!
Wednesday, September 5, 1 973
The Daily Tar Heel
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1
Peter Hardy , on Film
Choi
Cinema
"Walking Tall." Carolina Theatre.
Comparisons with Billy Jack are quite apt;
like that film, this one indulge In mushy
thinking and mushy emotions. For the teeny
bopper mentality, though this time, for law
and order fanatics. 3:31, 4:33, 6:47 & 8:55.
Through Sept. 11.
"Last Tango In Paris." Varsity Theatre.
Bernardo Bertolucci's uneven but often
tremendously powerful exploration of a man
completely destroying himself, shocking only
in the depth of human despair shown. Those'
expecting a dirty movie are really going to be
disappointed by this subtitled art film.
Brando's performance is one of the greatest
of 8!i times. 3. 6 & 9. Through Sept 14.
Enter the Dragon.'- Plaza I. Considered the
best of the Kung-fu movies, which certainly
doesn't mean much. 3, 5, 7 & 9. Through
Thursday.
"O Lucky Man." Plaza II. Lindsay Anderson
epic of modem man. Rave reviews. 2, 5:14, &
8:23. Through Thursday.
Tickets for Super Sunday films,
"Slaughterhouse Five," "Everything You
Always Wanted To Know About Sex But Were
Afraid To Ask," "The French Connection,"
"The Last Picture Show" and "Lady Sings the
Clues," are available through Sept 9 for $2.50
at the Carolina Union Information Desk.
"Marjoe." Alternative Cinema. Friday, 2,
4:30, 7 & 9:30 p.m. Murphey Hall.
Theatre
"A Funny Thing Happened on the Way to
the Forum." Village Dinner Theatre in
Raleigh. Buffet at 6:45 p.m., 8:30 curtain.
Tickets are $3.50 Sunday through Thursday,
$9.50 Friday and $11 Saturday. Nightly except
Monday. For reservations call 787-7771.
Through Sept 16.
Concerts
B.B. King, Carmichael Auditorium, 8 p.m.
Sat Sept. 22. Student tickets now available at
the Carolina Union Desk, $2.50. General
public tickets available Sept. 10, also $2.50.
Leo Kottke, Sat SepL 8, Memorial Hall, 8
p.m. Tickets at $2 now available at Union
Desk.
Season tickets, $6, for Leo Kottke, Harry
Chapin, The Mac Frampton Trio and the
Howard Roberts Chorale, now available at the
Union Desk. Sales continue through Friday.
Single admission, $2, available two weeks
prior to concert date.
Season Tickets, $6, for the Chapel Hill
Concert Series now available at Union Desk.
Series includes Baroque Ensemble of USSR,
Leonard Rose and Gary Graffman, Edward
Villella and George Shirley. All concerts at 8
p.m. in Memorial Hall. $2 single admission
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The Daily Tar Heel is published by the
University of North Carolina Student
Publications Board, daily except Sunday,
exam periods, vacation, and summer
periods. No Sunday issue. The following
dates are to be the only Saturday issues:
September 15. 22, a. 29, October 27,
and November 10 6 17.
Offices are at the Student Union
building, Univ. of North Carolina,
Chapel Hill, N.C. 27514. Telephone
numbers: News, Sports 933-1011,
933-1012; Business, Circulation,
Advertising 933-1 1 63.
Subscription rates: $16.00 per year;
$8.00 per semester.
Second class postage paid at U.S. Post
Office in Chapel Hill, N.C.
The Campus Governing Council shall
have powers to determine the Student
Activities Fee and to appropriate all
revenue derived from the Student
Activities Fee (1.1.1.4 of the Student
Constitution).
The Daily Tar Heel reserves the right to
regulate the typographical tone of all
advertisements and to revise or turn
away copy it considers objectionable.
The Daily Tar Heel will not consider
adjustments or payments for any.
typographical errors or erroneous
insertion unless notice is given to the
Business Manager within (1) one day
after the advertisement appears, or
within one day of the receiving of tear
sheets or subscription of the paper. The
Daily Tar Heel will not be responsible
for more than one incorrect insertion of
an advertisement scheduled to run
several times. Notice for such correction
must be given before the next insertion.
Murray Pool Business Mgr.
Floyd Alford Adver. Mgr.
tickets available two weeks prior to concert
date.
Tickets for each of the five performances of
the Duke University Artists Series are now on
ale at the Duke Student Union. The
performances Include The New York
Philharmonic Orchestra (Pierre Boulez,
conductor), Bayanihan Philippine Dance
Company, The Goldovsky Grand Opera
Theatre in Puccini's Tosca," Leontyne Price,
and the Harkness Ballet. Call 684-4059 for
information. . .
Art
Oil paintings, drawings and etchings by
Elsa Goldsmith. Sponsored by the Carolina
Union Gallery Committee. North and South
wing galleries In the Carolina Union. Through
SepL 22.
Makonde sculpture by East African
tribesmen, NCSU Student Center. Through
Sept. 16.
Nightlife
Town Hall. Tonight: Sweet Momma
Shakeup. Music begins at 9. Through
Saturday.
Cat's Cradle. Tonight: Jim Watson,
bluegrass. Music begins at 9.
Endangered Species. Tonight: Annalee
Gaines, folk-guitarisL Music begins at 9.
Cafe Deja Vu. Cameron Village Subway,
Raleigh, 829-9999, warm, cozy and Informal
atmosphere. Offering the best in local folk
and bluegrass entertainment Monday
through Saturday. Serving sandwiches, beer
and wine, brown bagging permitted, .11:30
a.m. until midnight. Until 1 a.m., Fridays and
Saturdays. Closed Sunday.
Auditions
The Durham Theatre Guild will hold
auditions for "The Fantasticks" at 7:30 p.m.,
today at the Allied Arts Center, 810 Proctor
St., Durham. Tryouts are open to the
community.
Auditions for new performing members of
the Raleigh Civic Ballet Company will be held
Sunday at 2 p.m. In the studio of the Raleigh
School of Dance Arts, 406 Downtown Blvd.,
Raleigh. The minimum age for members is 1 3.
Interested male dancers or beginning boys 12
years and up may apply for a full ballet
company scholarship.
Radio
WCHL "Interlude." 1360 on the dial.
Schumann: Carnival, Opus 9; Kelsleriana,
Opus 16. 6:15 to 7 p.m.
WDBS "Dally Concert." 107.1 FM stereo.
Brahms, Rossini, Bach and Vivaldi. 10 a.m. to
1 p.m.
WDBS "Spotlight." 107.1 FM stereo.
Tonight's feature Is "Stagefright," by The
Band. 9 p.m.
LATE SHOW
Fri. 11:15
Clint Eastwood
PLAY MISTY
FOR ME
Don't Miss Our Shelves Of
Our collection includes World History
and American History with special
emphasis on the Civil War and
Revolutionary War.
7Iio Old Dooli Corn
137 A East Rosemary Street
Opposite Town Parking Lots
Chapel Hill, N.C. 27514
or
Now Playing
SPECIAL ENGAGEMENT
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WEDNESDAY
NIGHT
5 P.M. 'till Closing
Southern Fried Chicken Night at Honey's.
ALL the famous Honey's fried chicken &
crisp golden french fries YOU CAN EAT for
only $1 .95.
C-uOIKlHY'S
Across From
Glen Lennox
1 ango
'painful,
For weeks now I've been sitting at my
post just inside the door of the Varsity
Theater and listening to the comments of
people coming in past the coming attractions
poster for "Last Tango in Paris. Oh man
they say, "can you believe that is coming
here! Wow, that's supposed to be really far
out."
Well, gosh, I guess it is. But it's not a skin
flick like 'Deep Throat' as many people seem
to think and it's not even the kind of "heavy,"
audience pleasing film that "Clockwork
Orange or Fellini's films are. It's a very
difficult and painful viewing experience and
I can understand why some people retreat
from its harshness and call it merely
disgusting. The sex scenes are pretty graphic
but hardly arousing, so don't go see the film
for some thrills.
Now that we've got that question out of
the way, just how good a film is it, anyway? I
consider it a great film, though not perfect,
and probably the most revolutionary thing
to hit cinema since Orson Welles made
"Citizen Kane, thirty-two years ago. But
where Welles took possibilities in technique
that film makers had ignored for years and
fulfilled them until they exploded on the
screen, Bernardo Bertolucci in "Last Tango
in Paris" uses the hidden thematic
possibilities that films have been toying w ith
for years but never fulfilled.
Bertolucci's directing abilities art
completely thrilling and satisfactory - his
sweeping style combines - as did that of
Welles the force and glamor and beauty and
intelligence of both American and foreign
films. You can't complain that as a director
he is dull, as you can easily of Bergman and
Antonioni, but you can also never accuse
him of the emptiness of many American
directors. His use of Gato Barbieri's brilliant
jazz score is phenomenal, adding tones and
moods to the film instead of just heightening
emotions. In all aspects the film is
completely overwhelming, which is why
people tend to either love it or hate it - it's
impossible to be indifferent.
Bettolucci's control is so complete that
"Last Tango" is very much a director's
picture, but it is centered around an actor.
Ward concert planned
Composer and Christian singer Jim Ward
will combine his diverse musical talents on
Friday at 8 p.m. in a free concert in
Memorial Hall.
The 23-year-old son of a Reformed
Presbyterian minister. Ward accompanies
his rhythm-and-blues gospel singing on the
piano. Besides performing on stage, he also
sets lyrics from the Bible to music.
Ward studied piano, voice, organ and
performed with several musical groups at
Covenant College in Lookout Mt., Tenn.
The UNC Inter-Varsity Christian
Fellowship will sponsor the concert.
LEO
KOTTKE
8 p.m. Memorial Hall
Saturday
Admission $2
Tickets Available At
Union Info Desk
And At The Door
A CAROLINA UNION'
PRESENTATION
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Behind W.C. Lyons on the 15-501 Bypass
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929-5850 Jj
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FOR ALL YOU LATE COMERS
Student Services Commission
Refrigerator
Ren
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252 Suite C
STUDENT UNION - RIGHT ON CAMPUS
1-4 P.M.
ALL WEEK
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aijjicuu, great
The past associations we have with a star
have always shed an interesting light on their
performances; Bertolucci made the role of
Paul, a Henry Millcr-esque American in
Paris, fit around Marlon Brando and all the
memories we have of his wandering,
puzzling career. There are overtones of his
past screen roles such as "Streetcar Named
Desire" and "On the Waterfront" and
connections with Tahiti and Japan. "I must
have been called by a hundred different
names" Brando says in the film and it's
certainly as true of the actor as of the
character.
The uncertainty and multiplicity of
identities is at the core of the film. This is
obvious just from a s surface description of
the plot the aging, tortured American
exile in Paris and the young French girl who
agree to meet and have sex in an mpty
apartment without telling each other their
names. Brando's performance would not be
the same if her were not Brando, but it is not
simply an actor plaing himself. John
Barrymore did something like it with his
portrayal of the fading actor in "Dinner At
Eight, but here it is a hunre times more
intense. Brado plays his private self and his
public self and also a character namd Paul,
all of whom re separate yet inexorably
linked. It is perhaps the most complex
performance ever put on the screen.
Brando's power is almost intimidating.
During his most painful and revealing
scenes such as when he talks to his wife's
corpse-the audience often cannot take it and
cu:s itself off from him by laughing. He also
tends to overshadow the rest of the film. The
scenes between the girl and her film maker
fiance are engaging enough but seem trivial
compared to the scenes of Paul's private life.
In Lyndsay Anderson's "O, Lucky Man1"
a similar use is attempted to be made of its
star, Malcolm McDowell. Structured as an
episodic talc of the adventrucs of Mick
McDowell himself was once a coffee
salesman it appears that the film tells a wildly
exagerrated version of McDowell's own rise
to success.
That the film is somewhat of a
disappointment is not due either to any
failings of McDowell as an actor or his lack
of interest as a personality he is a good actor,
though as a personality he is considerably
less fascinating than Brando. The script is
entertaining enough and well written; the
cast, many of whome appear in several roles,
is quite good. Alan Price's songs provide a
sharp commentary on the action and is
probably the best rock score yet w ritten for a
film. But even if the film is intellectually
sound- and I have my doubts about that
there is nothing behind the intelligence. Like
"If. . ."'there seems to have been very little
feeling put into the film, it is so cold that
most of its good points seem rather
superfluous. The result is a film with a
dazzling surface and little else.
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- - " 11:30 a.m. 2:30 p.m.
LUNCKEON SPECIAL
SMALL PIZZA WITH Salad
ONE TOPPING Coffee Or Tea
$1.25
Plus Tax
TRY OUR HOT
SUB SANDWICHES!
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