10 The Tar Heel Thursday, June 2, 1977
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Campus
His Girl Friday Based on Ben Hecht's
The Front Page," Rosalind Russell plays an
ace reporter assigned to expose a politically
motivated execution. Cary Grant as a comic
antagonist. At 8:30 Friday night in the Great
Hall of the Union. Free with ID.
Investigation of a Citizen A macabre
film dealing with the psychology of power.
An extraordinarily powerful and outwardly
unsuspicious man becomes a schizophrenic
with frightening results. At 8:30 Sunday
night in the Great Hall. Free with ID.
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Barry Gobel will appear tonight in Deep
Jonah, along with his bass player, Doug
Goldman. Barry will be doing original
tunes as well as assorted songs by
contemporary artists.
Three Days of the Condor Robert
Redford, whose CIA code name is Condor,
takes on the government single-handedly.
With Faye Dunaway as his hostage-turned-accompaniest.
At 8:30 Wednesday night in
the Great Hall. Free with ID.
Chapel Hill
The Sting Redford and Newman in the
classic. At 2, 4:30, 7 and 9:30 at the Carolina
Theatre.
Slap Shot Paul Newman and a hockey
team take to the ice. At 2:30, 4:45, 7 and 9: 15
at the Varsity Theatre.
Smokey and the Bandit Burt
Reynolds in another Gator-type episode,
this time with Sally Field and Jackie
Gleason. At 3:15, 5:10, 7:05 and 9 at the
Carolina Theatre.
Islands in the Stream George C. Scott
as the stormy, passionate hero in the movie
based on Hemingway's novel. At 2:45, 4:55,
7:05 and 9: 15 at the Plaza Theatre.
Wizards Ralph Bakshi's cartoon
fantasy about life in the future. At 3:30, 5:30,
7:30 and 9:30 at the Plaza Theatre.
The Greatest Muhammed Ali tries tc
prove he's talented outside the ring. At 3: 10,
5: 10, 7: 10 and 9: 10 at the Plaza Theatre.
Annie Hall Woody Allen's latest
romantic comedy has drawn excellent
reviews. At 2:30, 4: 1 5, 6, 7:45 and 9:30 at the
Plaza Theatre. Starts Friday.
Viva Knieval Bold motorcyclist rides
again. At 3, 5, 7 and 9 at the Plaza Theatre.
Starts Friday.
Dance, Fools, Dance This 193 1 classic
stars Clark pable and Joan Crawford in
their first collaboration. A society girl turned
reporter tries to prove her brother has been
framed by gangsters in the period just after
the 1929 crash. Part of the Chapel Hill
Public Library Evening Film series. At 7
p.m. Tuesday and Wednesday nights in the
Meeting Room. Admission to the showings
is free.
Grey Gardens The Maysles brothers'
widely acclaimed documentary about Edith
Bouvier. At 5, 7 and 9 p.m. Saturday at The
Art School, 150 E. Main Street inCarrboro.
Tickets are $1.50 and are sold in advance at
Studio Art Supplies in Carrboro. For more
information call 942-2041.
are on sale at Page Box Office in Durham
and at Southern Season here inChapel Hill.
MUSIG
The North Carolina Symphony
presents another POPS Goes the
Symphony. At 8:15 tonight in Raleigh
Memorial Auditorium. Tickets are $2 for a
gallery seat and $10 per person for a table
seat. Table seating includes wine and cheese
refreshments served during the concert.
Reservations can be made by calling (919)
733-2750.
GALLERY
The North Carolina Museum of Art
"Prince Henry and His Times." Exhibition
of 16th and 17th century paintings and
decorative arts. The exhibit will run through
July 3. The museum is located at 107 E.
Morgan St. in Raleigh. Open Tuesday
through Saturday, 10-5; Sunday 2-5.
Admission is free.
The Ackland Museum of Art The 41st
annual Student Exhibition, featuring
sculpture, paintings, drawings, and prints by
undergrads and grad students alike. The
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Ralph Thornburg (left) and Mark Smith (right) star in Duke Summer Theatre's
production of Loot. Staff photo by Joseph Thomas.
Morehead Planetarium "Juggernaut,"
narrated by William Shatner. Now through
July 4. At 8 p.m. weekdays; 1 1 a.m., 1 p.m.; 3
p.m.; and 8 p.m. Saturdays; 2 p.m., 3 p.m.,
and 8 p.m., Sundays. Student admission is
$1.25, children SI, adults $1.50.
Hill Hall Summer Music series Judy
Berman Benedict will present a violin recital,
accompanied by Paul Tardif at the piano. At
8 p.m. Tuesday in the Hill Rehearsal Hall.
Admission is free.
THEATRE
TELEVISION
Duke Summer Theatre presents Loot,
a madcap comedy recommended for mature
audiences who would rather laugh than be
shocked. Featuring raunchy bedroom farce
and totally irreverent, brilliantly witty
language. Performances will be in the Est
Duke Music Room this weekend and next
weekend at 8:30 p.m. Tickets are $3.50 and
Giselle American Ballet Theatre's
production, live from the Metropolitan
Opera House at Lincoln Center. Starring
Natalia Makarova as Giselle, Mikhail
Baryshnikov as Albrecht, and Martine van
Hamel as Myrta, Queen of the Wilis. Dick
Cavett, host of this series, will conduct a
backstage interview during the intermission
of the two-act ballet. At 8 p.m. Thursday
night on channel 4.
exhibit will run through June. Museum
hours are Tuesday through Saturday, 10-5;
Sunday, 2-6.
Morehead Planetarium, North
Gallery Oil paintings of the UNC-Chapel
Hill campus by Stan Gilliam will be shown
all this month. An informal reception will be
held in the gallery Sunday, June 4 from 2 to 4
p.m. Admission is free.
The Little Art Gallery will hold a
special showing, A Potpourri of Pottery"
featuring the works of three new potters:
Carol Sevick and L. Sexwick of New York
and Seth Ism on of Massachusetts. The
exhibit will continue through June. The
gallery is located in North Hills shopping
center in Raleigh.
Generations: provacative, aggressive, vivid
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By VINCENT J. KOPP
DTH Contributor
"Atlanta is not Hazard, Kentucky, Miami
and the Mississippi Delta are a world apart.
There is no 'typical Southern Woman only
women who live in the South."
John W. Florin
"Varieties of Southern Women"
"Women, because they are half the human
race, have a peculiar situation of being
represented in the oppressed and the
oppressor classes, but nevertheless, having
problems which are common as women "
Pauli Murray
There is something heartening about
finding these two views expressed between
the covers of a single magazine, particularly
one that attempts to draw a line of
convergence among frequently divergent
realities. On the one hand, there is
acknowledgement of the fact that no two
people are alike in all respects, despite
demographic similarities; on the other hand,
the statement of belief that any two people
may be seen as interrelated, despite genetic,
social and economic dissimilarities. That
which lends itself to reduction finally resists
reduction; those that differ at the surface
finally meet at some deeper, more vital level.
It is with this paradox in mind that the
editors of "Generations: Women in the
South" (Southern Exposure, Vol. IV,
Number 4, $2.50) explore the various
dimensions of experience shared by women
within and without the South. In a far
reaching attempt to bring the most personal
sorts of recollections and statements to bear
upon the broader cultural and historical
issues framing the identity of this unique
group of women, the editors have generated
a superb document and a fitting tribute to
those that have long sought expression for
what could only previously for the most
part be felt.
The question of race and how it relates to
achievement of a definition of sisterhood
remains a central, if occasionally defocused,
issue in this volume. Pauli Murray, Cynthia
Washington, Margaret Rose Gladney and
Alice Walker stand out as excellent
examples of women who find themselves
bearing dual distinctions, first of being
blacks among women in the South; secondly
of being women among blacks in the South.
Their histories and statements are poignant
reminders that sisterhood is ultimately
measured by other than gender based or
ideological bottom lines. And while both
white women and black women
acknowledge the potential that exists for
greater unity among them, only an
intimation of how this might be achieved
filters through the pages of the present issue.
This is not to say that Generations itself
might not serve as a starting point for such a
dialogue. Sara Evans' deftly drawn summary
"Women's Consciousness and the Southern
Black Movement," Anne Baden's "A Second
Open Letter to Southern White Women,"
and Jacquelyn Hall's "Women and
Lynching" serve as more than apologetic or
graceful bows to black women who may or
may not have had their men garnered, jailed,
or executed in the name of lily-white
womanhood. Each article represents a
sincere attempt by the author to articulate
some deep scar on a woman's soul across the
lines of racial distinction.
The discussions on race and sex, politics
and personal sadness are, however,
administered as a sort of ballast
occasionally. The thoroughly enjoyable
"Magnolias Grow in Dirt: The Bawdy Lore
Please turn to page 1 4.