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6The Daily Tar HeelFriday. October 22.
Mall exhibits spotlight
hospital's service area
By CHARLOTTE HOLMES
Staff Wrilrr
North Carolina Memorial Hospital
turns 30 today, and it is celebrating
with a birthday bash at University
Mall.
Students and area residents will be
able to compete in a wheelchair ob
stacle course, test out artificial voice
machines and watch artificial heart
lung machines in action at NCMH's
Anniversary Exposition scheduled for
Friday, Oct. 22 and Saturday, Oct. 23
at the mall.
4 Some 20 different departments
will have exhibits at the mall which are
designed to both involve and educate
the community," said John Stokes,
NCMH director of public affairs.
"We are celebrating our anniversary
at the mall because it provides us with
an excellent opportunity to spotlight
some of our service areas."
Ann Johnson, marketing director
for University Mall, estimated that as
many as 15,000 people may visit the
exposition during its two-day run.
Free health screening will be avail
able at the exhibits.
Visitors can be checked for vision
accuracy, glaucoma, cataracts and
hearing loss at the opthalmology ex
hibit and can test for heart ana lung
blockages at pulmonary function and
cardiac graphic lab's stations. At the
occupational therapy booth, volun
teers can test their grip strength and
hand-eye coordination. Free posture
evaluation, blood pressure checks and
blood-typing will be available at other
exhibits.
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At Mr. Gatti's when we say we make the best pizza in town, we mean it!
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Since the hospital's opening in Sep
tember 1952, it has undergone drama
tic changes, Stokes said.
A single room, for example cost $27
a day including room, board and
private bath in addition to all hospital
services such as lab tests. X-rays, use
of operating and delivery rooms and
drugs. The facility housed only 78
beds, with 229 employees, 92 faculty
members and 48 interns.
In contrast, a single room today
costs $205 a day without the extras.
There are 630 beds with 3,300 em
ployees, Stokes said.
The UNC School of Medicine has
existed since 1879 but the need for a
teaching and a state referral hospital
and for the school prompted the
state's funding of NCMH in 1952,
said John Becton of NCMH Public
Affairs.
"The state wanted to expand the
medical school here from a two-year
program to a four-year school," Bec
ton said. "To establish a four-year
program, you need a good hospital.
The state made the decision to build a
teaching and referral hospital to en
hance the medical school as well as im
prove the general health conditions in
North Carolina."
Becton said a nationwide survey
completed sometime after World War
II showed that the general health of
the typical North Carolinian was
poor. As a result, the state im
plemented the "Good Health Pro
gram" to relieve the shortage of doc
tors and hospitals. NCMH was found
ed to achieve this goal, Becton said.
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North CsrcHna Meihorisl celebrates 30th birthday
...hospital complex to have health exhibits at mall
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Symphony
By DAVD3 McHUGH
Staff Writer
You can't miss with Beethoven's Ninth
Symphony; no matter how badly you play
it, people soil stand up and yell. The work,
like a few others, has become so familiar
that by now everyone has his own ideal
version, playing along in that inner concert
hall where no note can ever go awry (von
Karajan must be conducting). Most people
will hear this imagined version in any per
formance. But if an indifferent performance
pleases, a good one thrills, and Gerhardt
Zimmermann and the North Carolina
Symphony gave , a good performance
Wednesday night in Memorial
Auditorium.,
The Ninth is difficult to conduct, re
quiring a large orchestra, four soloists and
a big choir. And the more performers, the
more things can go ; wrong; Just 'gating
everything balanced and cued in at the
right time is a headache.
But Zimmermann, whose affinity for
Mahler and Strauss equips him perfectly
for such tasks, "handled the details with
aplomb.
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eievision
Critic discusses
By MONT ROGERS
Siaff Writer
Television has become a major cultural
force in American society. More than $10
billion . has been invested by Americans in
TV sets alone. But in past few years
various groups have questioned the quali
ty of network television. Their tactics
have included boycotting certain shows
and creating negative publicity for shows
which they regard as bad.
Television critic Dr. Robert Schrag,
media analyst and assistant professor of
.speech communications at North
Carolina State University, has taken a
more positive approach to television
criticism. In a speech sponsored by the
UNC speech department Wednesday, Dr.
Schrag introduced his methodology for
TV program analysis.
"There are good things on commercial
TV. There is as much quality program
ming as on PBS, and more than in the
movies," he said. "We are suspicious
about commercial TV because there is
more garbage, more junk but there is a
lot of good stuff as well.
"I've always felt that TV critics have
no clothes, they have no 'methodo
logy,' " Schrag said. With this in mind,
Schrag formulated a new approach to TV
criticism based not on "counting the
stabbings," or how bad the program is,
but based on the relative merits of the
program according to a theory called
Fantasy Beam Analysis.
Schrag's Beam analysis, focused on
how much the program reflects society's
values and beliefs about how people in
perforins
Control and discipline marked the entire
performance, and the orchestra sounded
unusually well-rehearsed. Tempo choice
was appropriate throughout, especially in
the Adagio, which must be played very
slowly but not be allowed to slacken
musically. Zimmermann's tight control of
phrasing kept the long, slow melodic lines
taut and vitaL
The string playing sounded rich and
polished, most noticeably in the low
strings. The violins played crisply, even in
the tricky second movement. Entrances
were sharp, and the sound thick with
vibrato
But Zimmermann did more than just
direct traffic. His conducting showed
warmth and good humor, over and above
technical polish. This symphony is filled
with large gestures, like the thundering
timpani in the second movement and the
repeated anticlimaxes of the last move
ment. Zimmermann made the most of T
them, letting the tunpam hammer away
fortississimo and exaggerating the
dramatic pause before the bassoon drolly
heralds a march-like parody of the last
movement's main theme.
The singing was at least adequate in all
respects, and occasionally very good. The
choir, made up of the Durham Civic
Choral Society and UNCs Carolina
Choir, sang clearly and more or less in
tune. Soloists Penelope Jensen, soprano,
Donna Banks Dease, contralto, Walter
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teract, or the "fantasy" of how people
should act and grow.
The shows that Schrag regards as the
best based on this method of analysis are
MASH, Lou Grant, Taxi and Barney
Miller. "These programs share human
awareness of the group and the person,"
Schrag said.
An extension of Schrag's theory md an
important quality to be considered in pro
gramming for the youth is found in The
White Shadow and Fame, "Adults (in the
shows first mentioned) have already had
an established system of values and
beliefs, but the White Shadow confronts
new values as they evolve," Schrag said.
Schrag's next step of research, after de
veloping this method of criticism, is de
termining how much the programs people
watch reflect their basic values. "Are
those reflections of our vision of the
world, or do they shape our vision of the
world," he said.
"Critics must create an audience,"
Schrag said, commenting on the respon
sibility of critics to improve the awareness
of. the television audience. "We grow up
assuming people know how to use televi
sion, but we find they use it for the least
constructive function, to wash the
mind."
Schrag said the critic's job is to create a
better audience, but he emphasized the
role that the educated, artistically sophis
ticated person should play in refonning
television.
"The sophisticated audience comes to
the TV more critical, and becomes an im
portant input factor in creating a better
audience," Schrag said.
Carringer, tenor and Samuel Timberiake,
baritone, sang with balance and expres
sion. Timberiake deserves special praise
for projection and dramatic style, but not
for singing in German with an Alabama
accent.
The program opened with an uneven
rendition of the Beethoven Violin Con
certo in D. Soloist Richard Luby, a pro
fessor of violin at UNC, sounded shaky
from the start, playing with an insecure
sound, a tremulous and tense vibrato and
occasional problems with pitch.
In addition, Luby unfortunately skated
over several long passages without much
interest or insight. This concerto provides
little in the way of purely technical
acrobatics, and the interpreter must ad
dress the music, or fail to please. Parts of,
the first movement will sound like just so
many scales and arpeggios unless the per
former makes the subtle decisions' about
emphasis and phrasing that separate mak-'
ing music from just playing the notes. ,
Things did pick up a bit in the last
movement, which Luby played with a
bounce and energy that helped make up
for other problems with the performance.
But nothing could spoil the evening's
primary revelation: Gerhardt Zimmer
mann, in his short tenure, has already
gone a long way toward molding the
North Carolina Symphony into a respecta
ble, professional-sounding orchestra.
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