Newspapers / Daily Tar Heel (Chapel … / Sept. 20, 1977, edition 1 / Page 4
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4 The Daily Tar Heel ' Tw-'u- ri5tM..ber 20 1977 Old face, new disc r: -v, . , kimfKmm,, m.& ---i : I 1 a ; V Vw I X I ;:f:,:C f :T'Wt'M ;1::::,I:V:";":. . : : : : f : f; J , K ' I I J' , w,www.., j i 1 - .r. y Mark and Almond in Memorial Hall Sept. 28. No, Mark Almond is not one of the Allman Brothers, but is in fact two individuals, Jon Mark, left, and Johnny Almond, who make up the MarkAlmond Band. The duo blend unique talents, and their recent ABC Record debut, "To The Heart," in corporates carefully structured jazz sounds with pop over tones. Sponsored by the Carolina Union, Mark and Almond Hill will perform especially for University of North Carolina students at 8 p.m. on Sept. 28 at Memorial Hall. General admis sion is $3. The two have a common musical interest in the blues which was first realized in John Mayall's "Turning Point" 2:30 4:45 3 0 C-Ci'ttf JJlmms Women Shelley Duvall 5551 Spacek Janice Rule 7:00 9:15, 2:35 4:50 7:05 "A moving, brilliant film. 9:20 We have A mUSt to See." to send Marjorie Rosen, print Ms- Magazine back Oil Thur8.J'Nd V HELD OVER SORRY - NO PASSES NOW SHOWING ariuws si mi:i i.voiki ija 2:Z0I WS MVT A SIAVVIAL 4:10 6:00 750 9:40 NOW SHOWING SHOWS L Wolf presents 4:1 5 the John Haston-John Foreman fiira 6:45 9:15 An Allitd Artists Columbil Pictufts Production An Allied Artists Reltist Jig HELD OVER 12th BIG WEE sii SORRY - NOa SHOWS4 long-ago PASSES 2:303 n 3 4:45 7:00 9:15 I 1 r '4 V -4 V. - iboau. v III IOI L 7:10 Titif p(irjjT , Bwllml11 1 1IIU IUUII lolHBe H A i King c;..t-j.aumlLL-ji:U!ia group. Before their coalition, each was a successful musician in his own right. Mark has worked closely with Marianne Faithful and the Rolling Stones. As a producer, arranger, lead guitarist, songwriter and vocalist, he established quite a reputation on the English recording scene. Johnny Almond, meanwhile, also has won an impressive reputation as a multifaceted-session musician. His saxophone work spiced the recordings of nearly every major English band of the period. Visiting Cornell guest fortepiano Malcolm Bilson, professor of. music at Cornell University, will be the guest artist tonight in the Tuesday Evening Concert Series presented by the music department at the University of North Carolina at Chapel Hill. Bilson will perform early classical period keyboard sonatas on a replica of an early Viennese fortepiano at 8 p.m. in Hill Hall auditorium. The instrument featured on tonight's program is an exact copy of a fortepiano built by Anton Walter in Vienna during the 1780s. It has a range of five octaves. A knee lever operates the dampers which, on a modern piano, are operated by the pedals. The instrument was built by Philip Belt of Stonington. Conn. Included on the program will be sonatas by Haydn and Mozart, and the Fantasy inC major by C.P.E. Bach, from his "Fifth -NOTICE OF TOWN OF BE IT RESOLVED by the Board of Elections of the County of Orange that: An election is to be held within the town limits of the Town of Chapel Hill, North Carolina on Tuesday, November 8, 1977, the date established by law, for the purpose of electing four Aldermen. The four persons receiving the highest number of votes for Alderman shall be declared duly elected for a term of four years. Said election shall be conducted in accordance with state election statutes, special legislation and the following rules and regulations: 1. Notice of Candidacy: Any registered voter of Orange County, residing within the town limits of the Town of Chapel Hill, may become a candidate for membership on the Board of Aldermen of the Town of Chapel Hill by filing notice of such candidacy, on forms provided by the County Board of Elec tions, on or before 12:00 Noon, Friday, October 7, 1977, with the Orange County Board of Elections at the Old County Courthouse, Hillsborough, North Carolina and the payment of the filing fee of five dollars ($5.00). 2. Registration and Eligiblity to Vote: A resident of the area within the town limits of the Town of Chapel Hill is eligible to vote if he is properly registered on the voter registration books of Orange County. Residents of the Town of Chapel Hill who are not registered on the voter registration books of Orange County and wish to vote in this election may register if they have resided in the State of North Carolina and the precinct in which they live for thirty days preceding the election and are otherwise qualified. Registration will be held Mondays through Fridays from 9:00 a.m. until 5:00 p.m. at the Board of Elections Office in the Old County Courthouse in Hillsborough; at the Chapel Hill Municipal Building on each Tuesday and Thursday from 12:00 noon until 8:00 p.m., on each Saturday from 9:00 a.m. until 1:00 p.m. and on Monday, October 10th from 9:00 a.m. until 5:00 p.m.; at the Carrboro Town Hall on each Tuesday and Thursday from 2:00 p.m. until 8:30 p.m.; and with the Registrars and Judges in their precinct by appointment. The registration books will close for this election on Monday, October 10th at 5:00 p.m. 3. Election Day: The polls will be open from 6:30 a.m. until 7 : 30 p.m. on election day, Tuesday, November 8, 1977. 4. Voting Precincts: Precinct Polling Place Registrar- Judges Battle Park Public Library Coker Hills Elliott Rd. Fire Station Colonial Heights Umstead Rec Center Country Club Woollen Gym East Franklin Eastside Estes Hills Glenwood Greenwood Kings Mill Lincoln Mason Farm Northside Ridgefield Westwood Luthern Church Ephesus Road School Guy B. Phillips School Glenwood School General Adm. Building Alderspte Church Lincoln School Community Church Municipal Building Mrs. Bmkley Baptist Church Frank Porter Graham School Alma 5. Absentee Voting is permitted in the Town of Chapel Hill election. Any qualified voter of the Town of Chapel Hill who expects to be absent or who because of sickness or physical disability will be unable to be present at the polls to vote in person, may apply for an absentee ballot in person or in writing to the Orange County Board of Elections, Old County Cour thouse, Hillsborough. Joseph L. N3ssif, Chairman Orange County Board of Elections professor artist Collection of Sonatas, Free Fantasies and Rondos for Connoisseurs and Amateurs, 1777." Since 1968, Bilson has devoted himself very extensively to the music of the late 18th century played on the Viennese fortepiano. He has performed all over the United States and Canada on his own instrument. Auction at Ackland A special exhibition and sale of original graphic works will be presented today in the Ackland M useum from 10 a.m. to 5 p.m. The nationally recognized and respected Tomlinson Collection of Baltimore will display works by old and modern masters such as Durer, Muscha, Whistler, Renoir, Picasso and Hokusai, plus a selection of etchings, woodcuts and lithographs by distinguished contemporaries in ail price ranges. CHAPEL HILL ELECTION Kathenne Savage -Susan Marshall -Maty Reckford Susan Trabka -Suphronia Cheek-Jane Pope Caroline Cartwright-Reba Lane-Gayle Rancer Virginia Julian -Eleanor Carter-Barbara Finctie Shelley Hausler-Betty Sanders -Richard Lamberton Jayne Gebuhr - CFitz Simmons - Delores- Moe--Joan Hiskey -Jeanne Harper-Jan Boeke George Harris -Peg Parker -Lynn Bechard Helen Weriach - Sally Chamberlin - Justeen Tarbet Avery Cohan -Laverne Anderson -Louis Sparrow Michael Crowell- Charlotte Adams -Doug Johnson Shelton White -Frank Kessler -Laura Bradford- Barbara Booth -Patricia Wall -Margaret Lloyd. Florence Richter-Gladys Harrison -Louise Ctedle McChesney-Leslie Edmonds 'Yes': By GIL TEMPLETON DTH C ontributor "Hello, old friend. Gee, it's good to see you once again. . . " ; So Reason to Cry Eric Clapton Some m ight regard it as an example of the art of suspense. Others might regard it with a sigh of relief. But after a two and a half year recording sabbatical, one of the last remaining "supergroups", has surfaced again. With the release of the new Yes album Going for the One (atl SD 19106), Yes has survived the "pale of pop fashion" and its uniqueness of style has risen above musical prostitution. These British musicians have carved themselves a niche, and beginning 'with "Roundabout" (remember'.'), Yes has become, as Scott lsler of Crawdaddy once wrote, "a gas guzzling Cadillac among musical Volkswagens." For the personnel-conscious fan, the rumor is true. Rick Wakeman has returned to the fold and rejoined the group. That's right, ol sequined-suit is back, and he is at least as good as ever. The last Yes album, Relayer, released in 1974, featured Patrick Moraz on the keyboards, and everyone was fairly impressed. For one thing, he was much more pleasing to look at. But, we're all glad that Rick's back, even if he does refuse to shave.' Wakeman rejoins singer Jon Anderson (literally the voice of the angles), guitarist Steve Howe (a total genius), bassist Chris Squire (considered by some to be the master of syncopation) and Allen White on the drums (and whatever else is near, a truly amazing man) on Going for the One. Incredibly enough, the band managed to squeeze five (count 'em five) tracks onto the album; whereas Relayer made us wonder if songs were going to start coming out in volumes. Yes comes a little closer to earth this time, yet still manages to retain its ethereal tradition. The title track could well be the best on the album, and lets us know it like a sledgehammer. The introductory steel guitar work by Howe is backed tightly by a churning Squire White rhythm section. Anderson's lyrics lean toward a subtle form of existentialism but are neatly expressed in wondering: "... should you really chase so hard. The truth of sport plays rings around you Going for the one. . . " The tune also seems to reflect that Yes can produce a solid rock sound that will satisfy not only the adoring, but also those more rock-and-roll oriented, as spirits of Keith Richards seem to float around Howe throughout the sone. An excellent track. Anderson, Howe and White collaborated on the second cut to turn out possibly the prettiest song that the band has done to date. "Turn of the Century" is a beautifully melodic tune with lyrics that were written in one of Anderson's belter moments. "Was it sun thru the haze That made all your looks As warm as moonlight THE ALL NEW MAD HATTER! featuring: Monday Night Football on a large Sony screen and Tuesday Night is College .50 Cover with Student (your favorite beverage free KXMWWMKXX 1 w rr "-ww mm ' WEDNESDAY NIGHT IS LADIES NIGHT VlUili ADMISSION FOR THE LADIHS AND nUili BliliR FOR THE LADIES And Here's Some Great Music This Week: TUESDAY NIGHT: SPHERE A Great Dance Band WEDNESDAY AND THURSDAY NIGHT: PASSION Featuring Former Members of Workshop The F:our Tops and Count Basie Don't Miss This One FRIDAY AND SATURDAY SUTTER'S GOLD STREAK A Fabulous Country-Rock Group All For You At 128 li. lT.mklin St. Downtown supergroup surfaces again As a pearl deep your eyes Tears have flown awaw All the same light. . . " "Parallels," the last cut ofside one, is Chris Squire's only compositional contribution to the album, and a very good one at that. The church organ returns to rock music(yea!)on ' this track; and as only Yes would do it, Wakeman recorded the tune at the St. Martin's Church in Vevey, Switzerland, hooked up . to the rest of the band at Mountain Studios in Montreux, ten miles away. It is rumored that production costs for this cut alone equaled that of the rest of the album. That, and Squire's driving bass line, rocking the whoie tune, gives close semblance to a consistently rhythmical piece. The average person actually has a chance here to keep in ti(ne with a Yes song. Ranking high with "Close to the Edge" of Yessongs and side one of Yesterdays, this album side could be considered classic "Yesdom." Side two somewhat refreshingly cools the coals of side one; but, I hate to admit, it does tend to see the groups revert (or progress, however you look at it) to a more mellow, celestial plane. In an amazing display of restraint, track one "Wondrous Stories" times at under four minutes and once again Anderson proves himself a superb lyricist. One must understand that Jon Anderson, even more than the rest of the group, treats his music as a religion; it is sacred, a spiritual release. He is the total musician (he plays, sings, writes, produces and arranges for the band) and sees no excuse for anything short of this almost transcendental commitment. Either that, or he's on something really expensive when he writes "It is no lie I see deeply into the future Imagine everything You were close And were you there To stand cautiously at first And then so high ..." There, and on the album's finale "Awaken," which clocks in at 15 minutes 38 seconds (we knew it was too good to be true), Anderson and the group prove themselves serious musicians who really don't care about relating to those who cannot understand them. Not that they are arrogant, but they merely establish priorities. In other words, this is a group of highly individualistic musicians who compose and produce music primarily as a form of their own personal expression. Keeping this in mind, the fact that these five guys landed in the same group strikes some as eerie. (As you can see, 1 have ever so cleverly tried to slide by without commenting on "Awaken" it's a little long and fairly wordy; but, Anderson plays the harp. Howe plays five different guitars, and White plays "tuned percussion," so it must be cool. It definitely has its harmonic highlights, but it drags and could be the album's bummer.) Night I.D. from 9-10)g BllO uTjTAA SU With the times as they are musically, it is encouraging to see that a group such as this can stay aflost the muck and retain their rightful place as a supergroup, amongst the kings of progressive rock. Jon Anderson Steve Howe-Chris Squire-Allen White-Rick Wakeman. Whether collectively or as individuals (each has at least one solo album), England's own rank as five of the strongest rock musicians in music today and Going for the One not only confirms them as such, but also hurls the millions of Yes fans back into the anticipating suspense: "1 bid to return To hear your Wondrous Stories. . . " Long live the Queen. . . and the kings. UNC film Continued from page 1. students say they believe little investigative work to perform. "Campus police just ride around and burn gas all day," one student says. "They give a few parking tickets, too." But a police officer in the film counters that argument, saying UNC officers investigated more than 1,400 incidents and complaints from start to finish last year. The film also says fewer than 5 per cent of all parking tickets issued on campus are written by University Police. In another segment, an officer shows how easy it is for bicycle thieves to cut bike locks and chains and haul a bike away. The total value of bicycles reported stolen on campus last year was $11,000, according to the film. "The lock on your bicycle is only as good as its weakest component," says G iles, who is narrator of the video tape. Another scene shows Morrison Residence Director Allen Reep and his staff enacting a scene where a suite full of students leave their rooms unlocked or locked with the keys over the door while they go to a nearby ice machine. While the students are away, Reep and his staff enter the rooms and make off with radios, hair dryers and stereos. The operation of 26 emergency-call boxes on campus is described by another patrol officer who urges students to use the direct line telephones if they feel the need. "If it's an emergency to you, it's an emergency to us," the officer concludes. At the end of the film, the camera returns to interview the average student on campus, who has changed his mind about the University Police after hearing what patrol officers really do. "They seem like they care about what they're doing," a student says. "I'm glad they're around." Marvin said the film was produced with the help of WTVD-TV in Durham. The total cost of producing the film and two copies was $48. "TRUST WHAT YOU KNOW" "Just learning about something isn't really enough. You have to trust yourself to use the knowl edge. That's having confidence. How else could I do something as com plicated as this?" And if you haven't used tampons yet, knowing more about Tampax tampons' protection can give you another kind of confidence. That's why you'll find instruc tions and answers to the questions young women ask most often in every package. Tampax tampons. The more you know about them, the more you trust them. The internal protection more women trust TAMPAX i i " .5 f 3 I ...,1I,... I ( - 1 i ' 1
Daily Tar Heel (Chapel Hill, N.C.)
Standardized title groups preceding, succeeding, and alternate titles together.
Sept. 20, 1977, edition 1
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