Friday, May 9, I960
THEDAILYTARJI
Page 3
Film Fare: 'Deborah, ' Steiger, Charly & "Enntei
By HARVEY ELLIOTT
Arts Editor
CHAPEL HILL
THE HEART IS A
LONELY HUNTER (not
rated)-The sensitive
performance of Alan Arkin as
a lonely deafmute raises this
film above its more mediocre
qualities-like half-baked
subplots and rather lukewarm
portrayals by other cast
members. Sondra Locke made
her debut as the troubled
adolescent, a stock character
with Carson McCullers, bat
somehow Mrs. McCullers
infuses these teenagers with
genuine pangs and pains. (At
the Carolina, shows at 12:45,
2:52, 4:59, 7:06 & 9:13 p.m.)
THE SWEET BODY OF
DEBORAH (R)-Carpetbagger
Carroll Baker, finding no
home in the U.S. for her
talent (?) and beauty (?), has
begun making films in France.
(It worked for Jane Fonda.
Why not Baker?) SWEET
BODY is about a young
married couple on their
honeymoon in Europe, but
you can bet it isn't as
innocent as it sounds. Gallic
matinee-idol Jean Sorel plays
Marcel, her husband. (At the
Varsity, shows at 1, 3, 5, 7 &
9 p.m.)
THE ILLUSTRATED MAN
(R) Strange reviews have
greeted this eerie film, based
on Ray Bradbury's
science -fiction novel, and
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SO THIS IS THE SWEET BODY OF DEBORAH!
starring Rod Steiger and Claire
Bloom. Steiger stars as Carl, a
former carnival roustabout
turned hobo. His entire body
has been tattooed by Miss
Bloom, as the seductive
Felicia, who is able to foresee
events on one bare spot
among the tattoos. (Starts
Sunday at the Varsity; check
boxoffice for starting times.)
CHARLY (nr)-Cliff
Robertson, 1968
A Film by NORMAN MAILER
presented by The Film
Society
"It has cjnSs, humor,
and taIeni"-cuE
it
A scries of tcrrlfviag and
fcsay cosifroslaiians wllh wile
rtinTtacrcrSy fjs&sisieirs perverts
prostixdes, pimps &ad
Esaocexils played by a
r&re assorrsiCBl of
professionals iaclsdlsq Rip
Tom csd Beverly Dentley
andamalcnrs like George
P 1 1 SSI p t O "VINCENT CANBY, NY. TIMES
Monday, May 12, 7 & 9:30
Public Health Auditorium
A few single tickets at
$1 are available.
U. W Vim MiW m ij
1
"- j, M
A
DAILY CROSSWORD
ACROSS
I. Relinquish
intention
ally
6. Woody
thicket
II. Monsters
12. Declaim
13. Tahltian
god
14. Killer
15. Variety of
domestic
pigeon
18. Eyelid
bUster
19. Inscribes
21. Wings
23. Finishing
or pre
paratory 27. Tubas,
cornets,
trumpets,
etc.
29. Debbie
Reynolds'
role
30. Some coats
and shoes
32. River inlets
33. Specialties
of the chef
33. English
coins: abbr.
38. See 27
Across
41. Snickered
43. Bartender's
rocks
44. Gnawed
looking
45. Pugilist
Archie
47. Fourth
estate
48. Invalidate
DOWN
1. Warp's
partner
2. Site of the
Taj Mahal
3. Pots,
kettles, etc.
4. Norse god
5. Plural
ending
6. Jr.'s way of
sending a
telegram
7. Openings
8. Remun
erates 9. Printer's
term
10. Out of this
world
14. Uses a
chair
16. Prevailing
tendencies
17. Sloth
20. Uses jointly
21. Kxrla
t i me
Of SHED
surprise
22. Gehrig
24. Some
thing left out
25. Medical
suffix
26. French
river
23. U.S. Navy
construction
engineers
31. Irrational
number
34. Calcium
symbol
35. Dance
maneuver
36. German
-3DjEADH
UOL LIE
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R a wiijRlmoiN e
stNnvjtonnsjHijA
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ClAN TIETpF 'JiTIE s
Yesterday' Aaiwef
gentleman
37. Oxford
is one
39. Beige
40. Close, as a
hawk's eye.i
42. Tee's
neighbor
45. Family
member
46. Ahead
Oscar-winner, is superb as the
mentally retarded Charly.
Used as an experiment, he
gradually becomes more and
more intelligent, also growing
more and more fond of his
teacher, played by Claire
Bloom. What he finds when
he comes to discover what the
world is all about is
saddening. The direction and
cinematic technique is often
phoney. Robertson isn't.
(Starts Sunday at the
Carolina, shows at 1, 3, 5, 7
& 9 p.m.)
DURHAM
HELL IN THE PACIFIC
(G) Lee Marvin and Toshiro
Mifune are the only two
characters in this personal war
drama, where a Japanese and
an American find themselves
alone on a Pacific island.
Filmed on location, the
exciting movie has gotten
favorable reviews in its
treatment of personalities and
emotions, and their proper
place in the war theatre. (At
the Northgate, shows at 1:10,
3:10, 5:10, 7:10 & 9:10 p.m.)
BELLE DE JOUR
(nr) Luis Bunuel's erotic film
about a beautiful Parisian
housewife (played
enchantingly by Catherine
Deneuve) who doubles as an
expensive whore m a nearby
brothel. Renata Adler,
deposed critic of the New
York Times, called this one of
the year's ten best and "a
really beautiful movie." (At
the Rialto, shows at 1:10,
3:07, 5:04, 7:02 & 9 p.m.)
100 RIFLES (R)-Jim
Brown and Raquel Welch
make passionate love among
the tumbleweeds. As far as
meaty drama is concerned,
you'll have to settle for
Raquel's Yacqui Indian
accent, which is somewhat less
outstanding than her figure.
She looks great under a
waterfall. (At the Carolina,
shows at 1:25, 3:20, 5:15,
7:10 & 9:05 p.m.)
GONE WITH THE WIND
(nr) Back again . . . and back
again . . . this time in 70mm
stereophonic sound (the only
way to see it) with widescreen
projection. Clark Gable and
Vivien Leigh remain classically
brilliant as Rhett and Scarlett.
For history's and nostalgia's
sake, see it. But Thank God
for those Center Theatre
rocking chairs. (At the Center,
shows at 12, 2 & 8 p.m. on
Friday and
12:30, 4:30 &
Sunday: at
weekdays.)
Saturday;
8:30 p.m.
2 8 p.
at
on
m.
RALEIGH
THE SEA GULL
(G) Chekhov, after a measly
two-day run in Chapel Hill,
gets a week's play in Raleigh,
with James Mason, Vanessa
Redgrave, David Warner and
Simone Signoret in leading
roles. Director Sidney Lumet
("Long Day's Journey Into
Night," "The Group") has
been accused of being rather
heavy-handed in this film
version of the story about a
young writer living on the
estate of his uncle in Russia.
(At the Varsity, shows at
3:30, 6 & 8:30 p.m.)
THE FIRST TIME
(M) When one mentions the
word "virgin," why is it no
one ever thinks of a boy?
That's the phenomenon this
comedy examines. Originally
called "You Don't Need
Pajamas At Rosie's," the
movie got into trouble near its
final stages of filming, when
some nude scenes were about
to win it an "R" rating. They
director snipped the scenes,
got the "R" changed to "M"
and then changed the title. So
it's gotta be pretty mild
(though it might be pretty
funny). Jacqueline Bisset (of
"The Detective") stars. (At
the State.)
THE DEVIL'S 8 (M)-More
hell on wheels, and brace
yourselves, guys, 'cause this
one stars FABIAN! Also
Christooher George and Larrv
Bishop (Joey's boy) and Leslie
Parrish (she was Daisy Mae in
1959 s "Li'l Abner"). The
characters their play in this
hotrod epic are called
Molester. The Shiv, Fingers,
Speed-Man, etc. Enough said?
(At the Ambassador, shows at
1:30, 3:25, 5:22, 7:20 & 9:20
p.m.)
HELGA (nr)-Health film,
that should be rated G for "in
gross taste." And here's what
they're saying about HELGA
(actual quotes from the ads):
"I wish I'd seen it years ago.
It might have saved my
marriage." (Edna Route,
Divorcee) "I'm not sure men
and women should see it
together." (E.P.CM Clerk) The
documentary portions are
interspersed with interview
situations. E.G., interviewer
asks a tractor driver about the
purposes of the Fallopian
tubes. (At the Colony, shows
at 1:19, 2:46, 4:49, 6:57 &
9:05 p.m.)
OTLEY (M)-One of the
sleepers of the year. A
delightful romp in merrie mod
England, say the reviewers,
starring Tom Courtenay,
called "a charmer,
wonderfully ingratiating," by
Judith Crist. The New York
Daily News commented that
"Director Dick Clement has
filmed a chase sequence that
is a classic!" A real
professional production, with
class. Courtenay is a fine actor
who should emerge as an
expert leading man, both
serious and comic, someday.
(At the Village, shows at
1:40, 3:35, 5:30, 7:25 & 9:20
p.m.)
CHARLY (nr)-At the
Cardinal, shows at 1:25, 3:18,
5:11, 7:05 & 9 p.m.
the cinema verite documentor,
at the Monterey Pop Festival.
(At Janus 1, shows at 1:30,
3:10, 4:50, 6:30, 8:10 & 9:45
p.m.)
JOANNA (R)-Candy, with
guts. A wildly stylistic movie
that's fresh, contemporary,
wide-eyed and innocent. The
New York Times commented:
"Ingenious. Wit, power,
old-fashioned sentiment and
technical brilliance solid
performances. The makers of
JOANNA knew what they
were going." Much of the
mood is provided by the
peppy and romantic
soundtrack score by poet Rod
McKuen. (At Janus 2, shows
at 2:15, 4:40, 7:05 & 9:30
p.m.)
THE SHOES OF THE
FISHERMAN (G)-As in most
of the long roadshow films,the
spectacle over-shadows the
drama. But what spectacle!
v:
ft.
CHARLY
AND FRIHNl)
This film is fascinating in its
meticulous documenting of
the election of a new Pope.
The breathtaking set
decoration (nominated for an
GREENSBORO
MONTEREY POP (G)-A
real visual and earpopping
treat, with live recorded
concerts by Janis Joplin, Big
Brother and the Holding
Company, the Mamas and the
Papas, Canned Heat, Hugh
Masakela, the Jefferson
Airplane, Otis Redding, Jimi
Hendrix and Ravi Shankar.
Filmed by D.A. Pennebaker,
. ,. - .Sf j
----
THE SWEET BODY OF STEIGER?
Oscar) stunningly recreates the
Vatican and private Catholic
chambers. The story?
Anthony Quinn plays a
Russian political prisoner who
suddenly rises to the top of
the Church. (At the Terrace,
shows at 1, 3:35, 6:10 & 8:15
p.m.)
WILL P E N N Y
(nr) Charlton Heston in his
best screen role, as a lonely
cowhand in the West. Joan
Hackett (who later went on to
comedy in "Support Your
Local" Sheriff) plays the
Western widow who befriends
him, and their interaction tells
a simple but stunning sory of
the loneliness of the
West how it really was,
beyond the cowboys-and-Indians
depth usually explored
in movie Westerns. (At the
Carolina, shows at 1:01, 3:03.
5:02, 7:01 & 9 p.m.)
THE ODD COUPLE and
ROSEMARY'S BABY (nr)-A
double feature of twe
Paramount hits that broke
boxoffice records last summer.
W alter Matthau walks awav
with THE ODD COUPLE in a
hilarious Neil Simon
adaptation. Mia Farrow began,
her series of macabre
portrayals with ROSEMARY,
and neighbor Ruth Gordon
(one of the witches) won a
Oscar as Best Supporting
Actress. (At the Center; ODD
COUPLE shows at 12:55,
5:05 & 9:15 p.m.;
,ROSEMARY shows . at 2:10
and 6:50 p.m.) , , .,,
38
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