Sarials Dcp t . Bos 870 C h a p 3 1 I! rVTo AimcAt Ourselves See Edits, Page Two Weather Fair and Warmer Offices in Graham Memorial WEDNESDAY, APRIL 4, 1962 Complete UPI Wire Service Campus Yotes In Glotfelte r9 WFye9 McGee States To American The central fact that must be understood about the political revo lutions in the world today, Sen. Gale McGee told a Symposium audience of about 1400 persons last night, is that what is taking place in the world today would be taking place if there had never been any Russians on earth. The liberation of the peoples of the world by World War II and their acquaintanceship with Ameri can riches that they had never Campus NSA The NSA committee will meet today at 5 p.m. on the second floor of Graham (Memorial. ewe The Carolina Women's Council will meet tonight at 6:30 in the Grail Room in Graham Memorial. ASPA The ASPA wil meet tonight at 8. Carolina Forum The Carolina Forum will meet Friday at 4 p.m. in Roland Parker I. Committee members have been asked to be present. American Field Service The American Field Service will meet tonight at 6:30 on the second floor of Lenoir Hall. Business Manager Interviews Interviews for business manager of the Carolina Handbook and for business manager trainees for the DTH, the Yack and the Quarterly will be held Friday, at 3 p.m. in the Woodhouse Room of Graham Me morial. The Handbook business manager will receive a salary of $100 and should be able to start immediate ly. Speech Copies Copies of the speeches delivered by the featured speakers of the Carolina Symposium may be ob tained by writing to The Carolina Symposium, Box 6, or by leaving word at the Symposium office, lo cated on the 2nd floor of the YMCA bldg. A charge of $1.50 per copy will be made. All of the speeches will be included in the book, which will be published as soon as pos sible after the final lecture on Thursday night By LINDA BYSER A trio of writers singed the beatniks beards and literary ef forts headed for the real fire in future literature during a symposium panel discussion on writing Tuesday afternoon. No current vital revolution ex ists in literature said John Ald ridge, critic and author from Hollins College. This is a pefiod of consolidation and refinement in literary works, he noted. Undercurrents of revolution were detected by panelist An drew Lytle, editor of the Se wanee Review who observes cer tain things are always recurring. "This perpetual experience that is always true is called arche type." Archetypal writing is a possibility for the future he pre dicts. 'Give it human character istics", he says, "because its got to resemble human beings". No Poetry Revolution Poet Charles Eaton of Chapel Hill noted "no signs of any revo lution of great vitality" in poet ry. He sides with the hopefuls in writing rather than the com ' plaints, he said. Vernacular writing of Eliot and Pound has become too colloauial he thinks. Beatniks don't say anything new to Eaton. The . Beatnik movement is not a revo lution but a symptom of a ter rible fatigue to him. "What they say has been said so much bet ter before. It is like the flux of the mind spewing forth. Th Beatniks' seen before, he stated, made these people feel that they had been cheated and gave them a desire to make up for lost time. . "The history of these times," he said, "will be called the history of the era of independence not of the struggle between freedom and communism." McGee stated that we must act as though we believe what we say about freedom, and attacked the extremists in America who "fear Colby Eight Singers rvl , f lit U 3. "If 1 ! u s I -I 1 THE COLBY EIGHT, nine boys singing south during spring vacation from Colby College, Maine, yesterday harmonized modern jazz in barbershop style to Chios at lunch time. The group, called a double octet, last week sang at several schools in Maryland, and arc going to Duke today with tentative plans to sing at the Saddle Club in Durham tonight. Symposium Schedule Wednesday Afternoon, April 4 2:00 P.M. Carroll Hall Panel Discussion: Africa Moderator Guy Johnson, Professor of Anthropology and Sociology Panel: Udo Oton, Information Officer, Nigerian Consulate General George Houser, ' Executive Director, American Committee on Africa Tartt iBell, Executive Secretary, American Friends Service Committee 4:00 P.M. Carroll Hall Address: Latin America Dr. George I. Blanksten, Professor of Political Science, Northwestern University SOCIAL AND SCIENTIFIC REVOLUTIONS Wednesday Night, April 4 8:00 P.M. Memorial Hall Dr. Huston Smith, Professor of Philosophy, Massachusetts Institute of Technology Dr. Samuel Kirkwood, Biochemist, University of Minnesota Reception immediately following address in Graham Memorial eards beat style is characterized by four letter words for shock and a main theme of sexual eccen tricity," he said. Revive the lofty brave and magnificent to recreate a revolu tion in writing, he suggests. End Of Realist Novel The difference between Bohem ians and Beatniks is the long hair has fallen to the lower part . of the face, Aldridge observed. The modern age is in a constant state of revolution he said but there is a distinction between the truly vital revolutions and the beat or angry young men movements. -The realist novel is done for, Lytle noted. Nothing can be add ed to it. Writers deal more and more in myth now, he said. The problem of envisioning ex perience without falling into stereotyped cliches faces the novelist now, stated Aldridge. Personal Revolution Is Vital The personal revolution is more important than the social revolution in writing Eaton not ed. "The writer has got to fall back on himself and make a world he can live in with dignity. The writer's problem is how to keep an integrated life. He can not always blame his culture or his mama and daddy," he said. To what extent can social values become dramatic values? Aldridge answered that the de cline in social values make it Decenary for authors to shift B Faith Vital. Leadership so deeply that they have forgotten their faith in what we believe." He then stated the four concepts that he considers vital for Ameri cans to accept if they are to pro vide world leadership. "We must face the obvious most of the world is non-white. The race issue in America must be considered in the light that it af fects our image in the rest of the world. And we dare not forget that we are seeking to lead in a non- Sft ' ' V 1 X r -1 A I tv I ifrJ iff ' I i ?l r tit I I I f l - ' M ! I I f I I ' f , r ;; t - X Burned By Panel from the social world to the per sonal world and create charact ers to whom certain things will have certain value. The char acters would then stand out a gainst society. Resist Mass Taste The writers advocated that authors too should stand out a gainst the popular tastes of so ciety and not compromise their 'I , LITERATURE Yesterday's literary panel discussion at Ger rard Hall. Charles Eaton, moderator and panelist leads the discus sion with John Aldridge and Andrew Lytic. Photo by Richard- Zalk white world. "The people of most of the rest of the world are desperately poor in a way that we can scarcely comprehend." McGee then cited a number of examples of world pov erty such as a Congo chieftain whose annual income is about $20. "We must remember that people are different." Wre have to under stand, he said, the various cul tures of man, and we cannot ex pect them to arbitrarily adopt our standards. "The people of the world are in a desperate hurry," he stated as the fourth concept. "They don't intend to work out studious ra tionalizations for their actions. They intend only to make up for lost time in a hurry." "These people hold the hand of the medicine on one side and Ihe tail of a rocket on the other. They want to pull the two together now." In conclusion, the senior, senator from Wyoming said that America needs less hypocrisy. "The people must accept the harsh realities, and the leaders must tell the people what they do not like to hear." Aycock Litter Case In Hands Of Dorm Council The case involving the litter of beer cans and furniture in Ay cock's TV room is now in the hands of the Interdormitory Coun cil, George Strong, assistant in the office of student affairs, reported yesterday. "There was no dorm damage," Strong said, "and we don't want to make an example of Aycock. The only damage was a broken chair not belonging in the TV room." Strong also said that he was misquoted in the DTH yester day with regard to his statements concerning the magnitude of the damage and the fact that the IDC has done well considering what they have to work with. Arthur Beaumont, chief of cam pus police, declined to comment on the case other than that it was out of his hands. work to the mass taste to gain popularity and money and lose quality in writing. The better literature is found in college and university literary magazines Eaton said, and rare ly in the popular magazines de voted to mass tastes. The uni versities open their doors to sup port most artists of our time, he observed. .inn.. . mi an i..'ijyiiir ' ' v , - ' C 's - if " I ;-y' " - ? y:-iyy,m- :- :!;?7 tllttm f , ' , . .'"-i?T"' ' n p ' ' ' ' ' " i f " .. ' - j 4 f ' f " f - ' f t:::""::w.Vx::::;:;:::::;:: . '' - '-- ::::::-: ' :::::::: :::: "-? t . y , fc:y:.: ... :. . . ''' -, ' .; ... " ; , , :. - I vsf " s " - - V . - i- , I i , ' ' s ' 1 - , ' ' ' ' f - " I nil fM.x i 11- y$i " 1 J 1111! if'' V "S-rvr X i J I 1 v , ,"c' " ,. 1 if - -X " J? If icA yyf , If V, . K , ft I I - ' ' " f 11 ' ' ' iSv ! - JIM CLOTFELTER DTH Co-editors. Social, Scientific Revolutions Are Tonight's Topics Dr. Huston Smith, professor of philosophy at MIT, and Dr. Sam uel Kirkwood, Biochemist at the U. of Minnesota, will speak at the Symposium tonight on "Social and Scientific Revolutions." Their speeches will be centered around the relative social and scientific changes responsible for the "development of the Post Modern Mind and a new view of reality." Travels In The East Dr. Smith, who is author of "The Religions of Man," has traveled widely and has spent much of his life in India, the Near East, and Southeast Asia collecting materials for his research in the fields of comparative philosophy and reli gions. He has contributed to the "Ad ventures of the Mind" series in "The Saturday Evening Post" in an article which appeared August 26, 1961. Dr. Smith will arrive this morn ing and spend the day visiting classes and the campus before his address this evening. Previous Visit Here On the same program with Dr. Smith will be an address on "Scientific Revolutions" by Dr. Samuel Kirkwood, Biochemist from the University of Minnesota. A native Canadian, Dr. Kirkwood, whose research on the thyroid hor mone and metabolism have gained national recognition, has visited Chapel Hill previously as a lec turer. Dr. Kirkwood will arrive at UNC on Tuesday and will remain on the campus until Thursday morning. Hull To Talk On Apartheid Professor W. II. Hutt, Dean of the Facuty of Commerce in the LTniversity of Capetown, South Af rica will lecture Thursday at 4 p.m. in 301 Carroll Hall on the topic 'the economic origins of apartheid in South Africa.' r ; 1 - "y i ??! . .1 i :V'-; :? - . -4V'H'' vv , $ i y p " -i if i ' "v '4" 1 -I "v f--' , y 1 fi . f : ? - - - y- t 1 ; i -.-j. .-j'-x f . ... . ' ' v "- -tr. ' i r - -1 1 1 - x , rr - , - I - So Bi-sf,'i 1 I . ,J X ' , J I x4 v-r . y g.. . ..jfvw. it- ---iMruwmimt ""-'" ...ri ART Moderator John Schnorrenberg (center) leads yester day's panel discussion on art at the Ackland Art Museum. Panelists are Roy Gussow (left), and John Sedgwick, j Photo by Richard Zalk and Chuck Wry e, neiv (Photo by .Jim Wallace) eldes, Griers on Point Out 3 'Revolutions In The Arts' By LLOYD LITTLE Three basic "Revolutions in the Arts" are happening today, art critics Gilbert Seldes and John Grierson said in Tuesday night's symposium program: Revolutions in electronic com munication, as seen in films and Hardison Work On The New York publishing house of Appleton-Century-Crofts has an nounced the publication . of a ma jor work by O. B. Hardison Jr., associate professor of English . at UNC. Entitled "Modern Continental Literary Criticism," the 352-page paperbound book presents a col lection of basic documents in the history of Continental literary crit icism since Kant. Included in the anthology are selections by major French, German, Italian and Rus sian critics. Dr. Hardison, who taught at the University of Tennessee and at Princeton University before coming to Chapel Hill has chosen and arranged the contents to em phasize three principal phases of Continental criticism aethetic, scientific and humanistic. Continental criticism aesthetic, Each selection is introduced by a headnote which indicates the historical importance of the critic and his work in English and No Art Revolution, Dr. Sedgwick Says By DAVE CHEEK "An artist has enough trouble without worrying about his audi ence" . .. those were the words of Roy Gussow, one of two men And Lawler Run-Off Election Completes Voting By ALEX MACFADYEN Student Party candidates made a clean sweep of the run-off elections yesterday when Mike Lawler was elected Vice President of the Stu dent Body, and Chuck Wrye and Jim Clotfelter were elected Co-editors of the Daily Tar Heel. Lawler won over Larry McDevitt by 227 votes giving him 54 per cent of the total votes cast. Wrye and Clotfelter defeated Ern est Stepp 1543 to 1167. Lawler carried a majority of the dorm votes while McDevitt carried a majority of the town men votes. Clotfelter and Wrye carried both the dorms and the town men's districts-Several hundred students turned out for the ballot counting at Gra ham Memorial last night, and several victory parties were held off campus to celebrate the Stu dent Party win. television, are creating, and will create, changes in art. Revolutions in how the artist expresses himself for instance, the arrival of perspective in paintings during the Italian Renaissance and more recently, the change to ab stract from realism. Publishes Criticism American criticism. Two of the selections are trans lated in Dr. Hardison's book for the first time those of Andre Bre ton and Charles Maurras and three others are in new transla tions especially commissioned for this text those by Theophile Gau tier, Charles Baudelaire and Step bane Mallarme. Other important authors whose work is included in "Modern Con tinental Literary Criticism" in cludes Schelling, Schiller, Goethe, Emile Zola, Karl Marx and Fried, rich Engels, Tolstoy, Henry Berg scn, Nietzche, Freud, Jung and Jean-Paul Sartre. The new book is being publish ed in the paperbound series of Goldentree Books and is priced at about $2.75. Dr. Hardison, who received his B.A. and M.A. degree from UNC, joined the faculty there in 1957 after taking his Ph.D. degree a year earlier at Wisconsin. speaking at the Art Symposium yesterday afternoon. Mr. Gussow, art instructor at State College, was speaking in answer to audience questions about the artist and com munication. The discussion between Mr. Gus sow and Dr. John Sedgwick Jr got off to a lively start as Dr Sedgwick expressed the opinion that we are not in the middle of a revolution in the arts at least not a clearly defined one. Speaking mostly in respect to painters. Dr. Sedgwick went on to say that not since the New York School of the 1940s has there been anything in America close to a revolution in art. Mr. Gussow was more limiting not since the period of 1905-1915 has America had a revolution in art. Frank Lloyd Wright and others just prior to the first World War comprised the only real new per iod in art . Furthermore, Mr. Gussow did not think people would be able to recog nize a revolution if they saw it. This brought sharp questions from the audience of some 150. It was at this time that Mr. Gussow went on to express himself on com munication in art. He stated that it was the responsibility of the audience to take the active part in the communication process rather than the artLt. MIKE LAWLER Revolutions in ourselves as a result of, Grierson said, "a con stant bombardment on our minds by the expanding images and new realities." Seldes, first director of the Uni versity of Pennsylvania's Annen berg School of Communications, was not overly optimistic in pres ent changes concerning the "qual ity in the way in which we receive the arts now." Nothing Immortal Now "Entertainment, almost perpetual,- enters our personal lives every day," he said. "I'm not at all sure that we're creating anything im mortal and lasting, except per haps a few silent movies and per haps some jazz music." Seldes asked, "What good are they (new methods of communica tion) doing for us? We know we have incalculable instruments of communication and we wonder how to use them." "Science makes a jump every five years and it takes the mind ten to catch up." He spoke of the "dangers in not knowing what the needs of the public really are and the danger of creating dullness, deadness and inertia." Hypocritical Snobbery "We have to get over a kind of snobbery," Seldes said. "The snob bery of saying it's only good if 'we, the civilized minority,' say its good." The critic said there is a per petual need to preach against ig norance and suggested this is one area where the new "engines of communication" could make sig nificant changes. One real revolutionary phe nomenon, said Seldes, has been the arrival of the American school of painting and it is recognized in Europe as a legitimate new school. The second speaker, John Grier son, chairman of the Scottish Government Television said, the basic source of change in the arts lies in the changes in society, "as new economic forces and widening horizons establish new habits of thought and new values among men; and as these, in turn sug gest new dramatic patterns and images of beauty." Realities Affect Art "This bombardment of new realities certainly affects our own perspectives and our sense of ap preciation. There will, of course, be some pessimism the problem of aesthetic harmony." "This results in such psychologi cal problems as exemplifed by the 'beat' in America and the conflict of the individual and the corpora tion man all marks of much that is personally unresolved in our ex periences." "This certainly affects the arts, but I don't think this pessimism is lasting," Grierson said. "Because there is the one final measurement that all artists eventually come back to: human destiny." He used this same concern of the artist with human destiny as the reason for disagreeing with Dr. Crane Brinton, opening symposium speaker. Grierson said he did not think that "former aesthetic revo lutions will be dispossessed by later revolutions." Arts Are In The Present However, he added, "We can ad mire the old arts but we rrmst (Continued on pase 3) 1