'Time Bandits' humorous Fantasy . filial Aoiuilit-pFovokiiii 6fThe Daily Tar HeelFriday. November 13. 1981 Jazzman Metheny plays 'pure 9 jazz By VICK (jRIITIN ' 1)111 Staff Writer The trouble with much of the contemporary jazz heard on the radio today is that it's so predictable; to drop a few names. Bob James, Earl Klugh and the Crusaders. Let's face it, popular jazz has become so pop-ular that a musician would be cutting his own throat if he broke away from his tested pattern for success. Still, there is hope for jazz purists, in the name of Pat Metheny. His latest album, As Falls Wichita, So Falls Wichita Falls, is a collaboration with Pat Metheny Group keyboardist Lyle Mayes and Latin percussionist Nana Vasconcelos. Not re stricting himself to any formulas, Metheny has put together a collection of pieces which provide a musical montage of past works while exploring new ground. albums Metheny and Mays, given equal billing on the cover and in credits, challenge the listener from Wichita's start. Side one is composed entirely of the twenty minutes-plus epic title cut. This song opens with the unintelligble sounds of a crowd, perhaps the fall of Wichita. The piano and guitar slowly build on the opening riff which leads into an Oriental-like melody. And this becomes a mass of swirling percussion and synthesizers. Here Mays gets to show off a bit, including several bars complete with a recital hall organ. The moods and tempos in this song change easily, finally building to a wall of electonic sound and the voices of excited children. While side two is ndt as ambitious in its construction, the songs are more complete in themselves and are performed with energy. The interaction between piano and acoustic guitar are especially fun to hear. And Metheny and Mays take turns car rying the melody while the other provides lively underpinnings. "September Fifteenth" is a particularly moving piece de- .- X :::'.::':.:.::.:..:-:": . .: ?v - ysss. : :- r: ' i v Methaney dicated to the late jazz pianist Bill Evans. Metheny and Mays must have spent weeks listening to Evans' works, because they have captured his lyrical mood down to the last chord. "It's For You" takes the listener back to 1979 and Evan's extremely suc cessful American Garage with its bubbly organ and crisp elec- trie guitar. And the album ends with a short postscript called "Estupenda Graca," composed mostly of extended choral progressions, birdlike percussion, and vocals by Vasconcelos. Metheny and Mays are consummate ensemble players. They don't try to outdo the other; instead, they play with musicians, not against. Metheny's greatest asset is that he listens to what he is playing. Like Miles Davis, Metheny knows that silence can be as important to inusic as the notes themselves. And in Wichita silence and notes combine for an extremely fine jazz album. By GUHA SHANKAR IITH Staff Writer The trademark of the British comedy ensemble, Monty Python, is its ready willingness to satirize, caricature, and otherwise humble the most hallowed and sacred institutions and characters in his tory. Python fills its films and television show with cowardly knights, blundering messiahs, and buffoonish members of the Royal Family. Time Bandits is not a Python collabo ration, but the new fantasy film reveals the same iconoclastic philosophy and wildly irreverant humor that marked the group's previous efforts. This is due, in no small measure, to the presence of pro ducer and director, Pythonite Terry Gilliam, who also wrote the script with Michael Palin, another Python alumnus. Gilliam's crazed story begins with the unexpected visit by six dwarves to the dull suburban home of 1 1 -year-old Kevin (David Warnock). Offered the chance to escape the confines of his sterilized, pack aged little world, Kevin jumps on the op portunity with both feet, as would any adventuresome young kid. Soon the seven travelers are popping into and out of time holes in the fabric of the universe, visiting places and people out of time and legend. cinema This is the stuff of standard fantasies, but Gilliam's heros have' warts on them and are less than perfect. Ian Holm as Napoleon reveals a raging complex about his lack of stature, and John Cleese as Robin Hood is a snobbish, bland twit. The little people finally come face-to-face with the Evil Genius (David Warner). Warner's portrayal is one of the out standing performances among a host of good ones. Nobody could go wrong with absolutely priceless lines like: "God isn't so smart. He invented 43 types of parrots and nipples for men. I would have in vented computers and microchips." Before Evil Genius can blast the dwarves into oblivion, the Supreme Being (Sir Ralph Richardson) comes along and saves the day. This is the only natural turn of events in any good fantasy evil always gets its just reward. While turning essentially a children's story inside out, Gilliam manages to pre serve the feeling of wide-eyed wonder and adventure that Kevin feels. But above all, Time Bandits provides two of the fun niest and thought-provoking hours of en tertainment in this or any other year. UN C students' films to he shown r BED mm mmm rvsv , QJ WlL Film is a democratic art. You don't need a multi-million dollar budget, big name stars, or the backing of a major studio to be a filmmaker. All you need is a camera, some film and an idea. Film- Show to have new wave beat A concert featuring the bands Human Sexual Response and Mondo Combo will be held at 8 p.m. Nov. 23 in the Great Hall. Mondo Combo is a new wave band, that is, until it utilizes its horn section. Its music then resembles ska, similar to that performed by Madness. Human Sexual Response specializes in new wave music. WXYC is sponsoring the concert. "If it's successful, we would like to do it again," Bill Burton, station manager, said. Tickets are $4 in advance and $5 at the door and may be purchased from the Union box office of from Bulletproof Records on Franklin Street. making goes on all around us though most people ignore this fact and limit their idea of cinema to Hollywood and other major sources of output. But to think this way misses out on much of the most original and fun filmmaking going on. One of the infinite hidden creative pools of filmmaking is here at UNC and at 8 p.m. Sunday in the Union Auditorium, there will be an op portunity to see films made by a number of UNC students. The evening promises to be a lively, en tertaining and even at times thought-provoking smorgasbord of cinema done in both 16mm and Super 8. Among the high lights will be Classroom, the tale of a day dreaming student co-directed by Todd Davis. He describes Classroom as "a clas sic subtle blend of Cilligan's Island and James Joyce's later works. Another film The Yardwork, offers some revelant social commentary in its story of two so cialites who walk across the lawn as the yardworker is having .some trouble with the lawnmower. And Apres Le Deluge presents a view of the post-apocalytic world. Another highlight promises to be It's A Mad Mad Nostril which its direc tor, Nissen Ritter, has enigmatically called "a bizarre dream of a GI Joe." SEND THE DTH TO SOMEONE AT HOME RATES: $2.50 per week for 1st class postage . $1.00 per week for 3rd class postage The Spring semester of 1982 is 14 weeks long Please al low 2-3 days for 1 st class, 1 0 days to 2 weeks for 3rd class .-'""HWWM """"""'"tmnmi PitcEsF parfeet llilllm.. V CD 3 S3 r c 111 I MT-::tsiiitTllii;ftli;:iiliitii;iiiiiinll11llllfTTrniTrrn rTTTTlllttfl iililf tilittn..a.i m niiiiiiii - ....mi Inliililiiillliililiiilliiilillm .!!! r I i I : 'H i. ' :: ! ! -m i , J I u H l:- I 'luili'il!!!.,,,, y'j'ljjj i i I Ml It i '"""H I.. i Hui ""lllll! THE EXCEPTION mmLJmm mmmmm n o) n V) a u j iamsSiead Plaza, C.iapel III 17 California Stereo Liquidators, Federal No. 95-3531037, will dis pose of, for a manufacturer's representative, their inventory surplus of new stereo equipment. The items listed below will he sold on a first-come first-served basis at . . . Sunday, November 15, 1981 HOLIDAY INN WEST 9:00 A. M. to 2:00 P. M. Hillsborough Rd. at US 15, West Durham, N.C. ONLY WHILE QUANTITIES LAST 5 Only AMFM Cassette Car Stereos, In Dash Disposal Value . Price $159. $29 each 5 Only AMFM 8 Trk Car Stereo In Dash $139 . $29 each 20 Only 8 Track Car Stereos, Underdash $69 $19 each 20 Only Cassette Car Stereos, Underdash $75 $25 each 32 Only AMFM8 track Car Stereos In Dash (Best) $165 $59 each 30 Only AMFM Cassette Car Stereos In Dash (Best) $189 $59 each 20 Pair Only Modular 4 Way Speakers $179 $89 pair 22 Pair Only Coaxial Car Speakers Giant Mags Value Disposal Price $89 $29 Poir 20 Pair Only Triaxial Car ; Speakers, Giant Mags $119 $49 pair 18 Only Graphic Equalizers g -merk a0 For Car, High Wattage $159 $39 each 23 Pair Only 2 Way Car Speakers. Dual Cone $49 $19 pair 10 Only AMFM in Dash Cassettes For Small Cars $225 $89 each 22 Only AMFM Cassettes For Car with Auto Reverse $225 $89 each 27 Only Power Boosters For Stereo, High Wattage $89 $29 each ALL BRAND NEW MERCHANDISE WITH FULL 2 YEAR WARRANTIES! Buy one or alt of the above qualities listed The Public is Invited VISA, MASTERCARD, CASH or PERSONAL CHECKS WELCOMED ONE DAY ONLY SUNDAY, NOVEMBER 15 ONLY WHILE QUANTITIES LAST!