washington.
Union officials claimed that
the company had .inspired the :
iax probe; thai it was a part
of intimidation tactics used by
the Simmons Company io pre-
; vent ihe organization of iheir
mills. Internal .Revenue
Agents, however, claimed that
the company kepi hands off.
They said ihat Frank Williams,
manager of ihe mill, told them
' he didn't want io have any
thing io do with the mailer,
Hidn'i even want io hear any
thing about ii.
Finally, after more than one
year's dickering and delay in
Washington, the Justice Depart
ment sent the case to Bryce R.
Holt, U. S. Attorney in Greens
boro, N. C, for criminal prose
cution. Holt, however, has informed
the Justice Department that he
; is opposed to prosecution. He
justifies this on the ground that
the three union organizers got
no financial return for prepar
ing fradulent returns and that
prosecution of the case in court
would boil dwn to a battle be
tween Labor and Management.
That is the status of the case
today.
Solution of Yestei day's Puzzle
62. Countries
3. Female sheep
DOWN
1. Poem
r2. ioose
3. Playwiight
4. Hard i..ck
5. famoLK singer
6. Uoity
7. Ourselves
. Kind ot fish
'10.- Part of th
mouth
11. varess
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